Seven Keys to Baldpate

Yes this is the fourth version of the film and I am quite sure that the theatrical live play version of this mystery/story would have been quite entertaining as well. Having watched this 1947 film for the first time some seventy six (76) years subsequent to its initial release date I was pleasantly surprised how much I enjoyed this quirky mystery/crime/romance/comedy film.

Of course the on screen chemistry between two of the main characters author Kenneth Magee (Phillip Terry) and office secretary Mary Jordan (Jacqueline White) was very natural and amusing. The hectic pace between the other five (5) key holders residing at Baldplate only added to the mystery and comedy of the film. I only wish I could have seen them play their respective roles in a live theatre version performance of Seven keys To Baldplate. I am very fond of Ms. White's natural atlent in all of her films as well as with her natural beauty. An added bonus is Ms. White's acting career was fulfilled without any on screen or off screen scandals, not so typical of todays social media crazies.

I enjoyed the film considerably and as such I have rated it a deserving 7 out of 10 IMDb rating.

I caught "Seven Keys to Baldpate" on TCM and found it ok if somewhat dated, similar to the likes of "Arsenic and Old Lace". The film is based on a stage play by the famed George M Cohan and has been filmed quite a few times prior. The movie is your basic mystery-comedy where a writer, Kenneth Magee (Terry), must go to the secluded Baldpate Inn to churn out a story in 24 hours in order to win a $5,000 bet (1947 dollars, so about $60,000 today). Well, a series of unusual circumstances and various menacing, comic and romantic characters step in to put a wrench in Magee's plans. Not great but enjoyable.

If you like stereotypical mystery films that are amusing at various levels, than this B movie is for you. Philip Terry, a lifelong B actor stars in the film as a mystery writer. He does a decent job in the role. Various other B actors flesh out the roles as red herrings, villains, and heroes.

Although the film is pretty much predictable, it is highly atmospheric, and captures the film noir aura of the late 1940s. It is a harmless way to pass an evening of ordering out pizza and watching a film that does not require a great deal of our attention. The plot is a bit convoluted and hard to swallow, and would not be possible to be sold today in the modern mystery market.

I'm aware of three versions of this film (1929, 1935 and this one from 1947). In my opinion, the best of the lot is the first version from 1929 with Richard Dix. This one contains more silly comedy and less mystery than the first.

You wouldn't be seeing this film at any other time other than the midnight to dawn schedule. A relatively effective start leads to a runaround that could very nearly have been farce. Its length denotes its depth: fairly clichéd characters stuck together in a remote country hotel, dying one by one in ways that surely must have been groansome even in 1947.... But at the time of the day I was watching it, my brain wasn't exactly working on all cylinders, so it amused me.

Of particular note is Phillip Terry, whose acting is nothing short of woeful: he is clearly not suited to the type of character he is playing here. The fact that he is playing the main character makes it stand out terribly, and it isn't improved when the tone of the film (and the role) changes as the film goes on.