CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.
- Dirección
- Guionistas
- Elenco
Cedric Hardwicke
- Julian Wilde
- (as Sir Cedric Hardwicke)
John Alban
- Concertgoer
- (sin créditos)
Jimmy Aubrey
- Nelson
- (sin créditos)
Brooks Benedict
- Concertgoer
- (sin créditos)
Wilson Benge
- Police Criminologist
- (sin créditos)
Paul Bradley
- Concertgoer
- (sin créditos)
Colin Campbell
- Wilberforce
- (sin créditos)
Jack Chefe
- Pierre the Headwaiter
- (sin créditos)
Opiniones destacadas
An interesting curio for Lucille Ball fans as well as those who enjoy old horror and mystery films. This one is worth seeing for its cast alone, featuring (in addition to Ms. Ball): Boris Karloff, Sir Cecric Hardwicke, Alan Napier, George Zucco and George Sanders! This solid mystery/thriller stars Lucille Ball in a dramatic part before she became Lucy Ricardo. She plays a feisty American gal in England who is hired by Scotland Yard to go undercover to trap a serial killer who claimed one of her friends. Boris Karloff's role is a small one but it's absolutely wonderful, and it's an essential watch for the actors' legion of fans. George Zucco is a cop who keeps an eye out for Ball to make sure she doesn't get into too much trouble. *** out of ****
As an user has pointed out,"lured" is the remake of Robert Siodmak's movie "Pièges" (1939) starring Marie Dea (Lucille Ball's part),Maurice Chevalier (Sanders' part) ,Erich Von Stroheim (Karloff's) and Pierre Renoir (Cedric Hardwicke's) Both versions are good.If ,like me,you've seen Siodmak's version first ,you'll probably find Sirk's work less interesting and vice versa . The differences between the treatments are minimal.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
Great, atmospheric tale of a struggling chorus girl (Lucille Ball)who is used as bait by London police to catch a serial killer who preys on women through newspaper personal advertisements.
Douglas Sirk is the Director of the Moment due to the release of the superb Far from Heaven -a remake of Sirk's All That Heaven Allows- and his films are now being rented and talked about as if they never existed. This film is a beautiful showcase for the almost larger-than-life characters, incredibly detailed sets, and use of lighting that would become trademarks for his later films.
Lucille Ball makes a great 'dame' and her dramatic abilities were sensational. Boris Karloff takes his one scene and plays it to the creepy hilt while George Sanders was a rather cool and sexy guy before he sealed his film fate as Addison DeWitt in All About Eve.
Lured maybe hard to find in most video stores but give it a chance if you come across it.
Douglas Sirk is the Director of the Moment due to the release of the superb Far from Heaven -a remake of Sirk's All That Heaven Allows- and his films are now being rented and talked about as if they never existed. This film is a beautiful showcase for the almost larger-than-life characters, incredibly detailed sets, and use of lighting that would become trademarks for his later films.
Lucille Ball makes a great 'dame' and her dramatic abilities were sensational. Boris Karloff takes his one scene and plays it to the creepy hilt while George Sanders was a rather cool and sexy guy before he sealed his film fate as Addison DeWitt in All About Eve.
Lured maybe hard to find in most video stores but give it a chance if you come across it.
The show closed after four days in London. Stranded Lucille Ball is working as a taxi dancer, hoping something will turn up. She's envious when the girl next to her tells her it's her last day; her tall, dark and handsome man is taking her away from all of this. The next day the newspapers announce it: she's the latest victim claimed by the Poet Killer, a serial killer who likes to send the police Baudelaire-inspired notes. Miss Ball goes to talk to Inspector Charles Coburn, who promptly hires her as bait.
Hunt Stromberg pulled out all the stops on his production: director Dirk Sirk, cameraman William Daniels, script credited to Leo Rosten, and a cast that includes George Sanders, Boris Karloff, Cedric Hardwicke, Alan Mowbray, Robert Coote... well, it was primed for success.
Mostly it's pretty good, with Miss Ball giving a varied and layered performance, and Sanders at his most charming. There are some issues with the show. As soon as he showed up on screen, I tagged the murderer. Miss Ball's engagement by the police as a decoy has too many details handwaved away, and she never gives the impression she feels herself at risk. That's what spike heels are for.
Still, the studio-bound movie shows its glitter on the screen, and in a theater in the dark, it should look like a fine couple of hours.
Hunt Stromberg pulled out all the stops on his production: director Dirk Sirk, cameraman William Daniels, script credited to Leo Rosten, and a cast that includes George Sanders, Boris Karloff, Cedric Hardwicke, Alan Mowbray, Robert Coote... well, it was primed for success.
Mostly it's pretty good, with Miss Ball giving a varied and layered performance, and Sanders at his most charming. There are some issues with the show. As soon as he showed up on screen, I tagged the murderer. Miss Ball's engagement by the police as a decoy has too many details handwaved away, and she never gives the impression she feels herself at risk. That's what spike heels are for.
Still, the studio-bound movie shows its glitter on the screen, and in a theater in the dark, it should look like a fine couple of hours.
Another noir film starring of all people Lucille Ball. A serial killer is on the loose in England who uses the personals column to lure his victims. Ball, who is an ex-pat in Blighty working as a dancehall companion, has a friend who goes missing so while giving her account to the local constabulary, the chief investigator strikes upon an idea to have Ball go undercover to see if the killer can be caught. Directed by the future king of the 50's melodramas Douglas Sirk, he manages to make a light noir feel fun & engaging w/o the prerequisite baggage which usually comes w/this sort of material. Aiding Ball admirably are the supporting cast of actors which includes George Sanders, Charles Coburn, Cedric Hardwicke & a scene stealer from Frankenstein himself, Boris Karloff.
¿Sabías que…?
- TriviaThe title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure.
- ErroresSandra's British Scotland Yard ID describes her eye and hair colors. They are referenced as "color", which is the American spelling, instead of the British spelling, "colour".
- Citas
Sandra Carpenter: What is it tonight? A sweepstakes for zombies? I hope you two will be very happy.
- Créditos curiososOpening credits: a flashlight pans along the side of a building, and the credits are written on the side of the wall.
- ConexionesFeatured in Vampira: Lured 1947 (1956)
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- How long is Lured?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Lured
- Locaciones de filmación
- Piccadilly Circus, Piccadilly, Londres, Inglaterra, Reino Unido(opening establishing shots - archive footage)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 700,000
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Relación de aspecto
- 1.37 : 1
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