CALIFICACIÓN DE IMDb
7.0/10
5.5 k
TU CALIFICACIÓN
La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.La policía británica busca a un asesino en serie que atrae a sus víctimas, mujeres, a través de anuncios en el periódico, y que les manda pistas crípticas en forma de poema.
- Dirección
- Guionistas
- Elenco
Cedric Hardwicke
- Julian Wilde
- (as Sir Cedric Hardwicke)
John Alban
- Concertgoer
- (sin créditos)
Jimmy Aubrey
- Nelson
- (sin créditos)
Brooks Benedict
- Concertgoer
- (sin créditos)
Wilson Benge
- Police Criminologist
- (sin créditos)
Paul Bradley
- Concertgoer
- (sin créditos)
Colin Campbell
- Wilberforce
- (sin créditos)
Jack Chefe
- Pierre the Headwaiter
- (sin créditos)
Opiniones destacadas
Director Douglas Sirk, later best-known for sappy Hollywood melodramas, makes this early Lucille Ball vehicle about a killer that writes poetry to the police about the victim he is going to kill. Ball plays a dance hall girl that loses a friend and decides to help by joining the Scotland Yard force. She begins to answer personal ads by men looking for attractive young women. Along the way she comes in contact with a slaving-like operation and a bizarre eccentric fashion designer played with incredible gusto by Boris Karloff. Karloff has roughly 5 minutes of screen time, but boy does he know how to use it. This is a very enjoyable film. If you are looking for a lot of action - look somewhere else. What you get here is a lot of talk and character studies. The cast is one of the most complete I have seen in some time. George Sanders, Cedric Hardwicke, Charles Coburn, Robert Coote, Alan Napier, George Zucco and Alan Mowbray round out this incredibly talented cast. Zucco really stands out as a plain-clothes policeman. Ball is beautiful, and she does a very credible job in the lead. Sometimes I forget that she was a gorgeous woman with a lot of talent other than making you laugh. But that was certainly her greatest gift. Lured is a good, old-fashioned mystery yarn. The killer is painfully obvious about halfway through, but the actors go through the motions with obvious relish. Unfortunately the DVD release I had by KINO had nothing on it all all in terms of extras...didn't even separate chapters from main feature!
An interesting curio for Lucille Ball fans as well as those who enjoy old horror and mystery films. This one is worth seeing for its cast alone, featuring (in addition to Ms. Ball): Boris Karloff, Sir Cecric Hardwicke, Alan Napier, George Zucco and George Sanders! This solid mystery/thriller stars Lucille Ball in a dramatic part before she became Lucy Ricardo. She plays a feisty American gal in England who is hired by Scotland Yard to go undercover to trap a serial killer who claimed one of her friends. Boris Karloff's role is a small one but it's absolutely wonderful, and it's an essential watch for the actors' legion of fans. George Zucco is a cop who keeps an eye out for Ball to make sure she doesn't get into too much trouble. *** out of ****
As an user has pointed out,"lured" is the remake of Robert Siodmak's movie "Pièges" (1939) starring Marie Dea (Lucille Ball's part),Maurice Chevalier (Sanders' part) ,Erich Von Stroheim (Karloff's) and Pierre Renoir (Cedric Hardwicke's) Both versions are good.If ,like me,you've seen Siodmak's version first ,you'll probably find Sirk's work less interesting and vice versa . The differences between the treatments are minimal.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
Another noir film starring of all people Lucille Ball. A serial killer is on the loose in England who uses the personals column to lure his victims. Ball, who is an ex-pat in Blighty working as a dancehall companion, has a friend who goes missing so while giving her account to the local constabulary, the chief investigator strikes upon an idea to have Ball go undercover to see if the killer can be caught. Directed by the future king of the 50's melodramas Douglas Sirk, he manages to make a light noir feel fun & engaging w/o the prerequisite baggage which usually comes w/this sort of material. Aiding Ball admirably are the supporting cast of actors which includes George Sanders, Charles Coburn, Cedric Hardwicke & a scene stealer from Frankenstein himself, Boris Karloff.
For those of you who only know Ms. Ball as the "dizzy redhead" in the 50's sitcoms, you're in for a TREAT!
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
Before making the above, she was in many films -- Marx Brothers, The "Annabel" series, and this great film.
Backed by a solid cast (Zucco, Sanders, Karloff, Napier, Coburn), she acts as the "bait" to lure a London killer out of hiding.
Even tho (at least to ME) it was obvious who the killer is, it is fascinating watching her in a non-comedy role! And, she certainly was lovely!
If you get a chance to see this, DO SO! You won't be disappointed! It's a shame that she didn't make more films in this genre.
¿Sabías que…?
- TriviaThe title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure.
- ErroresSandra's British Scotland Yard ID describes her eye and hair colors. They are referenced as "color", which is the American spelling, instead of the British spelling, "colour".
- Citas
Sandra Carpenter: What is it tonight? A sweepstakes for zombies? I hope you two will be very happy.
- Créditos curiososOpening credits: a flashlight pans along the side of a building, and the credits are written on the side of the wall.
- ConexionesFeatured in Vampira: Lured 1947 (1956)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Lured?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Lured
- Locaciones de filmación
- Piccadilly Circus, Piccadilly, Londres, Inglaterra, Reino Unido(opening establishing shots - archive footage)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 700,000
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Poesia en el crimen (1947) officially released in India in English?
Responda