Vivir con papá

I saw this film - once again on the indispensable American Movie Classics Channel - for the first time recently and it has quickly become one of my favorites. It perfectly captures the flavor of Clarence Day's books and draws us completely into the era and into this particular New York brownstone. This was my first viewing of William Powell in what was surely his quintessential role; his work is superb, as is the marvelous chemistry between him and Irene Dunne as his "dear Vinnie". The source of the movie was Clarence Day Jr's three books - "Life With Father", "Life with Mother", and "God and My Father" - which recollect his growing up in late 19th century New York in the well-to-do household of his irascible, catankerous, but ultimately loving father Clarence Sr. As the books are mere strung-together pastiches, it must have been a challenge to assemble them into a coherent whole with a story line. Howard Lindsay and Russel Crouse succeeded, in the play on which the film is based, and screenwriter Donald Ogden Stewart transferred it to celluloid very nicely. A wonderful character study, and a beautiful snapshot of life in late 19th century New York. Viewers who enjoy it are well-advised to find the books on which they are based (the library is your best bet; the books have gone out of print since their best-seller days long ago). At the conclusion, one hates to have the movie end; you want to spend just another day or two in the Day household.

In his third and final Oscar nomination, William Powell was nominated for playing the bellowing and lovable 19th century domestic tyrant Clarence Day, Sr. in Life With Father. If he had to lose I'm sure Powell was glad it was to his very good friend in real life Ronald Colman for A Double Life. Still with that strange flaming red hair on top of his familiar features, Powell imprints his own personality on the leading role of the longest running play on Broadway up to that time.

Based on the recollections of Clarence Day, Jr. as played by Jimmy Lydon here, Life With Father ran for eight years on Broadway for 3447 performances. It was brought to the stage by Howard Lindsay and his two partners, writing partner Russell Crouse who adapted Day's work to the stage and life partner Dorothy Stickney who with her husband got their career roles on Broadway. The play ran from 1939 through 1947 taking America right through World War II. The time that it was written and presented to the public may account for its popularity as the public might just have wanted reassurance of American values at that critical point.

As Lindsay and Stickney had no kind of movie box office, Warner Brothers decided to acquire William Powell for the lead and cast Irene Dunne as the wise mother who has learned just the right way to handle her husband and inevitably get what she wants. Powell is a man who thinks when all else has failed, he can bellow his way through any situation. My favorite line in the play is when he tries to hire a maid and that title quote is when he's asked for references.

Warner paid a lot in loan outs for this film. Irene Dunne was not a contract employee of his studio and Elizabeth Taylor was also borrowed from MGM for the small, decorative part of a cousin that gets Jimmy Lydon and Martin Milner's hormones in an uproar. The part that Taylor plays was originated on Broadway by another future film star, Teresa Wright.

Incidentally Martin Milner reminisced many years later about the film and said of all the boys and of course Powell, he was the only natural redhead among the lot.

Edmund Gwenn fresh from an Oscar himself for Miracle on 34th Street plays the Episcopalian minister who is trying to get a large contribution from Powell for a new church. Their discussion is also a highlight of the play and the fact that Powell had never been baptized is also a subject of a lot of humor.

Father still had life well into the Fifties with a television series adapted from the play that starred Leon Ames as dear old dad.

The play, the film still have a lot of character in it.

Life With Father is one of my favorite movies. How could you possibly go wrong with two legends of the Silver Screen, William Powell and Irene Dunn, and the wonderful ZaSu Pitts! I love everything about this movie...the time period of the early 1900's New York, the sets and costumes, the interweaving story lines, the acting, the charm and sweetness...I wish this movie could have had a sequel...William Powell and Irene Dunn are absolutely brilliant in this movie. Thank you Clarence Day, Jr. for sharing this wonderful story...

... that I could watch once a month every month, year in and year out, and of which I would never tire.

The Day family is headed by the authoritarian and often eccentric father, Clarence Day Sr., played brilliantly by William Powell. Powell brings his signature charm and wit to the character, making Clarence Sr. A lovable figure despite his quirks. Irene Dunne portrays his equally strong-willed but supportive wife, Vinnie, with grace and impeccable comedic timing. The chemistry between Powell and Dunne is the film's backbone, with them often being at odds, at least on the surface.

Set in late 19th-century New York City, it captures the charm and idiosyncrasies of this conservative Victorian family in a lighthearted and amusing manner. Clarence Day demands that the family finances be run on a business basis, but his family thwarts him at every turn. However, the main conflict in the film occurs when Vinnie discovers, by Clarence Sr.'s own admission, that he has never been baptized. Being dogmatic about the Protestant religion, she openly fears for his soul, believing that he will not be admitted into heaven without this event occurring, and even wondering if they are really married in the eyes of God. Day finds the whole business ridiculous and refuses to be baptized, since he would feel himself to be a spectacle to be baptized in middle age. Religion is something he tolerates as long as it does not become a bother.

Along the way a haunted suit, a ceramic pug dog, patent medicines prior to the FDA, a revolving door of maids, and the oldest son of the family, Clarence Jr., wondering if Episcopalians and Methodists can peacefully coexist (he wants to court a Methodist girl and he is Episcopalian) create charming situations that make this movie special. Expertly directed by Michael Curtiz who manages to make this play adapted into a movie not appear episodic.

The casting of this film actually turned into a mini "Scarlet O'Hara War" in regards to who would play Mrs. Day. Myrna Loy, Rosalind Russell, Rosemary DeCamp, Jean Arthur, Bette Davis, and Mary Pickford all campaigned for the job but in the end lost out to Irene Dunne. Pickford took the loss especially hard, hoping that this would be her comeback role.

Life With Father, the story of an eccentric, excitable 1880s gentleman and his continually exasperating family is the perfect showcase for the under-appreciated talents of William Powell. Powell, best know for his work with Myrna Loy in the "Thin Man" series of films. Powell uses every second of this plum role to display his charming style and verbal acuity.

The story is simple: Powell and his wife, played by Irene Dunne, face a series of calamities, some serious and some ridiculous, mostly brought on by their four rambunctious, red-headed sons. After a visiting cousin brings along fifteen-year-old Elizabeth Taylor, events are put into motion which threaten to turn Powell's neatly-ordered world upside down.

The performances are uniformly fine, and Powell and Dunne are absolutely sterling. A supporting cast that includes Zasu Pitts, Edmund Gwenn and early appearances from Martin Milner and Elizabeth Taylor round out the picture quite well. If there is anything to detract from the complete enjoyment of the film, it is Taylor's performance, which can get grating, but hey, she's just a kid, and when you look at her, you can already see the amazing beauty still to come. The exceptional visual style of the film makes you long for the day when people rode in horse-carts to Delmonico's for dinner.

Watch for some classic dialogue between Powell and Dunne over the cost of a new coffee pot, between Powell and his son about "the facts of life where women are concerned," and the nonsensical wordplay over the return of a Porcelain Pug-Dog.