Tengo derecho al amor

what a treat - what a delight! i'd never heard of this movie, but hung in for the opening scenes and was hooked within 20 minutes - so much subtle comedy, i found myself waiting for and wanting more laughs and was always rewarded with clever, witty lines, especially from the brother-in-law.

Ronald Coleman is picture perfect as the father and you can literally see the times a'changing before their eyes and catch the change in the children. you might think that the story is a bit predictable, but it has surprising plot turns. an unexpected gem - those here who trash this movie just don't understand classic and good cinema!

I watched this last night. I'd never even heard of it before so read the reviews here, which led me to expect it to be slightly dull but worth watching because of Ronald Coleman.

I didn't expect it to be so funny! Within the first ten minutes I was laughing out loud and I found it funny, sweet and charming all the way through.

The humor is very subtle, almost what I would call "British" humor, wry, sly and dry. The opposite of slapstick. Such great actors who can convey so much with a pause, a glance, wonderful to watch.

The movie is 60 years old, takes place nearly 100 years ago and thousands of miles away from where I live but I know people who are exactly like that. Which is probably why I found it so funny.

Perhaps the ending is a bit predictable but there were some nice plot twists in getting there. A quiet movie, yes, but not at all dull. I would definitely watch it again.

This is a different sort of Ronald Colman movie. In an odd move, he plays the central character in the film but is also a very flawed man--not the sort of likable guy you'd expect him to be. This was quite a risk, though with this film and A DOUBLE LIFE (both 1947), Colman took on some darker characters. Now I am not saying that Colman is evil in THE LATE GEORGE APLEY, but he certainly is as far from the guy you'd see him play in THE PRISONER OF ZENDA or LOST HORIZON as you could get!

Colman plays George Apley--the head of a distinguished but way too self-important family of quality in Boston circa 1912. He is the blue-bloodest blue blood in town and a man completely wrapped up in traditions. And, according to traditions, his two grown children should marry within their ranks--and not for love but for family honor. The problem is that the son does not want to marry the cousin who was always designated to be his wife and the daughter is in love with a Yale man (uggh, for shame that he didn't go to Harvard!). So the heart of the story is will Apley get with the times or will he remain stuck and duty-boud forever? Fortunately, his brother-in-law (Percy Waram) was there to gently nudge George in the right direction and although Waram is NOT a well-known actor, his smaller role was probably the most interesting and pivotal in the film. He easily upstaged other supporting actors in the film such as Richard Haydn and Midred Natwick.

The film is funny, but in a very, very subtle way. If you are looking for belly laughs, this is not your film. However, it is a nice film about social satire and it is well made form start to finish as well as very different---something I value considering how many films I have watched over the years. Well worth seeing.

Ronald Coleman has a resemblance to Errol Flynn but far exceeds him in gentility,suavity and urbanity. His voice is mellifluous and unlike any male actor of his time, even to this day.His portrayal of George Apley is really entertaining and very realistic as anyone would know by reading novels written at the time about Boston "brahmins". The character he plays is the quintessential Boston blue blood. He could portray outrage in a controlled manner expected of the character of George Apley and also profound sadness at the discovery of the drawbacks of Bostonian upbringing.The humor in the whole story is also genteel and yet manages to make some in the audience laugh out loud. I did as I watched this gem of a movie. This movie is a treat to watch for those who view a movie in all its dimensions. His character eclipses all the rest in the story including that portrayed by the great Mildred Natwick.

THE LATE GEORGE APLEY is the sort of comedy of manners that audiences could appreciate in the '40s and '50s before more explosive entertainment took center stage. It's performed with great charm and skill by a talented cast--and especially by Ronald Colman (in the sort of stuffy role he was born to play) and by the charming British actress Peggy Cummins. Viewing her here, one can understand why Zanuck found her unsuitable to play Amber St. Claire in FOREVER AMBER--charming but immature in stature and looks.

The cast seems to be relishing their roles in this tale of Boston bluebloods striving to uphold the family's social status. Vanessa Brown and Richard Ney, unfortunately, are the least appealing aspects of the supporting cast in rather colorless roles. Richard Haydn shines, as he always does in these sort of things.

Only fans of Ronald Colman can truly appreciate this sort of period piece. It flows smoothly but with little ventilation seeping into the musty households and other interiors and seems more like a stage play soon to be seen on Masterpiece Theatre.