Puños de oro

In the first few minutes of Killer McCoy, Mickey Rooney sings, dances, shoots some sharp pool, shows a range of emotions, and takes his shirt off to work a speed bag. Now I finally understand why he was able to get busy with Ava Gardner. He's a total stud.

This cynical boxing movie features fine work from Sam Levene, Brian Donlevy and Tom Tully, plus some showy acting from James Dunn.

Problem starts when Ann Blyth shows up. As with most gritty movies that shoehorn in a love interest, it falls apart quickly. We have to sit through a romance montage. And the movie loses its focus, turning into a chick flick where Rooney and Donleavy are focused on protecting the sweet, innocent Blyth. Snooze-O-rama.

What started out as a cynical look at poverty and the choices we make to escape it, ends up so soft and rounded and middle America it could have been made by Disney.

No he's no Di Niro but his street pug slugging came off very real. Mickey Rooney looked like he was really taking some shots up there and I wouldn't doubt it if he actually insisted on doing it for the realism. Either that or the editing deserved an Oscar! Interesting cameo of , Johnny Andrisiano,( Rocky ) the real-life fighter who trained Mic for the film. (And who died mysteriously-suicide?) Also keep your eyes peeled for a quick but fleeting glimpse of Shelly Winters as one of two autograph hounds in the car. James Dunn playing his poor song-and-dance soul was superb! This movie is a rare gem and it really deserves more credit than it's given.

In his second film since coming back from war service MGM thought that a remake of the Robert Taylor classic from 1938 The Crowd Roars would be perfectly suited for Mickey Rooney. With a little post war updating it was in fact a perfect film for him now entitled Killer McCoy.

As the ambitious young prizefighter Mickey Rooney is perfectly cast in the role. Although the role had to be taken down a few pegs in weight division, I believe Robert Taylor was a middleweight in the first film, given Rooney's size and build he's now a lightweight. But not in acting talent by any means.

As in the first film Rooney's Achilles heel is his father, a lovable drunk loafer who has a nasty habit of getting into bets involving slow horses. That puts Rooney in a vulnerable spot given his rising career as a boxer. Taking over from Frank Morgan who was great in the role in The Crowd Roars is James Dunn, equally as good.

In fact playing just such a part two years earlier had earned Dunn a Best Supporting Actor for A Tree Grows In Brooklyn. Sad to say that Dunn was playing a version of himself. At the time he was cast in A Tree Grows In Brooklyn, Dunn's drinking had rendered nearly unemployable. That Oscar gave his career a resuscitation, but Dunn would do mostly television after this role.

Rooney's love interest and also well cast as the sheltered daughter of gambler Brian Donlevy is Ann Blyth. They did work well together, too bad they didn't do a few more films. Also Sam Levene as Rooney's trainer gives a good performance as well.

Killer McCoy was a good part for Rooney. Sad to say in his next two films he was miscast and MGM dropped him. They should have given more material like Killer McCoy.

I just caught this movie on TCM not long ago and it features some of the best boxing sequences ever filmed. Starring Mickey Rooney, Ann Blythe and Brian Doneley. Mickey Rooney was in top form here and was very good in this film. It's easy to see why he was and is one of the most loved actors of all time. The movie is entertaining from beginning to end. Another great boxing film that also starring Mickey Rooney along side Anthony Quinn is Requiem For A Heavyweight made in 1963. (I believe that was the year.)Mickey Rooney plays the boxer's sympathetic trainer and is also very good in this one. Check Killer McCoy out the next time it plays on TCM.

This 1947 boxing flick, seems to have been an attempt by MGM to save the career of their former top box-office attraction, Mickey Rooney, by toughening up his image. Had the script been better, and the direction more interesting, they could well have succeeded.

The 27 year old Rooney couldn't play kids any more, and so MGM cast him as a young man literally fighting his way out of the slums by becoming a boxer. And he's very convincing in the role. He was always a sensitive performer, but this time he displays a maturity and a restraint that is remarkable. He is really listening and giving his all to his fellow actors, and so to the audience.

And he has some great actors to work with. The entire cast is very strong, but special mention should be made of the excellent Brian Donlevy, and, most especially the brilliant James Dunn. Playing Rooney's washed-out Vaudevillian father, Dunn is truly unforgettable - making the character both immensely likeable and totally loathsome.

Apart from the performances we also get some very nicely filmed, and exciting, boxing sequences. On the downside, the script is rather ordinary, the ending a bit sappy, and the direction unimaginative. But the film is well worth seeing for Rooney and Dunn at their best!