Luna de miel en México

This is an engaging little trifle, the kind of innocuous fluff that was a staple of the studios during the Golden Age.

Shirley Temple's films as a young adult are a mixed lot at best but this one does show off her genuine gift for comedy, certainly not as well as her next film The Bachelor and the Bobbysoxer would but she does handle her role here with a deft touch. Made when she was just eighteen it also shows that as a young girl she was quite a lovely lass.

Franchot Tone, that marvelous actor so often ill used by Hollywood, brings his exasperated charm to bear on his role of a put upon diplomat trying to help out Shirley and the young and impossibly handsome Guy Madison. Speaking of Guy, his role of the frustrated prospective groom doesn't really require much of him but earnest attractiveness and he fills that well.

All in all silly and light as a feather this confection breaks absolutely no new ground but does showcase its stars to pleasing advantage. What more can you ask from a slight entertainment like this.

Honeymoon is a sweet comedy starring two very capable actors. Shirley Temple is all grown up here, almost, as a seventeen year old who wants to wed her soldier boyfriend. The two plan to meet in Mexico City, but problems arise with arriving on time. They only have a short amount of time to marry so they want to make use of all the time they have as man and wife. However, absolutely everything happens to prevent that from happening. Temple enlists the help of a man from the American Consolate (Franchot Tone) to assist her, but she causes more problems for him than he could ever imagine.

Temple is certainly different than the little girl everyone remembers her as. She does the same movements with her mouth, but she has matured into a very beautiful young woman. She has a knack for comedy so she excels in this film. Tone equals her. He is older than in his Joan Crawford days, but he has the same sweet face and strong acting talent. He seems to have gotten smarter over the years which enables him to be a dominant figure as well as a funny one.

Franchot Tone is an American diplomatic officer in Mexico City. He's engaged to Linay Romay and has a bright future ahead of him. Then Shirley Temple shows up. She's supposed to marry Guy Madison, a corporal on leave from the Canal Zone. Only he's nowhere to be found.

Various things happen, including contributing to the delinquency of a minor, and Miss Temple will inevitably fall in love with Tone. This movie flopped hard, and there are several obvious reasons, beginning with Tone. He was stuck in this sort of role at the time, cast as the young man on the rise in his forties, exuding a slightly bewildered air proclaiming he should be doing Chekhov, not this tripe. Edward Cronjager seems at a loss as to how to photograph Miss Temple. Sometimes she looks 12, not yet grown out of her baby fat, and sometimes she looks a pretty young woman in her 20s. Also, she's playing a woolly-minded flibbbertigibbet, always changing her mind, and it's not really attractive.

One player who's spot on is Miss Romay as Tone's fiancee. She knew how diplomats and the people around them acted because she was the daughter of a diplomat, a Mexican consular attache in Los Angeles. With the right connections and talents, she became a singer in Xavier Cugat's band and married into the wealthy Gould family. She died in 2010 at the age of 91.

"Honeymoon" is a bad film. It's not terrible, but it is bad--mostly because the humor is very forced and the film seldom entertaining. More bluntly put, it tries way too hard to be kooky.

The film begins with an annoying young lady (Shirley Temple) coming to Mexico to marry a serviceman. However, through a long series of unbelievable and annoying situations (mostly caused by her), instead of the marriage coming off successfully, the diplomat who tries to help her (Franchot Tone) ends up getting in very hot water with everyone--particularly his fiancée who THINKS he's making time with this other woman.

The film is bad--mostly because the studio didn't seem to know what to do with Temple. While she possessed great talent, here they made her character really annoying and shrill--so much so that America's Sweetheart is now an annoying lady who seems to behave like a 14 year-old suffering through her first crush. She is supposed to be a woman...but rarely seems anything like one.

Barbara Olmstead (Shirley Temple) arrives in Mexico City hoping to marry her American GI boyfriend Phil (Guy Madison). He's late coming from the Panama Canal and there are the bureaucratic red tapes. US Embassy Vice Consul David Flanner (Franchot Tone) tries to help her, but that seems to elicit gossip. Nevertheless, he insists on accompanying her and she keeps mistaking every other GI for Phil.

The movie should start with Barbara and Phil together. They really need the time to build more chemistry. They are stiff as a couple. The situation is funniest when the young couple keeps budding into David's life to get help. His frustration is mildly humorous. Maybe Barbara and Phil should be dumb and dumber. That would probably work best for a comedy.