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Un hombre sueña que ha cometido un asesinato y luego empieza a sospechar que fue real.Un hombre sueña que ha cometido un asesinato y luego empieza a sospechar que fue real.Un hombre sueña que ha cometido un asesinato y luego empieza a sospechar que fue real.
- Dirección
- Guionistas
- Elenco
Jeff York
- Deputy Torrence
- (as Jeff Yorke)
Joey Ray
- Contractor
- (escenas eliminadas)
Loyette Thomson
- Waitress
- (escenas eliminadas)
Gladys Blake
- Bank Clerk
- (sin créditos)
Jack Collins
- Man
- (sin créditos)
Leander De Cordova
- Man
- (sin créditos)
Christian Drake
- Elevator Operator
- (sin créditos)
Stanley Farrar
- Bank Patron
- (sin créditos)
Julia Faye
- Rental Home Owner
- (sin créditos)
John Harmon
- Clyde Bilyou
- (sin créditos)
Michael Harvey
- Bob Clune
- (sin créditos)
Stuart Holmes
- Man with Packages in Elevator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Fear in the Night (1947)
This is one surprising film. It's not "great" for several reasons (it's not even very good), but it has great, bizarre, creative, daring aspects for a commercial film. In fact, its brilliance is only the more tragic relative to its drawbacks (a clumsy plot and some mediocre acting, unfortunately). But the special effects, dream sequences, and just plain surreal imagery are all worth the look.
There are a couple of deep flaws in the plot--like a group of four people drive up to a house they've never been to and because it's raining they go inside and make tea and take a nap. And the characters are kind of just going through the motions sometimes to get to the next step. Decidedly low budget. But you know how a low budget can inspire makeshift solutions--here we have room of mirrors, some hypnosis, a murder that the murderer can't remember, crazy dreams, and a brother-in-law who is a tough detective.
The two leads are Paul Kelley (rather good, the strength of the cast) and DeForest Kelley (solid, too, and later to be Dr. McCoy in Star Trek, yes!).
This is one surprising film. It's not "great" for several reasons (it's not even very good), but it has great, bizarre, creative, daring aspects for a commercial film. In fact, its brilliance is only the more tragic relative to its drawbacks (a clumsy plot and some mediocre acting, unfortunately). But the special effects, dream sequences, and just plain surreal imagery are all worth the look.
There are a couple of deep flaws in the plot--like a group of four people drive up to a house they've never been to and because it's raining they go inside and make tea and take a nap. And the characters are kind of just going through the motions sometimes to get to the next step. Decidedly low budget. But you know how a low budget can inspire makeshift solutions--here we have room of mirrors, some hypnosis, a murder that the murderer can't remember, crazy dreams, and a brother-in-law who is a tough detective.
The two leads are Paul Kelley (rather good, the strength of the cast) and DeForest Kelley (solid, too, and later to be Dr. McCoy in Star Trek, yes!).
Very decent noir thriller that is just that little bit different. Difficult to describe without giving everything away and I have to say that at a certain point about two thirds into the movie, I guessed what was going on. I doubt views in the 40s did though and this remains a most unusual movie with some very real scary moments. Not a lot or tearaway action but plenty of mind games and surreal goings on. The opening is spellbinding and an absolute thrill, the acting with DeForest Kelley and Paul Kelly is fine, even if the latter struggles now and again in what is a very difficult role. Clearly made for nothing, written and directed by Shane, this is a great example of what can be done in cinema with just a bit of imagination and a decent story.
Still more film noir - and quite a grabber it is. First of all - Kelly and Kelley are excellent. The story - short as it is - will have you paying attention from top to bottom..
This is a tight, well-scripted movie. It is, of course, small-budgeted, but it is big on excitement. This flick is well worth your time and, as is usual with these dark flicks, you have to pay constant attention - no wandering minds allowed. "Fear In the Night" is worth your time.
The gals are good - what little they have to do.
It is fascinating to watch DeForest Kelley when he was just getting started. He does well with his 'rabbit-caught-in-the-headlights" expressions.
Anyway, check this out. One more thing - the attempted suicide scene is almost Hitchcock-like.
This is a tight, well-scripted movie. It is, of course, small-budgeted, but it is big on excitement. This flick is well worth your time and, as is usual with these dark flicks, you have to pay constant attention - no wandering minds allowed. "Fear In the Night" is worth your time.
The gals are good - what little they have to do.
It is fascinating to watch DeForest Kelley when he was just getting started. He does well with his 'rabbit-caught-in-the-headlights" expressions.
Anyway, check this out. One more thing - the attempted suicide scene is almost Hitchcock-like.
This is a sadly forgotten, but fantastic film noir gem released in 1947, and based on a story by the renowned author Cornell Woolrich . The opening is an amazing and surrealistic dream sequence up along with, say, Polanski's dream sequence in Rosemary's Baby. Straightforward plot, good though perhaps not great actors, and decent directing. It was a low budget production which is apparent, albeit not a nuisance.
A remake was made by the same director nine years later. The original had a tenser atmosphere which corresponded well to the surrealistic formula. On the other hand, the remake had Edward G. Robinson starring in a supporting role.
An unnecessary detail in the remake was a musical ingredient that was extended to the protagonist being a musician. The upbeat jazz music, absent in the original, actually interfered with the tense atmosphere. However, this was the style in the mid-fifties cf Hitchcock's remake of The Man Who Knew Too Much (also released in 1956) that featured one of this year's greatest hits, Que sera sera.
Contrary to Hitchcock's successful remaking, Fear in the Night surely didn't need one, and the remake - Nightmare - isn't more of a classic today than its original version.
A remake was made by the same director nine years later. The original had a tenser atmosphere which corresponded well to the surrealistic formula. On the other hand, the remake had Edward G. Robinson starring in a supporting role.
An unnecessary detail in the remake was a musical ingredient that was extended to the protagonist being a musician. The upbeat jazz music, absent in the original, actually interfered with the tense atmosphere. However, this was the style in the mid-fifties cf Hitchcock's remake of The Man Who Knew Too Much (also released in 1956) that featured one of this year's greatest hits, Que sera sera.
Contrary to Hitchcock's successful remaking, Fear in the Night surely didn't need one, and the remake - Nightmare - isn't more of a classic today than its original version.
OK, this is a little film noir from 1947. You can stream this one for free on Netflix or for free at Archive.org. Fear in the Night is about a man (Vince) who has a terrible nightmare in which, he kills a man in a strange mirrored room.
When he wakes up he discovers that he has blood on his wrist on bruises on his neck just like in his dream. Slowly Vince begins to realize that he may have actually committed the murder that he dreamed about. In a panic Vince enlists the aid of his brother in law Cliff and the two of them try to figure out what happened before Vince is arrested for murder.
You can tell right away that this was made on a modest budget and some of the acting is pretty atrocious but, it's an interesting crime drama and was an enjoyable watch.
This movie was re-made with the same director in 1956 with Edward G. Robinson. This time it was called Nightmare.
This is the feature film debut of DeForest Kelley who later went on to play "Bones" on Star Trek.
When he wakes up he discovers that he has blood on his wrist on bruises on his neck just like in his dream. Slowly Vince begins to realize that he may have actually committed the murder that he dreamed about. In a panic Vince enlists the aid of his brother in law Cliff and the two of them try to figure out what happened before Vince is arrested for murder.
You can tell right away that this was made on a modest budget and some of the acting is pretty atrocious but, it's an interesting crime drama and was an enjoyable watch.
This movie was re-made with the same director in 1956 with Edward G. Robinson. This time it was called Nightmare.
This is the feature film debut of DeForest Kelley who later went on to play "Bones" on Star Trek.
¿Sabías que…?
- TriviaThe film marked Maxwell Shane's directorial debut, and the feature film debut of DeForest Kelley (1920--1999), a prolific character actor in both motion pictures and television who was best known for his role as "Dr. Leonard 'Bones' McCoy" on the television series Star Trek and its subsequent feature film adaptations.
- ErroresWhen Cliff runs out of the hotel onto the sidewalk and looks up to see Vince about to jump from the window, the sidewalk is wet, having just rained. But when he quickly runs back into the hotel to save Vince, it's dry.
- Citas
Vince Grayson: I've got an honest man's conscience... in a murderer's body.
- Créditos curiososAuthor Cornell Woolrich is billed as "William Irish", one of his regular magazine pseudonyms.
- ConexionesFeatured in Carolina (2003)
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- How long is Fear in the Night?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- And So Scared to Death
- Locaciones de filmación
- 1203 West 7th Street, Los Ángeles, California, Estados Unidos(Commodore Hotel)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 12min(72 min)
- Color
- Relación de aspecto
- 1.37 : 1
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