No me abandones

When the macLean family catches gemma (Ida Lupino) wandering around the closed rooms of their venice mansion, they learn what a scoundrel dubrok is. But there are two dubroks! Caryl (Gig Young) is the prim and proper one, while sebastian (Flynn) is the troublesome, artistic, bohmian one that gemma knows. So the macLeans rush out of town to keep their daughter from getting mixed up with any dubroks. So the brothers take gemma and her baby to go find fenella (Parker) and straighten the mess out. When they find her, sebastian and fenella talk alone. Fenella can't make up her mind which brother she likes. Life is confusing. And when people "talk" in the moonlight, sometimes it means more happened, during the film code... it's ok. Takes a long time to get where its going. And the ballet scene goes on way too long. Will fenella steal gemma's man? She flutters her eye lashes, and floats back and forth between them. This warner brothers version, and the 1935 UA film are both based on the novel and play by Margaret Kennedy.

I saw this on TCM and had read in several review books that this was a bomb remake of an earlier picture with Elizabeth Bergner,but I was charmed by this film and like Ida Lupino and Errol Flynn's chemistry a lot. The other actors(especially Eleanor Parker) are also quite good and the film is quite a change of pace from the swashbucklers,war filmsand Westerns Flynn was in a lot. I enjoyed it a lot,and wished Lupino and Flynn had had another outing in a better film. This is a good instance of Flynn's natural ease on screen,and his sex appeal even when playing a cad in rags! Not many actors could do as well with this selfish playboy role as Errol did-so underrated an actor.Ida is always watchable,too.

The best thing I can say about this movie is that Errol Flynn seemed to be enjoying himself. He is relaxed and natural. Same with Ida Lupino, actually. None of her usual brittle intensity.

But my gawd the story. Is it a love quadrangle? Is he a composer or a busker? Is Lupino supposed to be a woman or a teenager. Is there a world where Gig Young is a serious rival of Flynn's when it comes to women? Is Eleanor Parker's character actually alive or just a mannequin?

And the lighting and makeup is ghastly. In some scenes Lupino looks like she's wearing circus makeup. In some scenes Flynn looks, I can't believe I'm about to type this, unattractive. It takes a special kind of ''talent" to pull that off.

The whole thing is so inert, so lifeless. Seeing Flynn in those lederhosen or britches or whatever. Kinda humiliated for him.

I think the casting of the actors is exceptionally good and Errol Flynn's nonchalant manner fits perfectly in this story. I felt it demonstrated the lesson that we don't appreciate what we have until it is too late and is taken from us. We mustn't take love for granted.

I was particularly interested to see Albert Bassermann appearing in this film and recognized his voice immediately because of his next and last acting performance which was in the famous 1948 film "The Red Shoes" in which he had a fairly significant role - not bad for an actor nearing 80 years of age!

Ida Lupino as 'Gemma' is cast adrift after a short union in marriage which produced a son, but she must fend for herself when tragedy ends the union. She links up the Sebastian (Flynn), a musician, who also happens to have a brother that is in music too.

I like the moderate display in this production of the film, nothing overblown or showy, but just plain and simple, almost like a stage production in a way and more true to the story.

It's an excellent movie and well worth seeing.

Escape Me Never is a remake of the 1935 version that earned Elisabeth Bergner both an Oscar and Rag nomination for Best Actress. The movies are so similar, I can't really figure out why Hollywood decided to remake it at all. And even though Errol Flynn is gorgeous and has an additive screen presence, he's not particularly likable in this one.

Ida Lupino starts the movie off being a real pill, and she barely gets any better. She pretends to be a schoolgirl, sneaks into a guided tour of a wealthy family's estate, snoops around in rooms she shouldn't, and when she gets caught, she throws a temper tantrum and insists on telling her entire life story to the wealthy family all while getting a free meal, which was her main objective anyway. She creates a huge misunderstanding and breaks up Gig Young's relationship with the wealthy, classy Eleanor Parker, because Eleanor's parents think Gig has fathered Ida's baby. In truth, Gigs brother Errol Flynn is living with Ida, even though he's not the father and has no real feelings for her. Then, when the trio goes on a quest to win Eleanor back, Errol wins her heart instead. Talk about a complicated love triangle!

This isn't the worst movie, and it has a classically dramatic storyline that's usually only found in old films. If you like needlessly dramatic plot points and unlikable, implausible romances, you can give this one a shot.