Nochebuena

This film is absolutely charming. It is fun, keeps you in a bit of suspense and the acting is wonderful. The story is really three in one. Three adopted son's must come home before midnight on Christmas Eve in order to save their mother's home. George Raft is spectacular as the gangster/misfit son and Ann Harding does a great job as the aged mother although that is one roll that may have been played better by someone who was actually elderly. Harding was only in her forties and at times her performance was a bit flawed. Randolph Scott is perfect in his cowpoke roll and Brent is perfect as the playboy. Add in Joan Blondell and Virginia Field and the cast is really complete. The chemistry and sparks between Scott and Field's is so cute. Blondell does what she does best as the blond bombshell. The cast overall is superb and you have the joy of watching three stories unfold. This movie is wonderful to watch any time of the year but especially at Christmas. The true meaning of Christmas is shared in that family is more important than self.

Ann Harding plays an old spinster whose fortune is about to be taken over by her nephew (Reginald Denny) in "Christmas Eve," a 1947 film also starring George Raft, George Brent, Randolph Scott, and Joan Blondell.

Harding is Matilda Reed, a very wealthy old woman living in a New York mansion. Her nephew is about to have her committed and take over her fortune, but before the Judge can take action, Matilda begs him to stop by on Christmas Eve to meet her three sons, assuring him that they will stand by her.

These were three children she adopted as babies. Even though she has no idea where any of them are, she is certain they will be there as soon as she makes the fact that she needs help public.

The boys took off when they reached adulthood to make their own way and not take advantage of her.

We then see where they are now and what they're doing, which in a way is like three separate movies, particularly the Raft section, which is way out there. The first son is Michael (Brent), who is bouncing bad checks but engaged to a very wealthy woman. However, Blondell is in love with him and manages by her very presence to drive the fiancé away.

The next brother is Mario (Raft) living in Argentina, on the lam from a bad deal in Washington, D. C. He can't return to the states. His girlfriend has $10 million given to her to hold by her escaped Nazi boyfriend, and Mario finds himself in the middle of the situation trying to get his money back.

The third brother is Johnny (Scott), a rodeo rider drafted by a woman (Delores Moran, who wound up marrying the producer of this film) who needs a husband while she undertakes an investigation of a baby adoption racket.

An episodic film in the extreme which doesn't hold together despite a charming cast and some fun dialogue. It could have been a much sweeter and funnier film, but the script was weak.

"Christmas Eve" is far from horrible, has some good parts, but in the end is disappointing.

Those who have seen "The Sons of Katie Elder" and the much more recent "Four Brothers" may sense some surface resemblance to this forgotten holiday movie. An eccentric old heiress (Ann Harding) in trouble needs her long-lost sons to come to her rescue by Christmas Eve before her nephew Philip (Reginald Denny) takes control of her fortune. In this case, her three sons were adopted as infants and left as soon as they could make their own way in order not to sponge off a kindly lady who gave them everything.

We first meet Michael (George Brent), a spendthrift playboy whose debt puts him at Philip's mercy. Mario (George Raft) is an escaped con now running a night club in South America who falls into the clutches of an escaped Nazi. Jonathan (Randolph Scott) is a rodeo cowboy barely scraping by out west who has a strange experience at a baby mill. While on the surface each is a specific stereotype, as soon as they learn of their adoptive mother's predicament - she savvily holds a press conference - all priorities fall in line. A certain nobility despite their failings is a reaction that bonds them as a real family.

Brent is bland as usual playing bland comedy with Joan Blondell clinging on to spice things up. As expected, a slimmed down Raft gets some romance, some fighting and some tragedy. Scott has to deal with that kind of "cowboy talk" that only exists in movies, where everything is a ranch metaphor, but he's charming. Harding (actually younger than all of her "sons") stretches to play double her age, and comes across just fine. Denny is variously a rat and a skunk, but he gets his. Wonderful and very busy character actor John Litel is the FBI agent after Raft. Back in '40, he played an unfortunate truck driver in Raft's "They Drive By Night" and years later was coincidentally in "The Sons of Katie Elder." "Christmas Eve" has no big emotional kick and little holiday sentimentality, but there is genuine family affection. It is not a special film, the story lines somehow both stereotypical and nonsensical. It can be stodgy and it's easy to see why it's little remembered. Clearly everyone in it was capable of better, yet there are satisfying moments.

Enjoyed seeing this film which has a Christmas theme and concerns three adopted men who have gone in different places in the world after being adopted by their Aunt Matilda Reed, (Ann Harding). George Raft, (Mario Torio) had a background of serving time in prison and escaping into a foreign county. The second adopted son is George Brent,(Michael Brooks) who is a con-artist and the third son is Randolph Scott, (Johnny) who is an alcoholic and is a sort of burned out cowboy from the West. Their Aunt Matilda wants to locate these adopted sons and have them at her house on Christmas eve. The reason she wants to bring the family together is she is fearful her nephew is trying to cheat her out of her fortune, as she is very rich. This story goes into great detail about each of her sons which is very interesting with plenty of comedy, drama and even three babies get involved. Cute Film.

"Christmas Eve" had an original idea for a holiday film. It has some far out subplots that would need a great screenplay to make it work. But unfortunately, the screenplay is quite weak. So, instead of a solid plot, this film is four short stories loosely pieced together. Very rich Aunt Matilda (Ann Harding made up as an octogenarian) is about to lose control of her estate to a conniving nephew, Phillip Hastings (played by Reginald Denny). She asks Dr. Bunyan (played by Douglass Dumbrille) and Judge Alston (played by Clarence Kolb) to hold off on any decision about her eccentricity and ability to manage her affairs. She asks them to be sure to come to her house on Christmas Eve, where they will meet her three "sons."

The three were orphans whom she took in and raised. None of them would sponge off her, so they set out on their own after school. There's no effort to have these guys any younger, so they all look to be their actual ages – around 45. Aunt Matilda hasn't heard from a single one of them for years, but now she knows they'll come to her rescue if they know she needs their help. From there, the movie segues into sub-plots with each of the three "sons." In between each one, we go back to Aunt Matilda and her private eye's report on the previous son.

The first is Michael (played by George Brent), with his girlfriend, Ann Nelson (played by Joan Blondell). The next is Mario Torio (played by George Raft), and the last is Johnny (played by Randolph Scott). Some other supporting cast contribute – Virginia Field plays Claire, Dennis Hoey plays Williams the butler, Dolores Moran plays Jean Bradford, John Litel plays an FBI agent, and Joe Sawyer plays Gimlet, a private detective.

The three sons' subplots are a little wacky in themselves. They involve dodging the FBI, a sweetheart who was a darling of a top Nazi and who ran off with his millions, and an undercover social welfare agent trying to unearth a black market for adoption of kidnapped babies.

About the only reason to watch this film is to see the large cast of one- time big name actors along with many other longtime supporting actors. There isn't much of a Christmas theme beyond the notion that everything is supposed to come together on Christmas Eve. As it turns out, Aunt Matilda was a shrewd old cookie who knew more than anyone suspected. But, it's hard to imagine why none of her three adopted sons wouldn't at least have sent her a Christmas card or note once in a while over so many years.

There's nothing special about this film, and none of the performers shine. It's certainly not something to recommend for the holidays.