La hora trece

Richard Dix is lorry driver "Reynolds" who is going about his business when he gets slugged by an unknown assailant whilst out on a job. He and his truck are taken, but they are pursued by a motor-cycle cop. When they stop, the driver allows the truck to roll backwards squashing the cop under it's wheels, then he absconds leaving "Reynolds" with only a glove to help him track down the true criminals before he falls victim to them - or to the police... Williams Clemens keep the film moving along swiftly. No, there is nothing much new here and there is little, if any, jeopardy about the conclusion but we remain in ignorance about the identity of the baddies for a fair while, and the cat and mouse elements are enjoyable enough for an hour.

The seventh 'Whistler' movie and Richard Dix's last screen performance has him as an independent trucker. He's just cleared all debts and is about to start making money and to marry Karen Morley when he gets involved in an accident. It's not his fault, but his witness vanishes. He winds up paying compensation and having his license suspended. He continues taking jobs, but when a driver fails to show up, he drives the truck himself; a mysterious stranger saps him and kills motorcycle cop Regis Toomey. Dix panics and runs, but realizes that he has to prove his innocence, with no clue but a glove.

It's also the last film directed by William Clemens, a decent journeyman, He had entered the movies as an editor, switched to directing in 1936 and made 33 features in a dozen years. He would die in 1980 at the age of 74.

Like the other movies in the series, it's a decent little B feature, taking advantage of Dix's longtime star power. He had been a middling star at Paramount in the silent era, then shifted to RKO with the coming of sound, as one of their major stars. His career began to decline in the middle of the 1930s. When RKO let him go, he switched to Columbia and settled into the comfortable routine of this series. A series of heart attacks caused his retirement, and he would die in 1949 at the age of 56.

"The Thirteenth Hour" is the final installment of The Whistler series which starred Richard Dix. Sadly, shortly after making the movie, Dix died of a heart attack at age 56.

When the story begins, Steve Reynolds (Richard Dix) owns a small trucking company and life is just fine. However, he's in for a horrible time...and it all begins when he picks up a hitchhiker. His car is run off the road and there is no obvious evidence that another driver was involved. Steve tells the cops to ask the hitchhiker what happened...and the man disappeared! The court believes Steve was drunk and they take away his license...and it's obvious the cops have it out for Steve. Soon after, Steve is deliberately set-up for murder when an unknown person runs over a policeman in Steve's truck. Steve is knocked out and stuck behind the wheel...and the police think he's a killer. So, he runs away before the police can apprehend him and he spends the rest of the film trying to discover who is doing all this to him and why. The only clue he has is a glove.

This is an enjoyable and well written installment of this B-movie series. Not among the very best but quite good and well worth seeing.

The penultimate entry in Columbia's Whistler series and the last to star Richard Dix. This final Dix Whistler movie isn't one of the best but it's still worth a look. The story is fairly straightforward with Dix playing more of a typical protagonist than in other entries where he played more morally ambiguous characters. This time he's a truck driver out to clear his name when he's framed for killing a policeman.

Karen Morley is good as Dix's girlfriend. Regis Toomey plays a small but important part as the cop Dix is accused of killing. Mark Dennis is unintentionally funny as Morley's son, who reads books on necrophobia and warns cops "That's mama's and my bedroom. We don't like anybody going in there." John Kellogg, Jim Bannon, and Bernadene Hayes round out the significant roles in the cast. For his part, Dix is solid as usual.

As I said, this is the last Whistler movie that Dix made, but it's also his last film period. He retired after this and died two years later. With a career stretching back over twenty years into the silents, he's probably best remembered for his Oscar-nominated role in Cimarron or for playing the crazy captain in Val Lewton's The Ghost Ship. Lantern-jawed with a somewhat stiff line delivery, Dix may not have challenged Gable or Grant or Flynn in charisma or sex appeal but he had an interesting screen presence all his own. He certainly made his mark in the films I mentioned, as well as many others including this fine series based off the popular radio series The Whistler. His last film may not have been an example of "going out on top," but it was definitely nothing to be embarrassed about. Which is, unfortunately, more than you can say for some of his contemporaries' final films.

The 13th Hour was Richard Dix's 7th and final hour with the Whistler films; in fact he retired and died 2 years after this. It's not the best or the worst in the series, but still more than an adequate engrossing potboiler. It had the usual tight Columbia b picture budget yet atmospheric sets and photography plus the usual twisty story.

Honest and dependable truck firm owner Dix suddenly finds himself guilty of causing damage through driving whilst under the influence of alcohol, but of course he's innocent. This being the Whistler means it goes from bad to worse, and wanted murderer Dix really has his back up against the wall for most of the picture trying to find the real culprits. If you're familiar with the tenor of the previous entries you can probably see the big twist a-coming, but the beautiful little twist just after will get you! Favourite bits: the atmospheric shots outside Eileen's café; the denouement inside and outside Mabel's apartment, unfortunately leading to a bit of a trite end.

It wasn't quite the end of the dimly-lit road though – there was one more film to come (sans Dix) which wasn't too bad but the Canon is the 7 with him. All well worth watching if you prefer a simpler more complex world, when a b&w mystery film was just that and not a sex, violence, cgi cartoon riddled gimmick and hype fuelled socially inclusive seedy work of Art like nowadays.