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6.4/10
759
TU CALIFICACIÓN
En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.En plena votación política, un príncipe balcánico llega a Nueva York para observar la vida ordinaria, donde entabla amistad con un taxista y se enamora de su novia.
- Dirección
- Guionistas
- Elenco
Patrick McVey
- Johnson
- (as Pat McVey)
Lauren Bacall
- Lauren Bacall
- (sin créditos)
Lex Barker
- Fred - the Usher
- (sin créditos)
Janet Barrett
- Stewardess
- (sin créditos)
Patricia Barry
- Nurse
- (sin créditos)
Brooks Benedict
- Man in Train Station
- (sin créditos)
Ted Billings
- Shorty
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A Balkan prince making an official tour of the United States jumps off the train to mingle with the common people and experience the "real" America. Prince Henry (Dennis Morgan) befriends a cabbie from Brooklyn named Buzz Williams (Jack Carson) and gets a street-level view of New York City with the help of Buzz's family and friends.
The prince particularly enjoys seeing the sights with Buzz's girlfriend, Connie (Joan Leslie), who is a manicurist. In a short time, they grow very close, setting up a romantic triangle that is the crux of the film. All three characters are very likable and the romantic complications are kept light. In fact, Buzz and Connie have an unusual relationship. When Connie has to make a choice between the two gents, it is handled very well.
Within the story are plugs for democracy (in the immediate aftermath of the world war). This coincides with the beginning of the American effort to export its political system.
Warner Brothers also used the film to promote its upcoming film, "The Big Sleep", which would be released later. This is done cleverly and humorously.
The entire cast is fun to watch. Carson and Morgan might not be the studio's answer to Crosby and Hope, but they have a chemistry that works well. They will later appear in "Two Guys from Texas".
The prince particularly enjoys seeing the sights with Buzz's girlfriend, Connie (Joan Leslie), who is a manicurist. In a short time, they grow very close, setting up a romantic triangle that is the crux of the film. All three characters are very likable and the romantic complications are kept light. In fact, Buzz and Connie have an unusual relationship. When Connie has to make a choice between the two gents, it is handled very well.
Within the story are plugs for democracy (in the immediate aftermath of the world war). This coincides with the beginning of the American effort to export its political system.
Warner Brothers also used the film to promote its upcoming film, "The Big Sleep", which would be released later. This is done cleverly and humorously.
The entire cast is fun to watch. Carson and Morgan might not be the studio's answer to Crosby and Hope, but they have a chemistry that works well. They will later appear in "Two Guys from Texas".
Perhaps unknown to most of the posters here, both stars of this movie, Jack Carson and Dennis Morgan, were born in Wisconsin of which Milwaukee is the biggest city so there is something of an inside joke here! Dennis Morgan was born in tiny Prentice, Wisconsin, and went to college at Carroll College in Milwauke as did Jack Carson. Carson was born in Canada but his family moved to Milwaukee soon after and he always regarded that as his home town. So this is kind of an inside joke in a script full of inside jokes. Carson and Morgan were great friends. Carson died the same day Dick Powell did.
This is not a great movie but it is an entertaining one and with the startling cameo from....at the end, what could be better?
This is not a great movie but it is an entertaining one and with the startling cameo from....at the end, what could be better?
Plot-- A European prince travels to the US to learn about life in a democracy. There he meets a Brooklyn cab driver and gets a whirlwind intro to big city America, especially when he and the cabbie compete for the same girl.
Is democracy a better governing institution than monarchy. Boy, there's a tough one for the movie to answer. Forget the plot that has the prince (Morgan) discovering the joys of blue- collar Brooklyn. Instead, it's the cast and a number of comedic touches that lift this romantic comedy. Morgan and Carson may never have reached Hope and Crosby's level of team success, but they're just as likable.
Actually, many of the laughs come from the supporting cast plus good side-action touches. For instance, there's that sly old teddy bear, SZ (Cuddles) Sakall. His fractured English is always good for a chuckle and a hug. Then there's Franklyn Pangborn doing his flustered bit as the theatre manager. It's always fun to watch his officious manner get punctured. The girls, Leslie and Paige, are both fetching and energetic, lending real bounce.
I confess looking forward to these 40's features in order to marvel over the ladies hats. Back then, a woman wasn't really dressed without a dress hat, and invariably the head-gear resembled alien life forms, as the exaggerated plumes do here.
Anyway, Butler directs with verve and style, helping get us over Connie's (Leslie) rather tiresomely repetitive dilemma—will it be blue-collar Bud (Carson) or refined royalty (Morgan) that she ends up with. Too bad the rivalry drags out longer than it should. A trim job here would have given the comedy more punch.
Nonetheless, the likable cast generally keeps the chuckles coming, while Morgan-Carson make an entertaining team. I just hope Bud learns to park his cab before I get there.
Is democracy a better governing institution than monarchy. Boy, there's a tough one for the movie to answer. Forget the plot that has the prince (Morgan) discovering the joys of blue- collar Brooklyn. Instead, it's the cast and a number of comedic touches that lift this romantic comedy. Morgan and Carson may never have reached Hope and Crosby's level of team success, but they're just as likable.
Actually, many of the laughs come from the supporting cast plus good side-action touches. For instance, there's that sly old teddy bear, SZ (Cuddles) Sakall. His fractured English is always good for a chuckle and a hug. Then there's Franklyn Pangborn doing his flustered bit as the theatre manager. It's always fun to watch his officious manner get punctured. The girls, Leslie and Paige, are both fetching and energetic, lending real bounce.
I confess looking forward to these 40's features in order to marvel over the ladies hats. Back then, a woman wasn't really dressed without a dress hat, and invariably the head-gear resembled alien life forms, as the exaggerated plumes do here.
Anyway, Butler directs with verve and style, helping get us over Connie's (Leslie) rather tiresomely repetitive dilemma—will it be blue-collar Bud (Carson) or refined royalty (Morgan) that she ends up with. Too bad the rivalry drags out longer than it should. A trim job here would have given the comedy more punch.
Nonetheless, the likable cast generally keeps the chuckles coming, while Morgan-Carson make an entertaining team. I just hope Bud learns to park his cab before I get there.
Dennis Morgan teamed with Jack Carson in an earlier film with Ann Sheridan.
What makes this film so good is that eventually the 2 guys will change status and accept what has become of them.
The story basically deals with a Balkin Prince (Morgan, in a non-singing role) who comes to America on the eve of his country deciding whether or not to maintain the monarchy or change to a republic. His goal is to spend some time with the common people and of course, he meets up with cab driver Carson.
Naturally, Joan Leslie, Carson's girlfriend, falls for our prince and there are some very funny scenes as the FBI trails the trio.
The ending is a good one with a big surprise. It has something to do with Morgan's goal throughout the picture.
What makes this film so good is that eventually the 2 guys will change status and accept what has become of them.
The story basically deals with a Balkin Prince (Morgan, in a non-singing role) who comes to America on the eve of his country deciding whether or not to maintain the monarchy or change to a republic. His goal is to spend some time with the common people and of course, he meets up with cab driver Carson.
Naturally, Joan Leslie, Carson's girlfriend, falls for our prince and there are some very funny scenes as the FBI trails the trio.
The ending is a good one with a big surprise. It has something to do with Morgan's goal throughout the picture.
Two Guys From Milwaukee was a fun, comedic surprise. Yes, it was a little predictable; though, who would win the girl was in question almost until the end. The story moved along quite quickly with smart and snappy dialogue and an array of likable characters.
Beyond the comedy and the quickly developed love story was a very enjoyable window into everyday life in Brooklyn in the mid-1940's--the friendliness, the simplicity (by modern standards), the economic modesty. Director David Butler shot the movie in an intimate fashion, which makes you feel like you're sitting with the characters in the living room, riding the tour bus in Manhattan or waking with them in the morning.
Jack Carson plays the role of Buzz Williams, the very likable Brooklyn cabbie. Carson has played many enjoyable characters, but this one has a unique charm to it. He's a simple enough guy, but with some real life complexity to him. Even during a rather obvious advertisement for democracy (of course, having just won WWII, there's nothing wrong with marketing the winning stuff) Carson delivers the message in a humble, regular-guy-on-the-street way.
All in all, you'll smile through much of the movie and laugh out loud, too. It was a very enjoyable way to spend 90 minutes.
Beyond the comedy and the quickly developed love story was a very enjoyable window into everyday life in Brooklyn in the mid-1940's--the friendliness, the simplicity (by modern standards), the economic modesty. Director David Butler shot the movie in an intimate fashion, which makes you feel like you're sitting with the characters in the living room, riding the tour bus in Manhattan or waking with them in the morning.
Jack Carson plays the role of Buzz Williams, the very likable Brooklyn cabbie. Carson has played many enjoyable characters, but this one has a unique charm to it. He's a simple enough guy, but with some real life complexity to him. Even during a rather obvious advertisement for democracy (of course, having just won WWII, there's nothing wrong with marketing the winning stuff) Carson delivers the message in a humble, regular-guy-on-the-street way.
All in all, you'll smile through much of the movie and laugh out loud, too. It was a very enjoyable way to spend 90 minutes.
¿Sabías que…?
- TriviaHumphrey Bogart, Lauren Bacall: playing themselves on a plane.
- ErroresWhen Buzz is shaving the Prince, there is shaving cream all over his mustache; before Buzz gets to the mustache, all the shaving cream disappears.
- Citas
Humphrey Bogart: Pardon me. You're in my seat. Lift it, bub!
- ConexionesFeatured in Okay for Sound (1946)
- Bandas sonorasAnd Her Tears Flowed Like Wine
(uncredited)
Music by Stan Kenton and Charles Lawrence
Lyrics by Joe Greene
Performed by Lauren Bacall in a clip from Al borde del abismo (1946)
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- How long is Two Guys from Milwaukee?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 400,000 (estimado)
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was El príncipe se enamora (1946) officially released in India in English?
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