Agrega una trama en tu idiomaA humorous look round various studios on a film lot. One of the " Pete Smith Specialties", produced and narrated " by a Smith named Pete."A humorous look round various studios on a film lot. One of the " Pete Smith Specialties", produced and narrated " by a Smith named Pete."A humorous look round various studios on a film lot. One of the " Pete Smith Specialties", produced and narrated " by a Smith named Pete."
Fotos
Pete Smith
- Narrator
- (voz)
- (as a Smith named Pete)
William Bailey
- Stagehand
- (sin créditos)
Muriel Evans
- Bit Part
- (sin créditos)
Helen Sue Goldy
- Self
- (sin créditos)
Lena Horne
- Self
- (sin créditos)
Dave O'Brien
- O'Brien - Film Director
- (sin créditos)
Louis Zingone
- Self
- (sin créditos)
Opiniones destacadas
An MGM PETE SMITH SPECIALITY Short Subject
Narrator Pete Smith takes the viewer on a tour of a few of the more unusual things to see during a behind-the-scenes STUDIO VISIT.
What gets to be seen is slight-of-hand master Louis Zingone at work; beautiful Lena Horne singing in a bathtub; and remarkable Helen Sue Goldy, aged three, who exhibits her amazing sense of balance.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Narrator Pete Smith takes the viewer on a tour of a few of the more unusual things to see during a behind-the-scenes STUDIO VISIT.
What gets to be seen is slight-of-hand master Louis Zingone at work; beautiful Lena Horne singing in a bathtub; and remarkable Helen Sue Goldy, aged three, who exhibits her amazing sense of balance.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
If you've seen Pete Smith Specialty shorts before, you already have some idea what this one is like. This particular episode has some niftier than usual things going for it, and is my hands down favorite of the many I've seen. Here's why:
To begin with, the underlying story works well. Dave O'Brien, the usual suspect in these shorts, is the 'director' and Smith is the 'producer', and the interaction is amusing in a pleasant, low key and harmless way. Then there are the assets: a performance by a shell game artist, with an interesting perspective that almost works. Next, a very nice performance by Lena Horne. And then, the part that really makes the whole short a real find:
Helen Sue Goldy and her father. This is no ordinary performance. Interesting balancing acts were common in the fifties, but I don't remember anything at all like this. It would seem this girl really has a natural, explainable gift, and it is fascinating. And to make it even better, it's presented with two other virtues: a well designed and interesting set, and a natural, unrehearsed style - no glitter and forced smiles - a flat affect, Keatonesque on a 4-year old who's just doing her job. Refreshing. Remarkable. It's all just great, and makes the whole short more than worth the price of admission.
To begin with, the underlying story works well. Dave O'Brien, the usual suspect in these shorts, is the 'director' and Smith is the 'producer', and the interaction is amusing in a pleasant, low key and harmless way. Then there are the assets: a performance by a shell game artist, with an interesting perspective that almost works. Next, a very nice performance by Lena Horne. And then, the part that really makes the whole short a real find:
Helen Sue Goldy and her father. This is no ordinary performance. Interesting balancing acts were common in the fifties, but I don't remember anything at all like this. It would seem this girl really has a natural, explainable gift, and it is fascinating. And to make it even better, it's presented with two other virtues: a well designed and interesting set, and a natural, unrehearsed style - no glitter and forced smiles - a flat affect, Keatonesque on a 4-year old who's just doing her job. Refreshing. Remarkable. It's all just great, and makes the whole short more than worth the price of admission.
A visit to Southern California prompts producer Pete Smith to take viewers behind the scenes on movie studio lots. First, we see the "busiest stage on the lot" where an episode of MGM's one-reel series "A Pete Smith Specialty" is in production. It's not very busy, however, as director Dave O'Brien and the crew are waiting for a stunt to be properly set-up. Stage 8 has an interesting bit; the camera is placed under Louis Zingone's slight-of-hand "shell game" so we can see how the pea always manages to sit under the shell you didn't pick. Next, we see a scene cut from "Cabin in the Sky" (1943). It shows sexy Lena Horne singing "Ain't It the Truth" taking a bubble bath. You see no naughty parts and Ms. Horne is more arousing in the uncut footage. Also featured is 3½ year old Helen Sue Goldy and her father Sid. The little girl balances while eating an apple. Finally, Mr. O'Brien ends another "Pete Smith Specialty" in style.
******** Studio Visit (5/11/46) Dave O'Brien ~ Pete Smith, Dave O'Brien, Lena Horne, Helen Sue Goldy
******** Studio Visit (5/11/46) Dave O'Brien ~ Pete Smith, Dave O'Brien, Lena Horne, Helen Sue Goldy
8tavm
This Pete Smith Specialties short, Studio Visit, is an extra on the DVD of Cabin in the Sky. In between Louis Zingone displaying his sleight-of-hand peanut shell game and a little girl named Helen Sue Goldy displaying her balancing act with her father while eating an apple, we get a deleted scene from aforementioned movie of Lena Horne, while washing herself in a bathtub filled with bubbles covering her naked body, singing "Ain't It the Truth". While I can guess why it was edited out, I'm now wondering why it managed to get a showing in this short three years later and also why they didn't also show Louis Armstrong performing his own version, that is now lost, in the same film. So on that note, Studio Visit is an interesting curio for Horne fans. P.S. There's also a running gag of a crew member trying to put a kerosene lamp on a hanging wire that provides the short's finish.
Studio Visit (1946)
** 1/2 (out of 4)
Decent Pete Smith short has us going on a tour of various studios where we get to see all sorts of things including Lena Horne taking a bubble bath and singing, Louis Zingone doing a sleight of hand trick and Helen Sue Goldy doing a nice act with her father. This 9-minute short is decent but there's nothing overly entertaining here with the exception of the Horne clip, which is actually an outtake from the film CABIN IN THE SKY. The "Ain't It the Truth" song is a very good one and Horne does a terrific job with it. I'm not sure why it was cut from the film considering how good it was but perhaps it had something to do with the fact that she's in a tub? The rest of the film is mildly entertaining but there's nothing too funny or special going on.
** 1/2 (out of 4)
Decent Pete Smith short has us going on a tour of various studios where we get to see all sorts of things including Lena Horne taking a bubble bath and singing, Louis Zingone doing a sleight of hand trick and Helen Sue Goldy doing a nice act with her father. This 9-minute short is decent but there's nothing overly entertaining here with the exception of the Horne clip, which is actually an outtake from the film CABIN IN THE SKY. The "Ain't It the Truth" song is a very good one and Horne does a terrific job with it. I'm not sure why it was cut from the film considering how good it was but perhaps it had something to do with the fact that she's in a tub? The rest of the film is mildly entertaining but there's nothing too funny or special going on.
¿Sabías que…?
- TriviaLena Horne singing "Ain't It the Truth" while taking a bath was shot for the film but cut before release.
- Créditos curiososNarrator Pete Smith identifies the remaining credited performers.
- ConexionesFeatured in MGM Parade: Episode #1.6 (1955)
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Detalles
- Tiempo de ejecución9 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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