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IMDbPro

Die Mörder sind unter uns

  • 1946
  • Not Rated
  • 1h 25min
CALIFICACIÓN DE IMDb
7.4/10
2.8 k
TU CALIFICACIÓN
Die Mörder sind unter uns (1946)
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Reproducir trailer2:37
1 video
17 fotos
CrimenDramaGuerraRomance

Después de regresar de un campo de concentración, Susanne encuentra a un ex soldado que vive en su apartamento. Juntos, intentan superar sus experiencias durante la Segunda Guerra Mundial.Después de regresar de un campo de concentración, Susanne encuentra a un ex soldado que vive en su apartamento. Juntos, intentan superar sus experiencias durante la Segunda Guerra Mundial.Después de regresar de un campo de concentración, Susanne encuentra a un ex soldado que vive en su apartamento. Juntos, intentan superar sus experiencias durante la Segunda Guerra Mundial.

  • Dirección
    • Wolfgang Staudte
  • Guionistas
    • Wolfgang Staudte
    • Eberhard Keindorff
    • Johanna Sibelius
  • Elenco
    • Hildegard Knef
    • Elly Burgmer
    • Erna Sellmer
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    2.8 k
    TU CALIFICACIÓN
    • Dirección
      • Wolfgang Staudte
    • Guionistas
      • Wolfgang Staudte
      • Eberhard Keindorff
      • Johanna Sibelius
    • Elenco
      • Hildegard Knef
      • Elly Burgmer
      • Erna Sellmer
    • 31Opiniones de los usuarios
    • 29Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Videos1

    Preview Trailer
    Trailer 2:37
    Preview Trailer

    Fotos17

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    Elenco principal17

    Editar
    Hildegard Knef
    Hildegard Knef
    • Susanne Wallner
    Elly Burgmer
    • Mutter des kranken Kindes
    Erna Sellmer
    Erna Sellmer
    • Elise Brueckner
    Hilde Adolphi
    • Daisy
    Marlise Ludwig
    • Sonja
    Ursula Krieg
    • Carola Schulz
    Arno Paulsen
    • Ferdinand Brueckner
    Wilhelm Borchert
    • Dr. Hans Mertens
    • (as W. Borchert)
    Robert Forsch
    • Herr Mondschein
    Albert Johannes
    • Bartolomaeus Timm
    • (as A. Johannes)
    Wolfgang Dohnberg
    • Fritz Knochenhauer
    Ernst Stahl-Nachbaur
    Ernst Stahl-Nachbaur
    • Arzt
    Christian Blackwood
    • Otto
    • (sin créditos)
    Michael Günther
    • Herbert
    • (sin créditos)
    Christiane Hanson
    • Dienstmädchen
    • (sin créditos)
    Käthe Jöken-König
    • Kundin
    • (sin créditos)
    Wanda Peters
    • Schwester
    • (sin créditos)
    • Dirección
      • Wolfgang Staudte
    • Guionistas
      • Wolfgang Staudte
      • Eberhard Keindorff
      • Johanna Sibelius
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios31

    7.42.8K
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    Opiniones destacadas

    8zetes

    Very good immediately post-WWII German film

    Immediately after WWII, Italy and Japan developed strong national cinemas. The same thing didn't happen in Germany. I really didn't know they made any films in the aftermath, but apparently they did. The Murderers Are Among us was made just the year after Germany lost the war. It's quite a strong film, feeling a lot like the film noir style that was all the rage in America at the time (which, in turn, was heavily influenced by German silent cinema). Ernst Wilhelm Borchert plays an alcoholic doctor who is haunted by his participation in the war. He hooks up with his new roommate (Hildegard Knef), which helps him a little, but then he runs into his former commanding officer (Arno Paulsen), which sends him into an angry, murderous downward spiral. The film is actually thinly veiled propaganda, expressing that not all Germans (be they soldiers or civilians) were okay with wiping out entire Polish villages or, you know, the Jews. Eh, maybe I can accept that, but, taking the film as some kind of apology, it all feels a tad too little too late. I do, however, like the appeal for peace and justice, as opposed to revenge. The last thing the world needed at the time was more violence. The filmmaking is very beautiful. Sometimes it feels like a dry run for The Third Man. I don't know if Carol Reed saw this film, but one filmmaker who most certainly did was Lars von Trier. His film Europa cribs from this one pretty liberally at times, most notably the image of a snowfall in a bombed-out church.
    8Lechuguilla

    Oh How Bleak

    The opening scene conveys the film's mood. A low-angle camera shot shows bombed-out buildings, rubble in the street, an abandoned war tank, a makeshift wooden cross stuck in the ground, and a middle age man walking alone toward the camera, as three children play amid the ruins. There's no dialogue, just jazzy, bouncy, upbeat piano music that contrasts sharply with the bleak B&W image.

    Set in Berlin in 1945, the film tells the fictional story of a former surgeon, the man in the opening scene, whose name is Dr. Mertens (Ernst Borchert). He's dispirited and cynical. He meets up with a young woman, played by Hildegard Knef. The two of them share an uninviting apartment, severely damaged in the recently ended war. Knef's character is attracted to the dejected surgeon. But he's too disheartened to care. The deaths of thousands of people in a war render a surgeon's job of saving one life rather meaningless, according to Dr. Mertens. As the plot moves along, he reunites with an older, prosperous industrialist, a man whose attitude about the war is curiously indifferent.

    All of the film's photography was done in Berlin, right after the war. The destroyed buildings and brick rubble are a big part of the story, symbolic of human devastation. B&W, expressionistic cinematography is terrific, with stark shadows amid the ruins, human silhouettes against bleak, cracked walls.

    Interiors remind me of those in "The Blue Angel" (1930), dilapidated, dirty, cheap, drab, and very depressing. In "The Murderers Are Among Us", background music is minimal. Most scenes lack music, and the story is more potent for it. Sound effects consist of squeaky doors, footsteps on wooden floors, and other realistic sounds. The film's casting and acting are fine.

    Historically significant as the first German film made in Germany following the end of WWII, "The Murderers Are Among Us" reminds us of the horrors of war. One scene near the end is unforgettable in its severity. Outside at night, with snow gently falling, arc lights create ghostly shadows. The surgeon stands alone amid the rubble, outside a damaged church where people inside are singing "Silent Night". Faces of the people are grim. What a bleak period in human history.
    theorbys

    Fine German Expressionist / Noir cinematography in the ruins of Berlin

    Murderers Among Us is the first film made, of a vast trove of films, in the Soviet controlled sector of post-war Germany that was to become East Germany. It is deeply and masterfully immersed in the aesthetic traditions of German Expressionism and /or Film Noir: unusual angles and picture planes, extreme lighting effects, twisted stairs, bombed-out buildings that look like jagged fingers against the sky (it was shot in the ruins of Berlin), a haunted, tormented protagonist, stark black and white atmosphere, and, above all, shadows. Shadows and more shadows of every size, shape, and density. In fact this film could serve as a text book on shadow craft: the scene where a man is screaming from within the vast shadow of a pistol wielding attacker is magnificent. I haven't seen The Third Man recently but I am sure Murderers influenced it profoundly. I would recommend the Third Man as a good double feature with this film.

    Murders belongs to a genre called 'rubble films', shot in the rubble of Germany and frequently dealing with issues of German guilt after WW II. Murderers does not seek to deal overmuch with the people who gave the orders, but with the many Germans who followed them with little or no protest. Such as the wounded doctor in this film who stood by while even children were executed as reprisals against resistance fighters in occupied Poland. Plotwise the film works quite nicely, and I liked the atmosphere of renewal, and perhaps relief at the end of a nightmare, amongst all that ruin and rubble as the German people began to pick themselves up.
    10FilmCriticLalitRao

    Landmark first film made in East Germany after World War II by the celebrated DEFA film studios.

    "Die Morder sind unter uns" is a film about guilt,helplessness and incapacity.Its story is told through two main protagonists: Dr.Mertens (Ernst Wilhelm Borchert) and Suzanne Wallner (Hildegard Knef).Mertens is a doctor by profession yet he is an angry man as he hates the fact the war has killed countless innocent people. He is horrified to personally experience that in all wars pawns are always sacrificed to save the king. It is equally hard for the photographer Suzanne Wallner to forget her past. She gets tremendous shock as upon her arrival she finds that her city has turned into a pitiful heap of rubble. Both of them are lonely souls.In this film there is a villain too. He appears in the form of an evil Nazi man Bruckner.Die Morder sind unter uns was the first film made by DEFA (Deutsche Film Aktiengesellschaft). It might appear rather unusual but this film has film noir kind of looks. Expectations were very high with this film. Staudte was triumphant to have created a ground-breaking film. In the original version of the script Bruckner is shot by Mertens.This end was changed on the wishes of the Soviet Cultural officer Dymshitz as he reckoned that a notion of self justice should not be propagated.Staudte was fortunate enough to have Soviet side willing to produce the film as it was rejected by English and American military authorities.Die Morder sind unter uns occupies a unique place in world cinema history as it established the antifascist genre in DEFA film.
    9peterpolaroid

    Excellent piece of German history

    Having just seen this movie for the first time, I'll agree with some of the other comments.

    The acting seems theatrical, at times almost political. The movie would make a great double with "The Third Man".

    What struck me was the significance of this movie. That the Soviets are the ones that made it possible. That forgiveness (and legal justice) not revenge were the goals to move past the horrors of life, a message only brought about by the Soviets changing the ending. Not having known the history of this movie, I wondered about the soviet involvement, when in one street scene children were playing within a stones throw of a wrecked soviet tank. (Or was it wrecked?).

    It was made in 1946. I can only imagine the hardship for everyone overrun by the wars destructive path. This movie plainly shows that life does continue.

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    Argumento

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    • Trivia
      This was the first German movie made after World War II.
    • Citas

      Herr Mondschein: You are a poor soul, Dr. Mertens

      Dr. Hans Mertens: We all are, my friend.

    • Conexiones
      Featured in Century of Cinema: Die Nacht der Regisseure (1995)

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    • How long is Murderers Among Us?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de julio de 1947 (Unión Soviética)
    • País de origen
      • Alemania
    • Idioma
      • Alemán
    • También se conoce como
      • Murderers Among Us
    • Locaciones de filmación
      • Althoff-Atelier, Babelsberg, Potsdam, Brandenburg, Alemania
    • Productora
      • Deutsche Film (DEFA)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 25min(85 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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