Cómo le conocí

This is one of my favorite Jeanne Craine films. I often think of her in the attic sorting through the box of memories while her daughter asks her about some of the items in the box, especially when I have sorted through my own mother's memory boxes in her attic. I wish this were on video. I'd dearly like to share this with MY daughter. Ricardo-38

I agree absolutely with - Xeresa6 of San Diego,Ca - her synopsis of this movie is gob smack right on! I just wanted to add that I at age 10 years, saw this movie in 1946 with my mom who was a teen in the flapper era and it was a sweet experience to enjoy this film with my mom. She regaled me with her stories of bloomers with broken elastic and safety pins.

Young girls today would not really pick up on the chains on the fireplace story without someone older 'walking' them through it. A lot is taken for granted today on the struggles of women not so very long ago to be able to have the right to vote.......we can learn a lot of history from these old movies - but it is wise to also check further into the history to be sure it is portrayed accurately in the film.

It is interesting to find out the film was made in Reno NV. It looked so much like the towns in Ohio where I grew up, that's probably one of the reasons why Mom and I connected with the film.

What a crass movie industry we have today. It is so hard to find non-violent and non-vulgar stories in the movies today. One can occasionally find a good movie but they are few and far between. I find myself looking to pre-1950 movies more and more. That is sad.

Can a movie made in 1946 still move teenagers today? Well, all I can say is when I first saw this movie in 1983 I was still in high school and this film totally touched and inspired me!

At first, it just seems like your typical nostalgic sentimental high school film. We have, Margie the geeky girl who's so far from being in the 'in' crowd it's pathetic. Then we have the popular girl, Mirabelle, living next door to Margie as a constant reminder of how 'out of it' she is. Then Margie has the typical school girl crush on her gorgeous French teacher and also has the typical pathetic loser/ boyfriend following her around.

But wait! Then Henry King takes a simple movie to a another level and it soon becomes clear we are watching the emergence of a strong and unusual woman. Our first clue that this movie is something different are the sly hints about Margie's emerging sexuality. (I mean, she literally keeps losing her knickers at the most in-opportune occasions, how did this get past the censors?) Then there is Margie's feminist grandmother, who wants Margie to be the first woman president of the United States. But just in case we still don't get it, it all becomes clear when we hear Margie's winning debate speech on why the U.S. should take the Marines out of Nicaragua. (Ironically, when I saw this film in 1983, this issue was as hotly debated as it apparently was in 1929!) Margie, in spite of her awkward gestures and amateur delivery, gives one of the most amazing speeches ever given by a teenager in a film. It is truly amazing. We see unsuspected depths in this young woman and from that point on we (along with the men in her life) are fascinated with how this young ladies life will turn out (to give any more away would spoil the film for you!)

This film also has an unusual look for the time period, since it was one of those rare films in the 40's where exteriors were filmed on location. Henry King is one of the great studio directors who is constantly forgotten and overlooked. But take one look at the skating sequence in this film, where the camera follows skaters beautifully, as they circle around the camera, and you will see a master craftsman in league with Hitchcock or any of the other Hollywood greats. (And as a former ice skater, I can tell you Jeanne Crain is a pretty good skater!)

But the moment that got me most, and still gets me, is the way Margie handles her disappointment about who she has to go to the prom with and the dignity in which she carries herself. This movie shows the amazing and difficult journey of Margie McDuff from a little girl who is on the road to being an amazing woman! (Well, we hope!) So by the end of the film, we believe, along with her grandmother and the others in her life, that Margie is indeed a unique and unusual person and really could have been the first woman president of the United States!

This movie made me a fan of Jeanne Crain when I was 13. She showed a talent here for light comedy. The bloomer bit was hilarious. It was a "feel good" movie and although I have not seen it for years I remember it well. Too bad it is not in VHS. I surely would buy a copy.

Nostalgic fluff about a 1920s schoolgirl (Jeanne Crain) with a crush on her handsome French teacher (Glenn Langan) and the trials and tribulations of growing up during the flapper age of "Flaming Youth". A charming musical delight with some lively performances from Barbara Lawrence (in her usual fast girl role), Lynn Bari, Alan Young and Conrad Janis.

Jeanne Crain was a popular star at Fox when this was made and her appeal was never more apparent than as the sweetly innocent heroine who gradually emerges as a woman unafraid of her convictions. Her beauty is the refreshing kind that looks so good in technicolor and the story is just the sort of vehicle she needed to showcase her natural charm and ability.

Tastefully photographed with some nice period music and well directed by Henry King, it became one of the most popular films of 1946. It has lost none of its charm. Well worth viewing.