The Luckiest Guy in the World

It's an MGM Presents A Crime Does Not Pay Subject. Charles Vurn is always looking for easy money and he's feeling lucky. He's falling behind at his job and with the rent. He demands $500 but his wife Martha refuses to give him the money. He digs through her drawers and finds the money. In the process, he pushes her into the radiator and kills her. His landlord comes to give him a large commission check. It's too late for his wife but for him, he has one more scheme. He starts getting lucky until he doesn't. It's short and sweetly bitter. It's fun to have the poetry of comeuppance. It's a great little short. It's fun to see a bad person get their due.

"The Luckiest Guy in the World" is one of a series entitled "Crime Does Not Pay"--and every one I've seen has been enjoyable and well made. This particular one stars Barry Nelson who gets shot by accident when the film begins! He begins thinking back about his life and you see that Nelson was an inveterate gambler--a man in deep with his bookie. So deep that he ends up gambling with his company's funds and ends up destroying his life. How exactly this happens, I'll leave for you to find out--but it is pretty dandy little film where there are many interesting plot elements is a pretty cool twist--improbable to say the least, but still pretty cool. Like the other films I've seen, well worth your time and with very nice production values for a B-movie.

By the way, this was included on the DVD for "Ziegfeld Follies". This isn't surprising, as the audio for Red Skelton's skit about gin that you hear on the car radio is from a skit used in the film. Also, Nelson's boss is played by Milton Kibbee--the brother of familiar character actor, Guy Kibbee.

Barry Nelson has been embezzling. His wife walks out on him. Then his luck begins to change, and he sees a way to start all over again. He only needs to get away with murder.

The series of crime two-reelers had been running for a dozen years at this point, but they had gotten a bit stale, and did not comport well with MGM's post-War optimism. In the 1930s, everyone was worried about crime and gangsters. In the first half of the 1940s, it was foreign spies. Now they figured the string was run out, and that CRIME DOES NOT PAY now longer paid. Good thing they went out on a high note.

I just watched this excellent short earlier today on the turner classic movie channel as part of their 31 days of the Oscars. The Luckiest Man In The World was nominated for the Oscar of Best Short Subject, Two-reel Jerry Bresler in 1947. I'm not sure of what the other nominees were, but it is a shame it did not win the award. This short perfectly illustrates just how one's obsessing for the unreachable can easily dwindle into a downward spiral of unstoppable events eventually driving the person over the edge in an ironic twist of fate/pay back. Also, it has great characterization which enables the viewer to quickly sympathize the main character. This film has excellent pacing, not at all rushed or slow at any point. The short is simple, but gets its point across with utmost ease and beauty. If you happen to stumble across this one, count your lucky stars!

The Crime Does Not Pay short subjects were usually pedantic lessons on the evils of crime and how the police inevitably get their man because they've got science and good detective instincts on their side. This last one of the series is one glorious exception, it could have been a feature film. And as a short subject could have qualified for a Twilight Zone episode.

Barry Nelson who had a much better career on stage than he did on film stars in The Luckiest Guy In The World. He starts out pretty unlucky because he's a compulsive gambler who picks losers all the time. Embezzlement leads to murder and what seems a successful cover-up. But only seems so because this guy did get away with the crime, but the ending is out of a Twilight Zone episode.

This short subject was nominated for an Oscar in that category, but lost to a short subject called A Boy And His Dog and do I have to tell you what that's about. Sentimental won out over the surreal that year.

Still this short subject is one of the best around.