Let There Be Light

This must be one of the most shocking movies I have ever seen. Well actually it's more like a documentary than a movie. It shows American soldiers in a hospital, after coming home from World War II. Some of them can't speak, some can but it's impossible to hear what they're saying, others can't walk. Some shiver uncontrollably, some cry. We also see the hypnotist curing patients, and like magic they're able to walk again, or talk or whatever their problem was. This film was banned for 35 years because the American government thought it was unsuitable for the American people (and I understand why, this is the most disturbing thing I've seen since the sliced eye in Un Chien Andalou), and it was shown for the first time at the Cannes festival in '81.

Disturbing documentary that nonetheless raises a number of questions. My guess is that the film was produced for general circulation, to allay civilian fears of emotional trauma among returning vets. If so, that's certainly a laudable intent. For, as the documentary shows, many could be rehabilitated and returned to civilian life, despite the emotional wounds of war. In fact, the film conveys an optimistic tone throughout, as though eventual recovery is certain. That, plus the prologue assertion that no scene was staged, adds up to a generally reassuring note for anyone watching. After all, prospective employers need reassurance as well as family, while the last scene is as joyously uplifting as any Hollywood commercial contrivance.

As laudable as that intent is, I'm still left wondering how representative the film is of what we would now term "post-traumatic stress syndrome". For example, we know the scenes weren't staged, but we don't know how much editing went into the final cut. Nothing is said about editing in the prologue, and savvy viewers know how important editing is to creating desired effect. Then too, I'm wondering whether there was pre-sorting of vets according to severity such that we only viewed the mildest, most remedial, cases. For example, the one session of hypnosis and regression appears a quick and easy cure. It's good that some cases are open to such efficient methods, but, again, how representative is this one case. Moreover, as another reviewer points out, nothing is said about possibility of relapse, even among the mild cases.

My point is that we shouldn't draw general conclusions about this terrible affliction from one documentary that may have been geared toward another purpose. The fact that the army withheld release for 30 years shows how wary they became to exposing the public to even this most optimistic rendering of the problem. Those early scenes of afflicted men are simply too wrenchingly real to be forgotten, and should serve as a reminder the next time our politicians start beating the now incessant drum of war. Perhaps that's why the film was withheld for so long.

I saw this film years ago and couldn't remember what it was called so I'm glad to find it on the net at last. Some of the comments posted on this site critically analyse this amazing film applying 21st century wisdom to it and it's production. It is what it is. Most of these boys (the patients) had hardly seen a box-brownie let alone a director and film camera. Their responses are gut wrenching, awkward and the soldiers are - what would now seem - abruptly dealt with. Yet the psychiatrists show these returning soldiers the way forward. Slowly the patients gain enough mental footholds to rejoin post-war society. Just watching it will make you a better person.

John Huston's (1946) documentary film was shot at Mason General Hospital on Long Island at the end of the Second World War for the U.S. Government during the director's time as an officer in the U.S. Signal Corps.

One of a number of documentary films he made in this capacity including 'Report From The Aleutians' and 'The Battle of San Pietro', it did not see 'The Light' for a number of years. As copyright holders and owners of the film, the U.S. Government chose not to release it.

The techniques used in making the film are described in John Huston's autobiography 'An Open Book' published by Macmillan and also in an interview recorded by Richard Leacock and Midge McKenzie in 1982.

The film follows the progress of a particular intake of men returning from active service in various theatres of war. These men have returned deeply disturbed by their battle experiences and we follow their progress as they are helped to come to terms with their distress and to rebuild their fragile lives.

Huston captures the most unusual and remarkable sequences that document the work of the gifted psychiatrists at Mason General as they assist the men to reconcile themselves to the awful experiences they have endured.

This film was way ahead of its time in recognising and understanding how conditions that were variously known as 'shell shock' and 'battle fatigue' can respond to treatment and give their unfortunate sufferers a renewed lease of life.

Despite the dated soundtrack, the narration by Huston's own father – Walter – makes the confusing and sometimes disturbing footage accessible and meaningful to the audience.

How tragic that such a well-made and important film should have been kept from us for so long.

In honor of Memorial Day which was yesterday, I watched the first two of John Huston's World War II documentaries, Report from the Aleutians and San Pietro. Now I've just viewed a restored version of Let There Be Light, which explored the psychological effects of war veterans that survived those battles being treated in a hospital, on the National Film Preservation Foundation site on recommendation of Leonard Maltin on his. One couldn't walk, one couldn't talk, and then there was an African-American one whose only solace came when he got something delivered to him from his girlfriend back home. Whether his skin color had something to do with his social reticence, I don't know but since the military was still segregated then, it couldn't have helped. Though it should also be noted that the place he stayed at was integrated. John's father Walter Huston provided wise narration as written by his son and Dimitri Tiomkin provided a score that didn't dominate too much of the proceedings. This film, made for the Army, might have been too realistic for them which resulted in it being kept from the public until 1980, but today it may have been a little easy solution-wise since there's no one depicted as not having been cured by the end though the Hustons make sure you know that it does take time for that. Anyway, Let There Be Light is essential viewing for anyone curious about what some veterans who survive go through in trying to go back to a normal life. They certainly deserve our utmost thanks for even braving it out in the first place!