El rey de la pelea

The second in Monogram's Bowery Boys series starring the always funny Leo Gorcey and Huntz Hall. Well, always funny to me, anyway. Gorcey's malapropisms and Hall's buffoonery might not be high comedy to some but I get a kick out of them. The plot to this one has Gorcey's Slip Mahoney becoming a taxicab driver, which leads to he and his friends becoming involved in a feud with a rival cab company. In addition to Gorcey and Hall, the Boys includes Bobby Jordan as Bobby, William Benedict as Whitey, and Leo's brother David Gorcey as Chuck. This was David's first Bowery Boys film. In keeping with the theme of nepotism, Leo's father Bernard makes his first appearance as series regular Louie, the ice cream parlor owner. Douglas Fowley makes for a hissable villain. Jane Randolph, Judy Clark, and Marjorie Woodworth provide the pretty. It's a decent entry with some good lines and gags. The phone booth bit is a highlight. Far from the Boys' best but fun.

Steve Trent, the ruthless owner of the Red Circle Cab Company is driving independent cabbies out of business. John Cassidy refuses to sell to Trent and soon thereafter Trent's henchmen cause Cassidy to have an accident which leaves him with a broken arm. The kindly and savvy Father Donovan tries to get Slip to drive Cassidy's cab while Cassidy is recovering. Donovan, acting in cahoots with the Irish beat cop, convinces Slip that the only way he can keep from getting arrested for vandalizing a fruit vendor's stand is by helping Cassidy. Somewhat resentful at first, Slip has a change of heart when the priest introduces him to Cassidy and his daughter and mother. There is quite a touching scene between Slip and the little girl. The best gag in the movie is the phone booth stuffing; it's well done and funny. As often happens in the series, the movie ends with a brawl between the bad guys and the Boys. This is Gorcey's movie as the rest of the boys have little to do. He did a good job with it. A highlight was seeing Mary Gordon as Cassidy's mother. Gordon was a Scotswoman (I always thought she was Irish, but no) who will be best remembered for her role as Mrs. Hudson in the Rathbone Sherlock Holmes movies. Strong supporting cast with always reliable Douglas Fowley, Charles D. brown and Paul Harvey. Although darker than most of the series entries, it still has its frenetic and funny moments.

The second of the "Bowery Boys" series of films is somewhat interesting due to its semi-serious tone, something which would occur infrequently during this comedy series. Here, a shrewd tycoon who owns a major taxi cab company is trying to coerce smaller rival cab businesses to sell out and join his firm, or else suffer the unpleasant consequences. When one of these competing drivers is run off the road and badly injured, it's Slip Mahoney (Leo Gorcey) to the rescue to take over his cab and collect his fares for him. There are still some laughs to be had in between the drama as Slip requires the aid of his pals, including Sach (Huntz Hall). This entry is noteworthy in that it's the first to introduce Louie (played by Leo's dad Bernard Gorcey), the tiny and frazzled owner of Louie's Sweet Shop where the boys hang out. **1/2 out of ****

The gang saves a neighborhood cab co. from an outlaw rival.

Like the Marx Bros. or the Three Stooges, the Bowery Boys are best when bringing chaos into the well-ordered world of the rich or pretentious. Their's is a street tough brand of chaos, too moronic to be organized. Slip (Gorcey) may try, but the gang are like wacky billiard balls, causing the so-called leader to take out his frustration on the hapless Sach (Hall) in sometimes humorous fashion.

Too bad this entry doesn't get more of that energy on screen. It's actually a pretty dull affair. The one big set-piece, the packed telephone booth, goes on too long with no variation, soon losing its humor. Surprisingly, Hall and Gorcey remain pretty subdued without many of their usual wild antics. It's almost like the producers of this second series entry aren't sure the direction they want the series to take. At the same time, poor Bobby Jordan as the sometimes sane member looks a little lost. Still, it is a good chance to catch the lovely and classy Jane Randolph taking a break from her Cat People role.

The real problem, however, is with the premise. The rival cab company is simply filled with too many characters like the Boys. So the usual silly antics remain just that, silly, and aren't redeemed by puncturing the balloons of the high and mighty.

In Fast Company (1946)

* 1/2 (out of 4)

Second film in the Bowery Boys series has Slip (Leo Gorcey) offering to drive a cab for a driver who was injured on the job. Soon he and the boys find themselves in the middle of a cab war with the big cabs trying to knock over the little ones. The subject line of a cab war has been dealt with in quite a few films with the most memorable being TAXI with James Cagney and Loretta Young. This film here can't hold a candle to that one nor the previous film in the series. This second film comes off as a major disappointment as it appears the film was rushed into production without too much thought put into the screenplay. For the most part there are very few laughs to be found in this film and the biggest one comes towards the end when Sach (Huntz Hall) walks into a trophy room with various stuffed animals and gets scared. The rest of the comedy comes from rather silly slapstick including a really bad scene where the boys and a few others get locked inside a phone booth. Other forms of so-called comedy comes from the boys eating up all the bananas from a dealer and another one dealing with a watch inside one of those claw machines that Sach keeps getting but losing at the last second. As with the first film, there's no question that this was meant to show off Gorcey but that doesn't even happen that well. As expected he spills a lot of mangled dialogue but the character really doesn't do much else. Most of the supporting cast is wasted and especially Bobby Jordan. Character actor John D. Brown comes off the best as Father Donovan and I'm sure many will remember him from countless Warner pictures in the 30s.