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De amor también se muere

Título original: Humoresque
  • 1946
  • Approved
  • 2h 5min
CALIFICACIÓN DE IMDb
7.3/10
5.2 k
TU CALIFICACIÓN
De amor también se muere (1946)
Trailer for this classic based on the novel
Reproducir trailer2:39
1 video
60 fotos
DramaFilm NoirMisterioMúsicaRomance

Un músico clásico de los barrios marginales se desvía por su amor por una persona rica y neurótica de la alta sociedad.Un músico clásico de los barrios marginales se desvía por su amor por una persona rica y neurótica de la alta sociedad.Un músico clásico de los barrios marginales se desvía por su amor por una persona rica y neurótica de la alta sociedad.

  • Dirección
    • Jean Negulesco
  • Guionistas
    • Clifford Odets
    • Zachary Gold
    • Fannie Hurst
  • Elenco
    • Joan Crawford
    • John Garfield
    • Oscar Levant
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    5.2 k
    TU CALIFICACIÓN
    • Dirección
      • Jean Negulesco
    • Guionistas
      • Clifford Odets
      • Zachary Gold
      • Fannie Hurst
    • Elenco
      • Joan Crawford
      • John Garfield
      • Oscar Levant
    • 84Opiniones de los usuarios
    • 30Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 4 premios ganados y 1 nominación en total

    Videos1

    Humoresque
    Trailer 2:39
    Humoresque

    Fotos60

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    + 53
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    Elenco principal58

    Editar
    Joan Crawford
    Joan Crawford
    • Helen Wright
    John Garfield
    John Garfield
    • Paul Boray
    Oscar Levant
    Oscar Levant
    • Sid Jeffers
    J. Carrol Naish
    J. Carrol Naish
    • Rudy Boray
    Joan Chandler
    Joan Chandler
    • Gina
    Tom D'Andrea
    Tom D'Andrea
    • Phil Boray
    Peggy Knudsen
    Peggy Knudsen
    • Florence Boray
    Ruth Nelson
    Ruth Nelson
    • Esther Boray
    Craig Stevens
    Craig Stevens
    • Monte Loeffler
    Paul Cavanagh
    Paul Cavanagh
    • Victor Wright
    Richard Gaines
    Richard Gaines
    • Bauer
    John Abbott
    John Abbott
    • Rozner
    Robert Blake
    Robert Blake
    • Paul Boray (as a Child)
    • (as Bobby Blake)
    Tommy Cook
    Tommy Cook
    • Phil Boray (as a Child)
    Don McGuire
    Don McGuire
    • Eddie
    Fritz Leiber
    Fritz Leiber
    • Hagerstrom
    Peg La Centra
    Peg La Centra
    • Night Club Singer
    • (as Peg LaCentra)
    Nestor Paiva
    Nestor Paiva
    • Orchestra Leader
    • Dirección
      • Jean Negulesco
    • Guionistas
      • Clifford Odets
      • Zachary Gold
      • Fannie Hurst
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios84

    7.35.1K
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    Opiniones destacadas

    8imauter

    "I didn't make the world, I barely live in it."

    Jean Negulescu, a director of Rumanian origin based in Hollywood since 1930s was responsible for several good films and "Humoresque" is one of them.

    It's a good drama starring Joan Crawford who gives here one of her finest performances as Helen Wright, a cynical and selfish society woman who set her sight at a young talented violinist Paul Boray (John Garfield), offers help in making his carrier and later becomes concerned with his love, almost an obsession with his work - music, that comes to the point of neglecting (as she thinks) their relationship and herself personally - "I'm tired of playing the second fiddle!"

    Significant part of the film has to do with New York, that is "all full with all kinds of animals, and not all of them are born here" as says the most cynical character in the film Sid Jeffers played by Oscar Levant. It's there that we witness several tribulations in Helen - Paul's relationship resulting in a tragic ending.

    Wittiness of the script is probably the most important ingredient of "Humoresque" (besides Joan Crawford's performance) which turns it into a good classic film that stands repeated viewing. 8/10
    7NewEnglandPat

    Playing second fiddle to Beethoven

    That sentiment sums up the frustration and disappointment of Joan Crawford about her love for and obsession with violin virtuoso John Garfield in an excellent film blessed with great acting and beautiful music. Crawford and Garfield are well-matched in this movie, as Crawford becomes Garfield's patron and gives his career a financial boost but becomes hopelessly drawn to her protégé as his concert career takes off. The two principals circle each other warily, sizing up the other and lashing out verbally with accusations of ingratitude and selfishness with Garfield holding fast to his dedication to his music while Crawford begins a slow but steady decline into drinking and depression. Garfield's tunnel vision concerning his instrument does not allow him to appreciate the love a young woman has for him, nor can he grasp his mother's sage counsel and warning about his involvement with a married woman. The film has generous servings of music by Sarasate, Dvorak, Lalo and a brief but excellent recital of Franz Waxman's adaptation of "Carmen".
    8viswanat-1

    Absorbing story with flawless acting by Garfield

    I was astounded by the virtuoso performance on the violin by John Garfield. I truly believed he was a multi talented man. I looked up IMDb and found out that they were using two doubles to actually play the violin. I am even more amazed that the two actual violinists by his side each played the bow and the strings separately. The effect was perfect to the viewers. The pieces selected were also of the type that could easily appeal to those whose knowledge and experience with western classical music is limited. Bravo Isaac Stern for this music. I am reminded of Fiddler on the Roof which also had this great violinist give us the pleasure of his performance. Oscar Levant is of course a pianist also and it is he who turned out to be multi talented.
    10carlostallman

    A Startling WB Melodrama

    It opens with a close up of John Garfield and that, already, gets you going. The intensity and power of the man. A from rags to riches tale with an extra something. The extra something here is Clifford Odetts, the language is as pungent as its pace. The truth in John Garfield's face rises everything several notches but, perhaps, the biggest surprise from a 2007's standpoint, is Joan Crawford's performance. She's never been one of my favorites, I always thought impossible to warm up to her and her tough lady from the wrong side of the tracks left me cold but here, she's rounded and brilliant, torn between who she is and who she would like to be. Great lines, fantastic close ups - wearing eye glasses, removing the glasses and squinting - At moments you feel the camera devours her. The director, Jean Negulesco - Three Coins In The Fountain, How To Marry a Millionaire - never flown this high. This 1946 Warners melodrama has the stuff that great works of art are made of. Thrilling
    7Handlinghandel

    "This isn't a two-hour trip to Chinatown. It's your life!"

    So violin prodigy John Garfield's mother scolds him. And indeed, he has taken up with a married woman. And a pretty neurotic one, at that.

    The woman is chic and wears glasses. And she is Joan Crawford. This is one of Crawford's best roles. And Garfield is extremely good in it, too. The play well off each other.

    This was made in the days when being Jewish was still pretty much unacceptable in big-budget movies. Garfield's father, a shopkeeper, says "Saturday is always my busiest day" -- just in case anybody was getting suspicious. It's too bad, because that would be fine today and would have added to the story of ill-fated lovers.

    Warner Brothers did more movies about and including classical music than any of the other studios. Or so I feel. Garfield's playing is well known as having been provided, very beautifully, by the great Isaac Stern.

    Just off the top of my head, two other movies about classical music from Warner are the extremely charming "My Love Came Back" and the fabulous "Deception." To me, that is, along with "All About Eve," one of Bette Davis's absolute best movies. And within more recent times, the "Hollenius" Cello Concerto by Korngold is being played by symphony orchestras as part of their regular fare.

    This movie is a must for anyone with an interest in Joan Crawford, John Garfield, or music in the movies. Not to mention anyone who likes Oscar Levant! (And who possibly could not?) He is delightful in it and plays piano beautifully.)

    Más como esto

    Poseída
    7.1
    Poseída
    Un rostro de mujer
    7.2
    Un rostro de mujer
    My Love Came Back
    6.3
    My Love Came Back
    Carnegie Hall, amor y gloria
    6.4
    Carnegie Hall, amor y gloria
    El joven extraño
    6.5
    El joven extraño
    Los condenados no lloran
    7.1
    Los condenados no lloran
    Rapsodia
    6.1
    Rapsodia
    Female on the Beach
    6.4
    Female on the Beach
    Miedo súbito
    7.5
    Miedo súbito
    As the Earth Turns
    6.2
    As the Earth Turns
    Tal como somos
    6.8
    Tal como somos
    Pasiones ocultas
    5.4
    Pasiones ocultas

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      John Garfield, a method actor, tried to obtain an emotional bond with the character Joan Crawford played by looking deeply into her eyes which very much unnerved Crawford, who told the director: "Tell him to stop looking at me!"
    • Errores
      In the scene where Paul Boray is practicing on stage in his shirt sleeves, you can see the top of the head of a man crouched down behind him. This has to be one of the violinists who did the playing for John Garfield by reaching around him.
    • Citas

      Sid Jeffers: It isn't what you are, it's what you don't become that hurts. Idealism is a luxury for the very young.

    • Créditos curiosos
      The opening credits are presented on the turning pages of the sheet music for the composition "Humoresque".
    • Conexiones
      Edited into Cliente muerto no paga (1982)
    • Bandas sonoras
      Humoresque Op. 101 No. 7
      (uncredited)

      Written by Antonín Dvorák

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    Preguntas Frecuentes

    • How long is Humoresque?
      Con tecnología de Alexa
    • CHICAGO OPENING HAPPENED WHEN?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de junio de 1947 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Humoresque
    • Locaciones de filmación
      • Laguna Beach, California, Estados Unidos(beach scenes)
    • Productora
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 2,164,000 (estimado)
    • Total a nivel mundial
      • USD 24
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 5 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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