Rastro de diamantes

This film is a fun little private eye detective story like they aren't made any more. It's all there: Tom Conway is the suave detective called The Falcon, Goldie Locke (what's in a name) is his wisecracking bumbling sidekick, Louisa Braganza is the damsel in distress, and of course there are the damsels maid, the professor with the secret formula, the bad guy that wants the formula, and the police inspector who's after The Falcon. There is a murder, and The Falcon gets implicated. The scenery is night clubs, expensive hotel rooms, a luxury train, the suburbs, and beautiful cars. Go watch this little gem when you see it pass by on afternoon TV!

Tom Lawrence and Goldie head off on holiday with a strict agreement that they won't get tied up with "no dames". However when Lawrence spots a woman in trouble and intercedes to find that he has rescued Louisa Braganza –niece of a scientist. He learns that Louisa may have been kidnapped to get a formula for manufacturing industrial diamonds from her father. When her uncle is murdered, the Falcon is the #1 suspect and he makes a break for it to find the people who set him up. With the formula entrusted to him by Louisa, Lawrence has bought himself some time but with the police and the killers on his trail he still must move quickly.

In the final of the thirteen Falcon movies, Tom Lawrence gets mixed up in a murderous plot to get hold of a formula for manufacturing diamonds. Putting the Falcon on the other side of the law and pursued by them adds an element of tension to the film and injects a bit of pace into the mixed plot. With the film series coming to an end I had worried that it would just collapse – hence them making no more films, but in reality this film is of the generally reasonable standard of the rest of the films. The plot is a bit contrived at the start but once you get into it, it is pretty engaging and quite fun with mystery and some nice action (albeit rather old fashioned stiff punches etc). The conclusion is rather unsatisfying though and I didn't think it did the plot justice by seeming to end rather abruptly and without really being a meaty end to the story. Of course it is an even more annoying end to the film series, featuring as it does as rather wet joke from Goldie and a chuckle from the cast – not the way an enjoyable series should have bowed out.

The cast are mixed but Conway is very good and by this stage my memory of his brother had pretty much gone to the point that I now think of Conway when I think of the Falcon character. Brophy's returns in the revolving role of comedy sidekick – despite the fact that he had already been in the series as a detective in The Gay Falcon. He is OK but you do feel that all the actors in that role are just doing an impersonation – none of them, particularly Brophy, ever really made the role their own or did anything new with it. Meredith is OK and is better than the simmering love interest that have been used during parts of the series. The bad guys don't make enough of an impression – partly causing a weak ending to the story. Jason Robards Sr makes an appearance as the police detective and is good with straight support.

Overall this is mostly a good film and the main body of it is quite engaging and fun. However the start feels a bit forced (convenient) and the ending is a rather weak end to both the film and the series. The cast are mixed but Lawrence is strong and the film is worth seeing and will please fans of the series even if you can't help wishing that it had gone out on more of a high than a plateau.

The Falcon RKO film series is mostly very enjoyable, with both George Sanders and his brother Tom Conway who took over from him being great in the title role.

Reiterating somewhat what has already been said in my previous Falcon film reviews (due to that a fair few have similar strengths and flaws), admittedly, some are better than others. For examples there are some particularly fun entries such as 'The Gay Falcon', 'A Date with the Falcon', 'The Falcon Strikes Back', 'The Falcon and the Co-eds', 'The Falcon in Hollywood' and 'The Falcon in San Francisco', while others while still very much watchable disappoint a little such 'The Falcon's Brother', 'The Falcon in Danger', 'The Falcon Out West' and 'The Falcon in Mexico'.

On the most part, while not fitting among either extreme of whether among the best or weakest Falcon films, 'The Falcon's Adventure' is solid fun and works well. It is agreed that 'The Falcon's Adventure' does start off a little contrived and routine, that the ending is rushed and abrupt (not an uncommon problem in this series, due to the films being very short) and that the villains are not that memorable or interesting with little menace.

Much can be recommended however. The music is lively and haunting, and on the most part the production values are slick and atmospheric with particularly nicely done photography and eye catching fashions and cars. The script is humorous, there is a good deal of atmosphere and intrigue and the story is absorbing once it gets going with bright and breezy pacing and enough twists, turns and suspense to keep the mystery diverting. Direction is competent.

Conway, in his swansong performance in the title role, is dapper, suave and charismatic, uttering cutting lines with aplomb. Edward Brophy is amusing, and gives a performance not out of control or too low-key, while Madge Meredith allures in her charming if standard role. The cast generally are solid enough.

In summary, Conway's swansong in the Falcon series is a good, solid one. 7/10 Bethany Cox

Routine Falcon entry with plenty of eye candy for the guys and a good look at high fashion, post-war style. There's some mystery in who's trying to get the stolen formula for industrial diamonds. But as in most Falcon entries, the emphasis is not on whodunit ( like Charlie Chan, for example). Instead, it's on the right mix of humor, action, and intrigue. Plus, there's Conway who unfortunately makes his last appearance as the incredibly smooth Falcon. Here, Goldie gets some amusing caustic lines; the Falcon has a heckuva scrap with a bigger guy and loses; while various shady characters maneuver to get who knows what. All in all, the 60-minutes amounts to a solid, if unexceptional, entry in the RKO series.

(In passing—too bad leading lady Meredith got mixed up in a bogus criminal conviction the year after this movie that knocked a big hole in her career. Judging from her work here, she had the looks and ability of an A-grade leading lady.)

This is the thirteenth Falcon film. Tom Conway has lost none of his humour and style, and is not showing signs of getting tired. The film has a very satisfying story, with lots of red herrings, suspects, and dames. Madge Meredith is the good girl of the story, she plays it adequately but by no means sets the screen on fire. Myrna Dell is a bad girl, and she puts on an excellent face of stone, with eyes of agate, and you are just waiting for her to kill as many people as possible to cheer herself up. Edward Brophy is back as Goldie the sidekick, but surprise surprise, his manic over-acting has stopped, and he is actually under control. This is a fine tribute to the directorial skills of William A. Berke, who had done so many Westerns he probably was not prepared to take any nonsense from a Brooklyn dummy. The result is that for the first time, possibly in his career, Brophy was toned down enough actually to add something to a film rather than try the viewer's patience with the irritating behaviour of a retarded but unruly six year-old. It all goes along very well, and is thoroughly entertaining.