Judy Jones canta en una banda y trabaja en una fábrica. En un programa de radio descubre que heredará una fortuna, pero debe casarse pronto. Debe decidir si sus pretendientes Tommy y Bart la... Leer todoJudy Jones canta en una banda y trabaja en una fábrica. En un programa de radio descubre que heredará una fortuna, pero debe casarse pronto. Debe decidir si sus pretendientes Tommy y Bart la aman por ella o por su dinero.Judy Jones canta en una banda y trabaja en una fábrica. En un programa de radio descubre que heredará una fortuna, pero debe casarse pronto. Debe decidir si sus pretendientes Tommy y Bart la aman por ella o por su dinero.
- Dirección
- Guionistas
- Elenco
Edward Gargan
- Riley
- (as Ed Gargan)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A law firm is looking for Judy Jones to inherit $10 million. They decide to advertise and every Judy Jones thinks that she has a chance. Judy Jones (Joan Leslie) is a singer with bandleader Tommy Coles (Robert Alda). They have disagreements about marriage and she keeps pushing him off. It turns out that she is the true heiress. The lawyers are convinced by her shrunken head. Only she has to marry someone with high I. Q. to get the money. She also has to go to college, but she applies to an all-men school. Gabriel Popik (S. Z. Sakall) hopes to get a new building out of the admission despite her lack of smarts. Oliver S. Patch (Elisha Cook Jr.) is a nerd at school. Bart Williams (William Prince) is a professor. Camille (Julie Bishop) is a cabbie.
The premise is non-sense but it's fun. I get the marrying part, but I don't understand that she has to go to this school. I know it's the 40's, but there has to be technical schools that accept ladies. Wait! Did she go to that school to find a smart guy to marry? Or maybe the will stipulates that she has to go to a specific school. The writing needs to be better to explain this story. It's a split decision. This is fun, but it makes no sense. Judy is dumb, but even dumb people needs to make sense.
The premise is non-sense but it's fun. I get the marrying part, but I don't understand that she has to go to this school. I know it's the 40's, but there has to be technical schools that accept ladies. Wait! Did she go to that school to find a smart guy to marry? Or maybe the will stipulates that she has to go to a specific school. The writing needs to be better to explain this story. It's a split decision. This is fun, but it makes no sense. Judy is dumb, but even dumb people needs to make sense.
Cut-rate romantic shenanigans from Warner Bros. and director Busby Berkeley features Joan Leslie as a ditsy band singer who stands to inherit $10,000,000 from a deceased relative--provided she marries a man with a high I.Q. under the deadline. Playing the kind of kooky girl who mistakes a bar of soap for cheese and thinks the 17th President of the United States was named Abraham Jefferson, Leslie's wide-eyed, open-mouthed innocent-act gets a strenuous workout here (she's nearly impossible to take). Songs by Jule Styne and Sammy Cahn aren't enough to save the picture, which shoehorns in greedy lawyers, hep-cat professors, and a penniless pianist who wants to "live on love". Poor in all respects, the film sat on the shelf for two years before Warners finally released it. They shouldn't have bothered. NO STARS from ****
This was one of the more fun "B" movies I have seen recently. I am a movie collector who enjoys clean light comedies, and enjoyed this. It stars S.Z. Sakall, so naturally it doesn't try to cover the meaning of life, or contain any heavy-handed social commentary. My kind of movie!!
It has a highly unlikely story line with enough laughs along the way to make it enjoyable. Whether it is a sight gag, plot absurdities, the characters breaking out in song, or "inside" jokes about the actors themselves, it is obvious that everyone involved was having fun.
Joan Leslie plays a naive good girl who works odd jobs, and Robert Alda is a band leader.
Hungarian character actor S.Z Sakall plays a Hungarian professor from Budapest (go figure).
Joan Leslie can inherit ten million dollars if she gets married. But it has to happen very soon, or else the inheritance is off. The movie is spent with Sakall, three young single guys (Alda as band leader, a young professor, and a stalker), and some very eager inheritance lawyers who try to marry off Leslie.
After we are introduced to the characters, Sakall is shown walking around outside and chattering about his old science laboratory and how he wants a new one. Then he remembers that he accidentally left dynamite on the stove in his lab, and seconds later we hear it blow up in the distance. "No new laboratory, now no old laboratory."
He ends up in jail twice in the movie, but not for accidentally blowing up his lab.
A memorable line: (Sakall is on the stand in court):
"For how long have you known the ladies in question?"
"Question, what's question??"
"You DO understand the English language..."
"Yes I understand. I talk English perfect. A couple of years ago I had an accent, but I lose it."
Will Leslie be able to make up her mind on which guy to marry before the clock runs out? Will some lucky guy end up with Leslie? Will Sakall get his funding for a new science lab? Will the inheritance lawyers strike it rich? Watch it to find out!
It has a highly unlikely story line with enough laughs along the way to make it enjoyable. Whether it is a sight gag, plot absurdities, the characters breaking out in song, or "inside" jokes about the actors themselves, it is obvious that everyone involved was having fun.
Joan Leslie plays a naive good girl who works odd jobs, and Robert Alda is a band leader.
Hungarian character actor S.Z Sakall plays a Hungarian professor from Budapest (go figure).
Joan Leslie can inherit ten million dollars if she gets married. But it has to happen very soon, or else the inheritance is off. The movie is spent with Sakall, three young single guys (Alda as band leader, a young professor, and a stalker), and some very eager inheritance lawyers who try to marry off Leslie.
After we are introduced to the characters, Sakall is shown walking around outside and chattering about his old science laboratory and how he wants a new one. Then he remembers that he accidentally left dynamite on the stove in his lab, and seconds later we hear it blow up in the distance. "No new laboratory, now no old laboratory."
He ends up in jail twice in the movie, but not for accidentally blowing up his lab.
A memorable line: (Sakall is on the stand in court):
"For how long have you known the ladies in question?"
"Question, what's question??"
"You DO understand the English language..."
"Yes I understand. I talk English perfect. A couple of years ago I had an accent, but I lose it."
Will Leslie be able to make up her mind on which guy to marry before the clock runs out? Will some lucky guy end up with Leslie? Will Sakall get his funding for a new science lab? Will the inheritance lawyers strike it rich? Watch it to find out!
This is a very, very contrived film with a very weak story idea. Considering what great films Warner Brothers usually made, the plot is amazingly poor. It's not surprising, then, that the studio held this film for a long time before it was released--as apparently they, too, knew it was a seriously flawed film.
The film begins with some radio show that is looking for lost people--and in this case it's the missing heir to a $10,000,000 fortune. When Judy Jones (Joan Leslie) is located, she learns that the money isn't hers yet--she must be married by Saturday to a man of genius IQ or the money is to be given to a museum. The problem is that the only guy who might marry her is a bit of a clod--and certainly NOT a genius (Robert Alda). So, Judy decides the best place to find a smart guy is the local technical college and she manages to charm her way into be admitted to school--even though it's an all-male campus and Jones is a complete idiot (I'm talking almost a Gracie Allen-level idiot!). Will this moron get a guy by the deadline...and will the audience even care? Considering that the leading lady is annoying, dumb and pretty self-centered, I sure didn't.
This film proves that even with wonderful character actors like Cuddles Sakall, Ruth Donnelly and Edward Everett Horton you CAN make a bad film. Unlikable characters, a contrived plot, bad writing and unnecessary singing make this a real dud.
The film begins with some radio show that is looking for lost people--and in this case it's the missing heir to a $10,000,000 fortune. When Judy Jones (Joan Leslie) is located, she learns that the money isn't hers yet--she must be married by Saturday to a man of genius IQ or the money is to be given to a museum. The problem is that the only guy who might marry her is a bit of a clod--and certainly NOT a genius (Robert Alda). So, Judy decides the best place to find a smart guy is the local technical college and she manages to charm her way into be admitted to school--even though it's an all-male campus and Jones is a complete idiot (I'm talking almost a Gracie Allen-level idiot!). Will this moron get a guy by the deadline...and will the audience even care? Considering that the leading lady is annoying, dumb and pretty self-centered, I sure didn't.
This film proves that even with wonderful character actors like Cuddles Sakall, Ruth Donnelly and Edward Everett Horton you CAN make a bad film. Unlikable characters, a contrived plot, bad writing and unnecessary singing make this a real dud.
Busby didn't have the $$ to make any spectacular dance scenes, but the musical numbers are still quite good with some artful but floor-bound camera moves. Joan Leslie is lovely, playing an idiotic bimbo with such charm that we blame the script, not her, for her dumb moves. Which is basically the movie's major problem: the film's best gag, bubbles coming out of a character's mouth, is done to death, indicating a worse lack of intelligence on the part of its makers than the one they ascribe to the funny but obviously smarter-than-the-material Leslie.
¿Sabías que…?
- TriviaFilmed between mid-December 1943 and May 17, 1944, the movie's wide release was held back until March 9, 1946, and then the picture's Manhattan opening at the Strand Theatre followed on March 15, 1946. Snipped out of the release print were several references to "ongoing" World War II, which had ended on August 14, 1945. Warner Bros. delayed the film hoping Robert Alda's next film, Rapsodia en azul (1945), would make him a star and that would boost this picture.
- Citas
Gabriel Popik: I'm a pull-over!
- Bandas sonorasIf You're Waitin' I'm Waitin' Too
Music by Jule Styne
Lyrics by Sammy Cahn
Performed by Joan Leslie (uncredited) (dubbed by Louanne Hogan) (uncredited), Robert Alda (uncredited) and chorus
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Detalles
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.37 : 1
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