Opiniones de usuarios

This film is about Lamont Cranston trying to track down a criminal who is masquerading as the "Shadow" and murdering members of the underworld. (And, giving the Shadow a "bad name").

This film has a LOT of potential (and it's VERY clever how the murderer pulls it off), BUT the jealous antics of Margo Lane & friend get to be sooo annoying that it all but ruins the film. (I'm glad to say that Lamont actually SPANKS her at the end of the film!). It's a shame that he didn't do that at the BEGINNING of this film!

Norm

Kane Richmond returns for his second stint as Lamont Cranston/The Shadow in this fourth movie in The Shadow series.up to this point,this this is my least favourite.for me,it was boring and tedious.i didn't find the story all that interesting,or engaging.and the movie annoyed me at times,especially with how loud it was at times.by that i mean lot of shrill screeching,a lot of it by the character of Margo Lane(Barbara Read).Shrevvy(George Chandler)is fairly helpful to Cranston,having more to do this time,and is less of a dim bulb than in the previous movie.that's a positive,at least.overall though,this was a disappointing entry.my vote for Behind the Mask is a 4/10

Then you'll probably like this movie. Maybe.

If you like the Walter Gibson, et al, Shadow then you might want to avoid this unless you are an insane completist like me.

The Shadow & Margot were never meant to be a slapstick version of Nick & Nora and unfortunately that is what has been done to them in this. Okay, Shrevie was always played for laughs on the radio so he is acceptable that way (though I prefer the crafty cabbie from the pulps) but even then he wasn't a total moron.

Oh, the mystery part? Yeah, I suppose there is one and its not the worst mystery ever filmed, that might just be 'Sinister Hands', but if you don't guess whodunnit ahead of time its probably because you fell asleep & didn't care.

The Shadow is one of the great pre-comic book heroes of the 1930s, so you'd think that this film would be a lot more fun than it is. The problem is that the film-makers didn't seem much interested in making a Shadow film ... what we have here is a not very good detective movie with lots of ill-considered "humorous" scenes.

Not even a curiosity, this is not for Shadow fans. Take a look at the 1940 chapter serial with Victor Jory. Much closer to the original Shadow concept. Though there's still loads of potential for someone to make the definitive screen adaptation of The Shadow ... 'cos Russell Mulcahy's 1994 effort wasn't it either ...

When a shady reporter is murdered, the killer is disguised as well-known, masked crimefighter The Shadow. Now, the police are after the mysterious hero.

The Shadow's alter ego, Lamont Cranston (Kane Richmond) must track down the killer impostor before the cops close in.

BEHIND THE MASK is more comedic than one might expect, since in the original, The Shadow was a dark, almost sinister persona able to frighten the criminals he pursued. In this film, The Shadow is marginalized, while the unmasked Cranston does the sleuthing.

Played mostly for laughs, so, don't expect a serious crime drama...

Lamont Cranston, aka the Shadow, has his hands full as the murder of blackmailing reporter Jeff Mann is blamed on him.

After having seen "The Shadow" with Alec Baldwin, I felt it was important to seek out older incarnations. This one was on Netflix, so it was easy to pick. And, while I enjoyed it, it also lacks the crime-fighting elements that I enjoyed with the newer version.

The Shadow here does not seem to have any powers, or even much charisma. He is just a rich guy with a butler. And Margo Lane is more on his case here, coming off as a nag. I like her better in the newer version, as well. It may not be fair to compare a film from 1946 with one made 50 years later... but what choice do I have? There is still much to enjoy here, but I cannot see this as a lost treasure.

This second of Monogram's three Shadow movies again features Kane Richmond as Lamont Cranston/The Shadow, and Barbara Read as his girlfriend/assistant Margo Lane. It starts with a well-done, gritty set-up; a blackmailing reporter makes his way through rain-streaked streets at night, to various dingy illegal 'bookies' and nightclubs, meeting with 'clients' and taking payments. One client decides enough is enough and has the blackmailer taken care of in a manner that implicates the Shadow. Cranston sets out to catch the murderer and to clear his alter-ego's name.

Sadly, after such a promising opening this reverts to the 'Thin Man' style banter that dragged the first one down, and by the half-way point plummets into 'comedy' that really isn't funny now. The tension built so well at the beginning just evaporates. On top of that, the Shadow hardly appears, with most of his work done as Lamont Cranston (who, as before, is played like any other amateur detective or adventurer of the era, with no mystical abilities). By the end the killer is caught and the Shadow is exonerated, but it's hard to care. There's a good, noir story in here, but it's squandered. A definite drop. 4/10.

My vote is the vote I would have given when I first saw Kane Richmond as The Shadow, not positive that this was that movie, however, it was in the 1940's, then later in the 1950's on television when I saw it. Since that time I have collected quite a bit about this character, and here is some of it.

The Shadow was a magazine/booklet that was at news stands/bookstores in the early 1930's. A radio show was brought into being, and at first The Shadow was the person who introduced the drama and the actors. Then at a later date, Orson Welles started playing the lead character of The Shadow who really was Lamont Cranston wealthy man-about-town, who's lovely girlfriend was Margo Lane. Lamont Cranston received schooling in the far east by his teacher known as Tenga who could communicate with Lamont via their minds, and he taught Lamont the "power to cloud men's minds." Of course he could cloud Women's as well. This show was on radio for many years. There were a few movies made with the character of The Shadow.

An early B comedy by Phil Karlson this was a nice surprise with a stone cold open on an odious blackmailer making his rounds. Ooops! It's a crusading reporter shaking down his list of suckers. The opening scene has him slapping a "sucker", who kinda likes it, and then relieving her of the stiletto she was about to slide into his back. So there's no shortage of suspects.

Kane Richmond is solid as Lamont/Shadow with a Jack Carson-like presence, albeit on a B level. The rest of the cast has a few familiar faces. Condolences to others who also peg the killer. It's a formulaic cliché that has been done to death but I actually liked that I could finger the culprit at first siting.

Lots of inappropriate humor, S&M is a strong undercurrent with a comical cross dressing sequence thrown in, this movie begins and ends with slaps and spankings. If you think this stuff is "corny" because it's period 40s... too bad for you.

Kane Richmond is the Shadow, and as the shadow, he is the principal suspect in the murder of newspaper columnist James Cardwell. So, with the help of his trusty manservant George Chandler, and despite the help of fiancee Barbra Read and her trusty servant, Dorothea Kent, they investigate until the answer is basically handed to Richmond at the very end. Along the way they frustrate police inspector Joseph Crehan, and his inept assistant, Edward Gargan.

In the midst of all the inactive Fox B series, Monogram apparently also picked up movie rights to the Shadow. William Beaudine began the direction on this opus, only to be replaced some time in the process by Phil Karlson. As a mystery, it's pretty bad. As a slapstick comedy, it's all right; even the big fight sequences are played for slapstick comedy, with Richmond's stunt double swinging from a rope and tossing one opponent at another. With Pierre Watkin, Robert Shayne, June Clyde, and Joyce Compton.

Behind the Mask (1946)

** (out of 4)

Phil Karlson directed this second entry in "The Shadow" series. In this film, a sleazy news reporter is murdered and everyone thinks The Shadow was behind it. The alter ego Lamont Cranston (Kane Richmond) must prove that The Saint wasn't the murderer and find the real one. Every studio during this era had a mystery fighter on their hands and The Shadow belonged to Monogram, which should tell you just about everything you need to know. There's no question that the material here is more second rate than anything else and in the end this just isn't a very memorable movie. I think a lot of the problem goes to the screenplay, which is just rather routine as there's nothing in it that really separates this from the countless other films like it. It certainly doesn't help matters that Cranston is such a boring character that the viewer can never really connect with or really care about what happens to. Another problem is that there's way too much comic stuff. Yes, a mixture of comedy and mystery can be good but not when the jokes fall so flat. The supporting characters are just annoying and especially the assistant's girl who is written as that dumb blonde that gets on everyone's nerves. Richmond really isn't all that energetic or charismatic in the role of The Saint. I'm not sure if he just wasn't interested in the part or perhaps the screenplay just didn't excite him enough to give it more of a push. The supporting players are mostly forgettable, although no one is so bad to where they ruin the film. BEHIND THE MASK will remain watchable for fans of the genre but I think they'll realize that there's not much going on here.