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Rubia ondulante

Título original: The Bamboo Blonde
  • 1946
  • Approved
  • 1h 7min
CALIFICACIÓN DE IMDb
5.8/10
459
TU CALIFICACIÓN
Ralph Edwards, Frances Langford, Richard Martin, and Russell Wade in Rubia ondulante (1946)
MusicRomanceWar

Agrega una trama en tu idiomaA beautiful blonde singer who has a one-time fling with an engaged pilot, is confused by his B-29 bomber crew to be his real fiancée, and her image ends up being painted on the nose of their... Leer todoA beautiful blonde singer who has a one-time fling with an engaged pilot, is confused by his B-29 bomber crew to be his real fiancée, and her image ends up being painted on the nose of their aircraft, for good luck, as the "Bamboo Blonde".A beautiful blonde singer who has a one-time fling with an engaged pilot, is confused by his B-29 bomber crew to be his real fiancée, and her image ends up being painted on the nose of their aircraft, for good luck, as the "Bamboo Blonde".

  • Dirección
    • Anthony Mann
  • Guionistas
    • Olive Cooper
    • Lawrence Kimble
    • Wayne Whittaker
  • Elenco
    • Frances Langford
    • Ralph Edwards
    • Russell Wade
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    459
    TU CALIFICACIÓN
    • Dirección
      • Anthony Mann
    • Guionistas
      • Olive Cooper
      • Lawrence Kimble
      • Wayne Whittaker
    • Elenco
      • Frances Langford
      • Ralph Edwards
      • Russell Wade
    • 12Opiniones de los usuarios
    • 4Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos16

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    Elenco principal53

    Editar
    Frances Langford
    Frances Langford
    • Louise Anderson
    Ralph Edwards
    Ralph Edwards
    • Eddie Clark
    Russell Wade
    Russell Wade
    • Patrick Ransom, Jr.
    Iris Adrian
    Iris Adrian
    • Montana Jones
    Richard Martin
    Richard Martin
    • Jim Wilson
    Jane Greer
    Jane Greer
    • Eileen Sawyer
    Glen Vernon
    Glen Vernon
    • Shorty Parker
    • (as Glenn Vernon)
    Paul Harvey
    Paul Harvey
    • Patrick Ransom, Sr.
    Regina Wallace
    • Mrs. Ransom
    Jean Brooks
    Jean Brooks
    • Marsha
    Tommy Noonan
    Tommy Noonan
    • Art Department
    • (as Tom Noonan)
    Dorothy Vaughan
    Dorothy Vaughan
    • Mom
    Eddie Acuff
    Eddie Acuff
    • M.P. Sergeant
    • (sin créditos)
    Jean Andren
    • Minor Role
    • (sin créditos)
    Jack Arkin
    • Photographer
    • (sin créditos)
    Steve Barclay
    Steve Barclay
    • M.P.
    • (sin créditos)
    Bonnie Blair
    • Minor Role
    • (sin créditos)
    Lulu Mae Bohrman
    • Party Guest
    • (sin créditos)
    • Dirección
      • Anthony Mann
    • Guionistas
      • Olive Cooper
      • Lawrence Kimble
      • Wayne Whittaker
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios12

    5.8459
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    Opiniones destacadas

    5richard-1787

    What did she see in that man????

    With only a 67-minute run time, this must have been made as a B movie, something that alternated with a feature with a better-known cast and a longer run-time in houses that showed double features.

    It's primary purpose is to feature Frances Langford, the very popular singer from radio and World War II Bob Hope tours overseas. She was an attractive woman and a wonderful singer - though she isn't given anything memorable here to sing, which largely negates her potential contribution.

    Whether she was a good actress we can't tell from this movie either. It gives her nothing to work with.

    But the problem here is with the character of the man she falls for, a bomber pilot. He's nice looking in a generic sort of way. But he has all the backbone of a wet noodle, leaving us to wonder what she could see in him. We know that he allowed himself to become *almost engaged* to a gold-digging social climber before he was sent overseas, even though he admits he doesn't love her.

    This comes to a head - sort of - near the end of the picture when the gold-digger invites Langford, her nightclub friend, and the pilot to a dinner party, telling them that she has also invited the pilot's parents. (Not true.) The pilot thinks this will be a chance for his folks to get to know Langford, so he convinces her to come.

    When they get to the party, the gold-digger says that the pilot's parents couldn't come after all. Rather than escorting Langford away to a private dinner, the pilot allows himself to be dragged into the party by some of the gold-digger's scheming guests, leaving Langford (almost) alone with the gold-digger. If he's not going to stand up for her, why should she be interested in him?

    Then the gold-digger tells Langford and her friend to change into their costumes so they can perform for the guests. (Langford is a singer at a night club.) Rather than pointing out that they had been invited as guests and not as performers, Langford and her pal go along with it. Why?

    Then, because she is angry at an imagined slight from the pilot's parents, Langford changes into something mildly slinky - but only mildly - to perform what is an only mildly hot - let's say luke-warm - torch song. This makes no sense, because that was not the sort of song we had seen her perform - or the sort of dress we had seen her wear - when we saw her perform in a nightclub previously.

    It's a manufactured climax that goes nowhere, because the pilot doesn't seem to care about the dress - and his parents didn't see it anyway.

    That's all there is to this movie, I'm afraid. If you like to listen to Langford sing, you'll be disappointed with her material here. If you want a good plot, ditto.
    8Handlinghandel

    A Charming Surprise From the Great Noir Director Anthony Mann

    I am a great fan of Anthony Mann because of his brilliant and inventive, sometimes scary noirs. I knew he'd directed other types of movies but this is the first (other than his later Westerns and 1950s stuff) I've seen.

    This is a very appealing romantic comedy. Frances Langford was no great actress but she had a pretty mezzo. She is a little like Doris Day, it seems, and a little like the great Anita Ellis.

    Russell Wade: Why didn't this guy have a major career? He is very good here, as he is in "The Ghost Ship." And I almost didn't recognize Jane Greer as his bitchy society-girl fiancée! She is (as always, except in a 1950s comedy whose name blessedly escapes me) wonderful. She seemed best in noirs, as bad girls with no conscience. Here she is a rich girl with no conscience.

    This has the same structure as classic noirs. It is told in flashback. I found the movie appealing from start to finish.
    erikpsmith

    A wonderful piece of WWII fluff

    Okay, this movie isn't Citizen Kane. But it is an hour of so of zippy well-produced entertainment -- and I think you have to say it is one of the most perfectly typical movies of its time. I mean, it has every stereotypical character, traditional plot device and normal production touch you might expect in a light comedy produced during wartime. We have a fast-talking and slightly corrupt nightclub promoter. We have an adorable torch singer with a heart of gold. And we have a somewhat naive leading man who nevertheless possesses the sterling qualities that will make him a war hero. Oh, and don't let me forget -- we also have a beautiful and manipulative woman, the sort who doesn't like to lose.

    The plot is your basic boy-meets-girl stuff. It concerns a man who meets a nightclub singer -- very cutely, of course. They have a nice long chat over dinner and fall deeply in like. The fellow goes to war the very next day. Boy and girl secretly pine for each other, even though each of them knows they really don't have a right to do so. The girl's lovely face gets painted on the nose of our hero's B-29. The plane and crew becomes famous for heroic exploits (which consist mainly of surviving) and then hero and torch singer are reunited for a bond tour. They have to pretend to be lovers. The problem here is that the hero's rich-bitch fiancé intrudes. She doesn't love the guy at all, but now that he's a war hero, she demands that the big lunk go through with the ceremony.

    You can kind of guess how this one ends. Can't you? Oh, please. And there's a big twist at the end, when we find out about the fellow's family background -- but if you don't see this one coming a half-hour in advance, you probably haven't seen enough thirties and forties movies.

    Naturally the lovely Miss Langford has some elaborate production numbers, with a wonderful big-band soundtrack.

    Now, this sort of summary might make this movie sound like the oldest and tritest story ever filmed. But the fact is that every now and then someone produces a movie that so perfectly encapsulates every convention of its genre that you stop seeing a lack of originality as a flaw. Instead you can marvel at its perfection, the way you can admire a perfectly cut diamond. Nothing original about a perfectly cut stone, is there? But it sure looks purty.

    So of course the boy and girl fall in love. Of course they conquer all. Of course Frances Langford gets to wear skimpy outfits and sing her lungs out. No wonder Bob Hope took her on so many USO tours.

    I gather that Anthony Mann's involvement is one of the reasons this movie works so well. He became a noted director in the years after this film was made, and while I can't count myself as one of those who is obsessed with his work, I know that there are many who are. Suffice it to say that some directors might have made a mess of a movie like this one, but Mann keeps it moving right along, and the level of acting is pretty much what it ought to be.

    Okay, so maybe the critics were right when they called this movie clichéd and hackneyed. But there was a reason for those clichés: Sometimes they actually worked. Next time this one shows up on cable, put your feet up, put your mind on hold and let yourself enjoy the darned thing.
    5bkoganbing

    Men, what we're fighting for

    The Bamboo Blonde came out in 1946 just past the era of World War II when this story would still have an appeal. It's a minor league musical with one of the major league vocalists of the day Frances Langford.

    Russell Wade a young pilot assigned a new crew is in his last night in the states and he meets up with Frances Langford, singer in a struggling nightclub owned by Ralph Edwards. On his last night state side they have an innocent fling and he goes off to war with her picture and the reputation of a lady killer. Wade's also slightly engaged to Jane Greer.

    But after a run of bad luck the crew paints Langford's picture on the fuselage and the plane starts racking up zeroes with Memphis Belle like clockwork. Langford becomes a celebrity due to the Army Air Corps publicity machine. She's also quite the inspiration to our fighting men.

    The film is narrated in flashback by Ralph Edwards who's turned The Bamboo Blonde into a cottage industry. Some forgettable songs by an unforgettable singer. It's a pleasant piece of post war fluff.
    10chank46

    Gotta Love that Frances Langford!

    I would listen to Frances Langford sing the Albanian phone book. Here we have Frances set in a movie that is perfect for her. Looking absolutely beautiful, appealing, sounding like the Golden voiced song bird that she is. Her voice is almost too beautiful, her delicate phrasing along with her melting pianissimo's makes the heart flutter. Of all the great female singers of the 30's and 40's Frances, all five feet of her, stands head and shoulders above the rest. Frances isn't just a 'pleasant little snack,' she's a full course meal. You keep rooting for her and the flier to get together. There is just enough mischief to keep you guessing. The movie is what it is, an entertaining, morale boosting romp, where all ends well. See this movie, by all means, and be transported into a different time and place

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    Argumento

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    • Trivia
      As shown in newspaper photograph, by the markings on the nose of the B-29, the Bamboo Blonde is credited with 19 bombing missions and has shot down 9 Japanese airplanes.
    • Errores
      When Eileen breaks up Pat and Louise's first date after Pat returns from the war, Eileen calls Louise "Frances" (the name of the actress playing Louise) while saying goodbye to her. Correction: Eileen actually says "Miss Anderson" (her character's last name) and not "Frances".
    • Citas

      Marsha: After all, Eileen, you didn't even see him off to the airport, and you haven't written to him. Why the sudden interest now?

      Eileen Sawyer: How did I know he was gonna' be a hero? He never did anything like that before.

      Marsha: You know, he *might* be serious about this blonde.

      Eileen Sawyer: "Serious"? When I get through with him, he'll wish he'd never heard of a blonde - bamboo, bleached, or otherwise.

    • Conexiones
      Featured in Make Mine Laughs (1949)
    • Bandas sonoras
      I'm Good for Nothing but Love
      Written by Mort Greene and Lew Pollack

      Sung by Frances Langford

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    Detalles

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    • Fecha de lanzamiento
      • 22 de noviembre de 1947 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Bamboo Blonde
    • Locaciones de filmación
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 7 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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