La rebelde se rinde

Enjoyed seeing how young Deborah Kerr appeared in this picture at the age of twenty-four years. Deborah plays the role as Birdie Quilty who works in her families pub in England and heard all kinds of stories told by people who visited the pub about how Ireland fought against the British years ago and she starts to form a hated toward the English Government. Birdie becomes of age and wants to go to Dublin, Ireland to live and work and she meets up with some very strange people who have listened to Birdie talk about England and they decide to utilize her hatred towards the British Nation for their own benefits. Birdie finds herself in some very difficult situations until she meets up with a British Lt. David Baynes, (Trevor Howard) who seems to fall madly in love with Birdie at first seeing her and on other dates, it becomes serious. However, Birdie has so many dark secrets that she does not want to show any affections towards David and this still does not stop David from following her from one country to another. This is a very great film with plenty of funny moments and at other times can be very dark and mysterious. Enjoy.

'I See a Dark Stranger' was another film that sounded right up my alley, really loved the idea for the story and the film's genre mix sounded like the genres would go well together and not clash. Also have always really liked Deborah Kerr, two of my favourite performances of hers being in 'The King and I' and 'Black Narcissus' and wanted to see how she would fare in an early role. Trevor Howard has also been good in other things, 'Brief Encounter' is still a favourite and one of the most moving films ever made.

Although a lot of things work here, 'I See a Dark Stranger' doesn't completely succeed. It is not a waste of potential, a long way from that, but it is a case of great potential not being fully realised. Which was a little disappointing but not in a way that frustrated me massively. If you like Kerr, you'll like it. If you like the idea for the story and this mix of genres, you should mostly like it with reservations. If you like Howard, it's best to look elsewhere as to me this was not a great representation of him.

Will start with the good, which are many, quite big and outweigh the not so good. 'I See a Dark Stranger' is a very well made film visually, especially the photography which is both luminous and atmosphere. Which particularly excels in the more suspenseful scenes and how it captures Kerr, who the camera clearly loves. William Alwyn's score is typically moody without being too melodramatic while the direction is mostly very skilled until petering out at the end. The script is mostly quite sophisticated and thoughtful, with touches of witty humour.

The story generally compels, with some nice suspense, no over-obviousness and turns that aren't too convoluted. Plausibility is not always a strong suit but it is on the most part diverting and solidly paced. Kerr looks beautiful and is both feisty and dignified. The supporting cast are solid.

For all those good things, there are things that could have been better. Am going to agree with those disappointed in the final 20 minutes, which were too farcical and didn't fit with the tone of the rest of the film. Another big problem for me was Howard, who is disappointingly taciturn.

His romantic chemistry with Kerr wasn't really there either and lacked spark, and a big part of it was down to Howard and his character being underdeveloped. A shame because all the other tones are there and balanced quite well.

Concluding, well done generally but there was room for it to have been better. 7/10

Deborah Kerr is an Irish country lass brought up on her father's romanticised view of his heroic struggle against the English.

She leaves home for Dublin, where she wants to join the IRA, but is recruited by the Germans.

She gets entangled with Trevor Howard, a British officer, and conflicting loyalties ensue for both.

It's a classy piece, finely acted, atmospherically shot. There's suspense, humour, romance, and a strong plot. Kerr lives up to the three-dimensional role, and the rest of the cast give sterling support.

Well worthwhile.

This is an interesting story about a young Irish woman who hates the British, so she's interested in becoming a spy for "the other guys" during WWII. She seems to know nothing about the Germans or what they stand for--she just knows that, as an Irishwoman, she hates the Brits and wants to help anyone they are fighting. Because her logic seems so simplistic, she seems very naive. However, despite this, she does get involved, somewhat by chance, in a German spy ring.

How this all works out and her eventual revelation about what and why she was doing this make this a very interesting film. Also, an improbable but interesting romance that occurs with a British officer is pretty interesting. Overall, it's a very good drama and very original, but I was disappointed with the last 10 minutes of the film. While it had been a straight drama, the fight scene between the Brit and the spies really seemed slapstick inspired and just didn't fit the overall style of the film. Still, it's a relatively minor quibble and this still is a nice film--with a particularly good performance by a young Deborah Kerr.

I SEE A DARK STRANGER depends heavily on the central performance of DEBORAH KERR to carry its story about a naive young Irish woman who has grown up hating the British, thanks to her father's romanticized view of the Irish rebellion. She travels to Ireland to volunteer her services as a spy for the IRA, is promptly rebuffed and reminded that "things are neutral now", but is spotted by RAYMOND HUNTLEY who wants to use her services for his own espionage purposes.

What's so wonderful about the film, called THE ADVENTURESS in the U.S., is that it combines humor with drama, mystery and suspense, always with Kerr's strong performance as Bridie Quilty as the center of attention. Kerr uses her facial expressions expertly, especially in close-ups where we can actually see what she is thinking. It's a performance on par with her work in BLACK NARCISSUS, where close-ups allowed her to fully reveal a character's intentions and motivations.

TREVOR HOWARD is the Englishman instantly attracted to her who gradually comes to understand that she's involved in something way beyond her scope and is soon just as involved in all the intrigue as she is. There are unexpected twists and turns throughout and some very droll moments of comedy when a funeral procession turns out to be something quite unexpected.

The weaknesses only are apparent during the last fifteen minutes with an extended fight scene that borders on slapstick before Kerr and Howard are allowed a quieter moment of romance. And then the final zinger involving a hotel sign that infuriates Kerr--but I'll let that remain hidden so you can enjoy the moment.

Summing up: Highly satisfactory British film which won Deborah Kerr a N.Y. Film Critics Award as Best Actress in 1947--also for BLACK NARCISSUS.

Trivia note: David TOMLINSON and JOAN HICKSON both have brief roles, but you have to be awfully quick to catch a glimpse of Hickson.