La calle de los conflictos

Five years after the end of the Civil War the town of Abilene, Kansas serves as the end of the trail for the cattle drives from Texas and is dependent upon them for their economic well-being. However, times are changing and farmers are moving in from the East to start new lives in this area. Randolph Scott, as the town marshal named "Dan Mitchell" realizes that the cattlemen and the farmers cannot mutually coexist and trouble is about to start. He also has another problem (which most men would envy) which is that two beautiful women are in love with him. The first is a saloon dancer by the name of "Rita" (Ann Dvorek) and the other is the daughter of one of the town merchants named "Sherry Balder" (Rhonda Fleming). Neither wants him to risk his life by getting involved in the violence that is likely to occur. At any rate, rather than divulging what happens next I will just say that this is a fairly good western which manages to entertain for the most part. Now, normally I don't mind a film in black and white, but there was a reason Rhonda Fleming was nicknamed "the Queen of Cinemascope" and although she still looked great, black and white just doesn't do her any justice. But that's just my opinion.

Abilene, Kansas is at a critical watershed moment in its history and only town marshal Randolph Scott seems to realize it. That is Scott and a bunch of homesteaders led by Lloyd Bridges. They're the future of the place if they settle there permanently and grow their crops. The homesteader has it over the cowboy. He's raising families for the future, not cain at the end of the trail drive.

In a trend that seemed to start with Destry Rides Again in westerns, Scott has two girls after him in this film. Saloon singer Ann Dvorak and storekeeper's daughter Rhonda Fleming. You figure out who the marshal winds up with.

Abilene Town doesn't lack for anything any western fan could hope for. Lots of gunplay and fist fights and the triangular conflict of cattlemen, townspeople, and homesteaders. And it has a scene stealing performance by Edgar Buchanan as the county sheriff who becomes a hero in spite of his less than honorable ways.

At the time that Abilene Town came out, Abilene, Kansas had one of the most famous people in the world calling it his home town. I don't know how they did it because Howard Hughes didn't own RKO yet, but for the premier of the film in Abilene, Kansas, General Dwight D. Eisenhower showed up himself with Randolph Scott and some of the rest of the cast. A red letter day in the history of RKO studios. To be fair Ike never missed an opportunity to be a booster for the place he grew up in.

Hey if the architect of D-Day gave his seal of approval to this film, how could any of you go wrong in seeing it?

Randolph Scott (1898-1987) plays the Marshall Dan Mitchell who tries to keep things peaceful in town.Edgar Buchanan (1903-1979) plays the sheriff Bravo Trimble who rather gambles than shoots. Lloyd Bridges (1913-1998) can be seen as Henry Dreiser.And sure there are also some pretty ladies involved.Abilene Town from 1946 is a nice old western with great actors.There are some brilliant scenes in the movie.I recommend Abilene Town for all of you who like old black and white western movies.Or if you just don't have anything better to do.

Excellent, under-appreciated movie, which I suspect fell into public domain because only cheap copies from original prints seem to be available. Randolph Scott is rock solid in the unassuming characterization of a modest but moral man acting as a moderating influence between three distinct groups, the cattlemen, the homesteaders and the tradesmen in a frontier town. Each have their own agendas, and the most alluring enticement for Scott on the bad side of town is the brassy but captivating dance hall singer, Ann Dvorak, in one of the best performances of her career, who is so fresh and sexy in her several numbers that I can well believe a whole roomful of cowboys would just sit there, stone silent with their mouths open, staring at her as she dances and flirts through her songs. I don't know if her voice was her own or dubbed, but she could sure deliver those lyrics!

There's not a dull or extraneous scene in the movie, with many well cast characters, fistfights, gunfights, a cattle stampede, romance, comedy and first-rate film noir lighting and dialogue for those who care. And besides all that, I didn't notice until about the third time I'd watched it, Scott's horse follows him around when he's on foot like a pet dog. Very subtle, never made a focus of attention by the director, one of the old-timers who had the sense to let audiences find their own points of interest. I think it's a classic.

A righteous sheriff finds himself in the pinch when there is hostility against homesteaders. He urges his fellow villagers to choose sides and to help him end the conflict.

Decent old-school western. Every cliché is there: from the fierce shootouts to the merry can-can dancers; from the stubborn but righteous sheriff to the crooks stirring up things in town. It's not as harsh as we're used to since Sergio Leone and Sam Peckinah and the boundary between right and wrong is pretty clear from the start. But I liked it as a fan of the western. It's not a classic in any way, but still a decent flick to see if you like the genre.