Trece rue Madeleine

13 Rue Madeleine (1947)

This movie starts slowly and gets gradually better as it goes, until a gripping final half hour and a shocking, dramatic ending. So it's worth the ride, and worth seeing James Cagney who is at the top of his game here (he is about to make his masterpiece, White Heat, after 15 years of gangster portrayals.) Of course here his tough guy persona is put to use for the good of us all, a patriot training a group of high level war time spies. The Nazis are brutal, and World War II is unrelenting, so even this highly skilled people die. It's a reminder how tragic the war was. It is made to be exciting and even fascinating, but most of all dangerous.

Though purely fiction, for legal reasons (the pre-CIA OSS spy organization didn't want too much revealed in the movie), the filming is meant to seem realistic in a documentary way, and it begins with an authoritative voice-over and what looks like some vintage footage. This "information" is given for too long a time, and if you are not a war expert, or even know what WWII was all about, this will be too gripping. But eventually the leads all start to take on real roles, and they move from their training in the U.S. (it was filmed in Quebec City, actually), to behind enemy lines. This is then really great stuff.

Director Henry Hathaway followed this same format (even with the title) in the 1945 The House on 92nd Street and it has some of the same flaws, and the same kind of superb second half. And a year later he did a third in the same mode, Call Northside 777. It was a successful formula for a public learning about its own federal level spy and police forces, Hathaway was a really good director, and we all wish he had taken these films in the direction of Kiss of Death, which is a gem, but he didn't, probably because of producers with ideas of their own, and so we have this trio of offbeat films with only parts that are amazing. Which isn't so bad.

Very interesting war drama starring James Cagney as a secret agent that has to infiltrate Nazi headquarters and double cross an enemy spy that has slipped into his own unit. The discovery of a German missile site location is the main objective. Cagney is air lifted into France and has trouble convincing French freedom fighters that he is there to loosen the Nazi strangle hold.

The cast is full of fine players: Richard Conte, Sam Jaffe, E.G. Marshall, Red Buttons, Karl Malden, Roland Winters and the lovely Annabella.

A great black and white flick evocative of the 40s. Catch it on AMC.

O.S.S. agents are in training for work behind enemy lines in WWII. Upon receiving his latest batch of trainees, training leader Bob Sharkey is informed one of the rookies is actually a German mole. Letting the mole continue thinking he is undetected, Sharkey feeds the mole false information about important upcoming operations. But as Sharkey arranges his agents missions, and that of the mole, things go wrong and Sharkey himself must go into occupied France and risk the wrath of the Gestapo at 13 Rue Madeleine.

13 Rue Madeleine is a very efficient and enjoyable War/Spy/Thriller, it's directed by multi genre helmsman Henry Hathaway and stars acting legend James Cagney as Sharkey. Tho playing a tough guy, this is quite far removed from the sort of roles that defined Cagney's career, he's ably supported by Richard Conte and Walter Abel, but in all honesty it's Cagney's film all the way. As many other reviewers have mentioned, the majority of the picture feels like a documentary, or more a sort of public service explanation on the History Channel, not a bad thing exactly, but the dulcet narration is something I personally could have done without. However once the picture nicely turns its attention to the crucial mission, things start heating up and the film becomes a film in the truer sense of the word. We are fully engaged with the central characters having been with them thru Sharkey's training school, and as the (fabulous) ending draws closer, it's hoped that the majority of viewers are as involved with the plot as I personally was. Because then when the end does come, it impacts the way the makers hoped it would.

A very commendable picture and certainly recommended to fans of Cagney, Conte and this type of movie. 7/10

After the bombing of Pearl Harbor, the American government recruits several agents for the Secret Service, to be trained by the experienced veteran of World War I Robert Emmett Sharkey (James Cagney). However Bob is advised that among the men and women called O-77 there is a German double-agent, infiltrated to discover the date and location of the Allied Front in Europe. He discovers the identity of the spy, but he feeds him with false information to misguide the Germans. However, he suspects, escapes and kills one agent that was assigned to kidnap an important collaborationist in France in a dangerous mission. Without time to prepare another rookie, Bob decides to travel to Le Havre to accomplish the assignment and kill the German agent if possible.

Despite being dated, excessively patriotic and naive in 2009 and the narrative like a documentary in the beginning, "13 Rue Madeleine" is a great movie of espionage, war and action. James Cagney and Richard Conte have wonderful roles and performances. There are flaws, like for example the easy way that Jeff Lassiter and Bill O'Connell breach the security system of the shipyard and lure the agent, but in the end this feature is a great entertainment. My vote is eight.

Title (Brazil): "Rua 13 Madeleine" ("Madeleine 13 Street")

James Cagney stars as the crafty leader of American secret agents of the 077 during World War II. The invasion is not far off and the Nazis have implanted one of their top spies into Cagney's unit. Cagney has to figure out which one of his people is a Nazi and then double cross the double agent with misinformation. The film is fairly interesting, but the characters are not fleshed out well enough, which almost makes sense due to the semi-documentary nature of the film. Still, Cagney is great at being Cagney, which makes it worth watching all the way to the film's explosive ending.