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IMDbPro

El retrato de Dorian Gray

Título original: The Picture of Dorian Gray
  • 1945
  • Approved
  • 1h 50min
CALIFICACIÓN DE IMDb
7.5/10
15 k
TU CALIFICACIÓN
Angela Lansbury and Hurd Hatfield in El retrato de Dorian Gray (1945)
Official Trailer
Reproducir trailer2:32
1 video
76 fotos
DramaDrama de ÉpocaFantasíaHorror sobrenaturalMisterioRomanceTerrorThriller

Un joven corrupto conserva de algún modo su belleza juvenil, pero un cuadro especial revela poco a poco su fealdad interior a todo el mundo.Un joven corrupto conserva de algún modo su belleza juvenil, pero un cuadro especial revela poco a poco su fealdad interior a todo el mundo.Un joven corrupto conserva de algún modo su belleza juvenil, pero un cuadro especial revela poco a poco su fealdad interior a todo el mundo.

  • Dirección
    • Albert Lewin
  • Guionistas
    • Albert Lewin
    • Oscar Wilde
  • Elenco
    • George Sanders
    • Hurd Hatfield
    • Donna Reed
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.5/10
    15 k
    TU CALIFICACIÓN
    • Dirección
      • Albert Lewin
    • Guionistas
      • Albert Lewin
      • Oscar Wilde
    • Elenco
      • George Sanders
      • Hurd Hatfield
      • Donna Reed
    • 155Opiniones de los usuarios
    • 57Opiniones de los críticos
    • 65Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Óscar
      • 3 premios ganados y 4 nominaciones en total

    Videos1

    The Picture of Dorian Gray
    Trailer 2:32
    The Picture of Dorian Gray

    Fotos76

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    Elenco principal99+

    Editar
    George Sanders
    George Sanders
    • Lord Henry Wotton
    Hurd Hatfield
    Hurd Hatfield
    • Dorian Gray
    Donna Reed
    Donna Reed
    • Gladys Hallward
    Angela Lansbury
    Angela Lansbury
    • Sibyl Vane
    Peter Lawford
    Peter Lawford
    • David Stone
    Lowell Gilmore
    Lowell Gilmore
    • Basil Hallward
    Richard Fraser
    Richard Fraser
    • James Vane
    Douglas Walton
    Douglas Walton
    • Allen Campbell
    Morton Lowry
    Morton Lowry
    • Adrian Singleton
    Miles Mander
    Miles Mander
    • Sir Robert Bentley
    Lydia Bilbrook
    Lydia Bilbrook
    • Mrs. Vane
    Mary Forbes
    Mary Forbes
    • Lady Agatha
    Robert Greig
    Robert Greig
    • Sir Thomas
    Moyna MacGill
    Moyna MacGill
    • Duchess
    Billy Bevan
    Billy Bevan
    • Malvolio Jones - Chairman
    Renee Carson
    • Young French Woman
    • (as Renie Carson)
    Lilian Bond
    Lilian Bond
    • Kate
    • (as Lillian Bond)
    Devi Dja
    • Lead Dancer
    • (as Devi Dja and Her Balinese Dancers)
    • Dirección
      • Albert Lewin
    • Guionistas
      • Albert Lewin
      • Oscar Wilde
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios155

    7.515.3K
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    Opiniones destacadas

    Cajun-4

    Elegant horror

    The key word for this movie is elegance. The cast move through sumptuous sets with the males dressed in immaculately tailored dress suits and the women exquisitely gowned. It seems that all the aristocrats lived in homes the size of Buckingham palace with high ceilinged rooms and magnificent staircases. They exchange Oscar Wilde epigrams in the cultured tones of the British upper classes.

    Some great performances. Hurd Hatfield, an extremely handsome actor with a limited range ,gives the best one of his career as does George Sanders as the cynical Lord Henry Wotton, and a young Angela Lansbury is very moving (especially when she sings "The Little Yellow Bird").

    One (very small) criticism. The color shots of the Dorian Gray portrait showing his degradation don't match the high standards of the rest of the design, they look more like pages from a horror comic. I think the producer's, with their obviously high budget, could have used a more imaginative artist.

    As I say a small criticism. This a great film of psychological horror.
    8davidholmesfr

    Elegance and Atmosphere

    Elegant, atmospheric and measured. I suppose anyone brought up on fin de siecle Hollywood would interpret that as `slow and boring'. But this was Hollywood tackling an intellectual piece with, well, intellect. I must confess that the thought of a 1945 Hollywood attempt at Oscar Wilde did not appeal. Memories of one or two previous efforts at English literary classics set alarm bells ringing. But this was in a class of its own. Beautifully photographed in black and white, apart from a couple shots of the painting itself, the aesthetics shimmer.

    I wasn't that convinced about some of the London scenes, especially the low-life portrayal of the East End. The opium den and the `Two Turtles', where Gray first meets Sibyl Vane, look rather too genteel. Compare this view of such places with those created by David Lean, just a couple of years later, in `Oliver Twist'. And this, in a sense, detracts from the depths to which Gray descends in order to be forever youthful and live life with scant regard for others. And in many years of watching BBC Victorian costume dramas I don't recall seeing such outfits on the backs of London's society ladies! However some of the other detail is first class. In particular Sir Thomas's decision to remain at table (`never could resist Aunt Agatha's quails') in spite of Lord Henry's outrageous comments rings true through to today. As the script had it `think like a Liberal, eat like a Tory'.

    The acting is excellent with Hurd Hatfield's portrayal quite remarkable in that he wears the same expression virtually throughout, in order, no doubt, to conceal his true emotions. George Sanders, as Lord Henry, steals every scene he's in thanks to a rapid delivery of Wilde's witticisms that would have Groucho Marx and Woody Allen in awe. Angela Lansbury is, perhaps, a little too demure for a theatrical singer from the East End but, no doubt, this was a result of director's orders.

    Essential viewing for anyone interested in the history of film.
    Bucs1960

    Let's Talk About Hurd Hatfield

    This film adaptation of Wilde's story is certainly one of the great atmospheric black and white films of the 40's. Reminiscent of Greg Toland's ground breaking deep focus cinematography in "Citizen Kane",the shades of black, greys and whites are sharp and clearly deliniated to produce an unforgettable, somewhat eerie look to the film. There are a couple of short Technicolor shots that will make you jump. Cinematography is the star here but let's talk about Hurd Hatfield. I have seen this film on numerous occasions and have yet to figure out whether Hatfield is a great actor or just a woodenly inanimate object. Whichever is the case, this is the role of a lifetime.....it calls for an unfeeling, blank-faced characterization which is exactly as Hatfield played it. His smooth unlined visage hides many things and his apparent lack of emoting is right on target. Does that mean that he just couldn't act and fell into a role that suited his style or does it mean that he rose to the task and his interpretation was the sign of a great actor, living the part. I don't know....all I do know is that he pulls it off with great panache! He was playing against one of the great scene stealers of all times, George Sanders, who spouts Wilde epigrams with his own inimitable class and Hatfield holds his own. The other players are adequate but I don't know what all the excitement is about Angela Lansbury's acting....she was much better in "Gaslight". All in all, this is a movie that I would recommend but beware....it moves slowly, very slowly. Once you see it maybe you can answer the question about Hurd Hatfield's acting.....or maybe not!!!
    mermatt

    Genuine horror

    This wonderfully atmospheric retelling of Oscar Wilde's chilling novel is one of the best horror films ever made. It outdoes DRACULA and FRANKENSTEIN because it is about a man -- not a monster. Yet the monster IS the man -- and hides within all of us. The story works even more effectively than the similar plot in Robert Louis Stevenson's STRANGE CASE OF DR. JEKYLL AND MR HYDE because here we have the dual sides of a man portrayed not as two separate characters but as two reflecting images -- like two mirrors facing each other, sending the images out to infinity. The painting itself is one of the most horrifing images ever created in films -- a surreal reflection of what each of us can become if we lose our humanity and replace it with careless egotism.
    9The_Void

    An ingenious horror classic

    Based on a story by Oscar Wilde, The Picture of Dorian Gray tells the story of a man that sells his soul for eternal youth. After having his portrait done, Dorian Gray, under the influence of the eloquent Lord Henry Wotton, wishes for the picture to age instead of him so that he may be blessed with eternal youth. After the death of his wife-to-be, Dorian embarks on a life of pleasure and sins, which don't affect the man in the slightest, but leaves it mark on the portrait which descends into a horrid impression of the handsome young man it's portraying...

    This film is fantastically well put together. The acting, directing and writing are all stellar, which make this film one pleasant viewing indeed. The real plaudits for this movie, however, go to the writer of the original novel; Oscar Wilde. The story itself is ingenious. Of course, the idea of selling one's soul had been done before (the German legend, Faust, springs to mind instantly), but never in this way. The portrait itself is a genius idea and it allows us to see the man and the sin as different things. However, through it's ending; it also allows the audience to see that the two are linked, and overall giving a good commentary on body, soul and sin. The story has obvious themes of vanity and the lust for eternal youth entwined within it, both of which are sins in themselves. The main character of Dorian Gray is a man that is a victim of influence, and we can feel for him in that way; but he's also an ugly sinner on the inside, making the audience hate him. This is a strange situation for an audience to be in, and in the end; all that's left for him is indifference.

    The film moves slowly, but this is definitely to it's advantage as it allows us to get to know the characters, and if it wasn't for that the horror wouldn't be able to work as it needs our emotional impact to function. The horror in the story is rather subdued, but this is one of the most horrific tales ever told. I think most people will agree that this kind of horror - the brooding, personal kind - is much more horrifying than anything that men with knives and any amount of jumpy moments can muster.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      In the novel, Sibyl Vane called Dorian Gray "Prince Charming", not "Sir Tristan".
    • Errores
      At approximately 34:35 into the film, the time on the clock in the room suddenly changes from just after 2 o'clock to 3 o'clock. Then at approximately 37:00 it moves back to 2:05 and then to 2:09 as Dorian continues to play the piano.
    • Citas

      Lord Henry Wotton: "If I could get back my youth, I'd do anything in the world except get up early, take exercise or be respectable."

    • Versiones alternativas
      Some prints are slightly edited, omitting Dorian's prayer and Lord Henry's line, "Heaven forgive me" in the final scene.
    • Conexiones
      Featured in The Cinematographer (1951)
    • Bandas sonoras
      Good-Bye, Little Yellow Bird
      (uncredited)

      Lyrics and Music by C.W. Murphy and William Hargreaves

      Performed by Angela Lansbury

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    Preguntas Frecuentes

    • How long is The Picture of Dorian Gray?Con tecnología de Alexa
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de marzo de 1946 (México)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • arabuloku.com
    • Idioma
      • Inglés
    • También se conoce como
      • The Picture of Dorian Gray
    • Locaciones de filmación
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 3,500,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 50 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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