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ODOR-ABLE KITTY is Pepe's first short, and he does well but for the ending. I like this cartoon but for that.

The animation is rather strange, but besides Pepe it looks fine. 8/10

The story is good, a nice change from the white stripe routine, though that's still good. But the ending leaves much to be desired. 7/10

The lines are good, but there's still room for improvement in this department. 8/10

The visual jokes are, of course, minimal, except for the beginning and the end. 6.5/10

Overall, this cartoon is a good effort, and from me it recieves an average of 72.5% and a solid B+.

After nearly getting killed by a big dog, a stray cat thinks to herself, "Why can't I be a skunk? Then everyone would leave me alone." She looks around the junkyard and gets an idea: white paint, black paint and some Limburger cheese and some garlic......hmmmm. The next thing you know, we have the forerunner to "Pepe Le Pew," although in this cartoon, she's still a cat, she's a she, and just a skunk in disguise.

The cat also is enjoying and taking full advantage of her new status as a smelly skunk. He's a happy, content guy now.....until a real skunk (with the Charles Boyer imitation voice) shows up!

I did appreciate the cat putting on a Bugs Bunny outfit. However, overall I never cared for these French-takeoff characters, finding the stereotypical dialog overdone and not really funny, so I only rate this as "fair." I do this a point, however, for the moral at the end of the story.

Pepe Le Pew is not one of my favourites, but he is a likable character and the sort that you appreciate much more as an adult. Odor-able Kitty is his debut, and is a very credible one. Okay, it is different to what we are used to from Pepe, perhaps there is a notion of not quite finding their feet yet- which is natural when it comes to debuts- and Pepe does look a little awkward here. On the other hand, the animation on the whole is very good, perhaps not as elegant as the later Pepe cartoons but it has a nice style to it. The music is typical Carl Stalling, the orchestration is lush and there is so much characters that proves a vital part of the humour. The dialogue has the freshness and wit that you'd expect from Looney Tunes, the cat bags the best lines actually. The gags, the best being the ending, are clever and imaginatively timed. Pepe is memorable for a first outing, though not as amorous or witty as he would be later, while the cat is a strong support character that I like even better than Penelope. Mel Blanc's(with his Pepe as ever sounding eerily like Maurice Chevalier) vocal characterisations don't disappoint. All in all, a more than credible debut, even if there was better to come. 8/10 Bethany Cox

The brilliant Chuck Jones, master of Warner Bros. cartoon comedy, brings us the first (?) Pepe LePew cartoon. An alley cat, tired of being pushed around, paints himself in the colors of a skunk, and with a healthy dose of Limburger, turns the tables on his tormentors. Then along comes Pepe, and you know the rest. Many of Pepe's famous gags were born here, including his chase/hop, in which he hops casually along while his prey runs himself to exhaustion.

In my opinion, Warner Bros. cartoons became less inventive and more ho-hum in the 50s. This 1947 'toon is one of the few examples of Mel Blanc putting his absolutely crazy voice into Pepe's mouth. But the kicker is the ending, where Pepe is revealed to be an American "wolf in skunk's clothing"! A must see! Classic Warner Bros...

An alley cat is tired of getting kicked around. He is kicked out of a butcher shop. He gets shoo away by an old lady and chased by a scary dog. He comes up with the idea to disguise himself as a skunk. It works with his regular interactions, but then Pepé le Pew takes an interest.

This is early Pepé le Pew (don't know where in his development) and there is a difference. He is chasing after a male cat although I don't know if he knows that it's a male cat. Maybe it is a commentary on the French. I'm not even sure if he is French in this. Aside from all that, the basics of a Pepé le Pew short is all there.