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5.7/10
299
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Agrega una trama en tu idiomaA hitch-hiking stranger manages a lift from a young woman into the town he's destined for, and she's from. Both land up in jail, twice, as the small town and its leading family slowly unrave... Leer todoA hitch-hiking stranger manages a lift from a young woman into the town he's destined for, and she's from. Both land up in jail, twice, as the small town and its leading family slowly unravel the in-plain-sight mystery behind this man.A hitch-hiking stranger manages a lift from a young woman into the town he's destined for, and she's from. Both land up in jail, twice, as the small town and its leading family slowly unravel the in-plain-sight mystery behind this man.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 nominación en total
Dave O'Brien
- Cpl. Marion Scott
- (as David O'Brien)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I can see this is a series B movie, with the feel of a Hollywooed blockbuster. Acting is really good, and the story, although light, is really fun to watch. Found it by surprise, but could not get past it. It would be great to have the two lead actores rediscovered, specially the lady.
I don't go looking at PRC movies expecting much in the way of excellence, even if they are directed by the underrated Christy Cabanne. So when I decided to take a look at this movie, I didn't expect much. Imagine my surprise when I found it a spiffy comedy in the vein of Preston Sturges' HAIL THE CONQUERING HERO.
When we first meet Dave O'Brien -- better remembered for his roles in countless Pete Smith shorts and low-grade B westerns -- he is trying to hitch a lift into his home town. All we know about him is that he is a war vet who grew up in an orphanage; his (new) home town was bequeathed to him by his fox hole buddy who hasn't made it back. He annoys Kay Aldredge, a local heiress engaged to a politician whom she doesn't love, and gets a ride from her. They are promptly thrown into jail. Twice.
I said this movie is in the vein of Preston Sturges' great comedy, but it is far more cynical. The auctorial voice in the other movie is cynical, even as the characters are stoic and steadfast; even the politicians in HAIL are well-meaning, if terribly confused. In this movie, every character is cynical: not just the kid sister and the worldly-wise aunt, but even the dithery mother. They all know they are putting on a false front, and are more concerned with appearances than the realities.
In many ways, the script of this movie offers a film noir world view hiding under the mask of a standard romantic comedy. It's filled with fine comedy veterans who underplay their roles. In the end, it offers the message that there is hope, so long as people are honest; also a few laughs along the way.
When we first meet Dave O'Brien -- better remembered for his roles in countless Pete Smith shorts and low-grade B westerns -- he is trying to hitch a lift into his home town. All we know about him is that he is a war vet who grew up in an orphanage; his (new) home town was bequeathed to him by his fox hole buddy who hasn't made it back. He annoys Kay Aldredge, a local heiress engaged to a politician whom she doesn't love, and gets a ride from her. They are promptly thrown into jail. Twice.
I said this movie is in the vein of Preston Sturges' great comedy, but it is far more cynical. The auctorial voice in the other movie is cynical, even as the characters are stoic and steadfast; even the politicians in HAIL are well-meaning, if terribly confused. In this movie, every character is cynical: not just the kid sister and the worldly-wise aunt, but even the dithery mother. They all know they are putting on a false front, and are more concerned with appearances than the realities.
In many ways, the script of this movie offers a film noir world view hiding under the mask of a standard romantic comedy. It's filled with fine comedy veterans who underplay their roles. In the end, it offers the message that there is hope, so long as people are honest; also a few laughs along the way.
PRC was a very tiny studio with the lowest of budgets. One big way they saved money was to pay their writers practically nothing for their scripts--and it's painfully obvious in "The Man Who Walked Alone". While I enjoyed the leading man, Dave O'Brien, he just couldn't make up for a script that was written for peanuts.
The film begins with O'Brien trying to thumb for a ride--and with no success. So, in desperation, he tries what an annoying farmer tells him--and jumps into the road at the next car. Well, it causes a minor accident and instant hatred erupts between the lady driver and O'Brien....and it was a cliché that the two would soon fall in love. But, in the meantime, some kooky things occur and they go to jail TWICE and yet they somehow have gone from hating the sight of each other to making eyes at each other--something that made no sense at all. In fact, the writer seemed to toss in many story elements--few that worked and the plot just seemed forced and quite contrived. None of it was believable or made sense--and I really couldn't wait for this ultra-cheapie to end.
The film begins with O'Brien trying to thumb for a ride--and with no success. So, in desperation, he tries what an annoying farmer tells him--and jumps into the road at the next car. Well, it causes a minor accident and instant hatred erupts between the lady driver and O'Brien....and it was a cliché that the two would soon fall in love. But, in the meantime, some kooky things occur and they go to jail TWICE and yet they somehow have gone from hating the sight of each other to making eyes at each other--something that made no sense at all. In fact, the writer seemed to toss in many story elements--few that worked and the plot just seemed forced and quite contrived. None of it was believable or made sense--and I really couldn't wait for this ultra-cheapie to end.
Dave "Tex" O'Brien has been one of my favorites for a long time. He is best known for his cowboy roles, and/or his hapless character in the "Pete Smith" shorts, but here he proved once and for all that He Was An Actor.
Kay Aldridge, best known for "Nyoka," proves to be adorable in her city-slicker role. She was not only lovely, with an expressive face, but she showed herself perfect as a poor little rich girl, who is pressured by her family and their wealth, and always urged to do the right thing -- which is what other people tell her, not what she decides.
There is an excellent cast, including Smith Ballew in a role of the type I've never seen him in before, and he too showed a side of himself that should have had casting directors lining up. Well, he did OK as a recording artist, so maybe that was enough for him. But, to me, he should have been in more movies.
Walter Catlett, Vivian Oakland, Guinn Williams and so many others helped make this PRC production one of the best ever to come from that studio, and absolutely worthy of any studio.
There is one other performer needing special attention: Nancy June Robinson played the precocious little sister, and she was a stand-out! I have seen very few actors her age who were so natural, so expressive, so controlled, yet she made only two movies, according to IMDb. What a shame!
Christy Cabanne, that veteran, was both director and one of the writers, and he deserves mountains of praise for both roles. The other writer, Robert Lee Johnson, and Cabanne produced a charming and often downright funny script, well performed at every level by some of the best character actors in Hollywood.
Frankly, this is not what I would expect from PRC, and perhaps shame on me, for it is thoroughgoing entertainment, produced near the end of World War II, showing some of the costs of that war, and presenting a lot of very likable people we'd enjoy knowing even better.
There is a print at YouTube with a few glitches (and those obnoxious YouTube commercials!) but "The Man Who Walked Alone" is such a joy, a real treasure, you probably won't notice anything but the movie itself.
Kay Aldridge, best known for "Nyoka," proves to be adorable in her city-slicker role. She was not only lovely, with an expressive face, but she showed herself perfect as a poor little rich girl, who is pressured by her family and their wealth, and always urged to do the right thing -- which is what other people tell her, not what she decides.
There is an excellent cast, including Smith Ballew in a role of the type I've never seen him in before, and he too showed a side of himself that should have had casting directors lining up. Well, he did OK as a recording artist, so maybe that was enough for him. But, to me, he should have been in more movies.
Walter Catlett, Vivian Oakland, Guinn Williams and so many others helped make this PRC production one of the best ever to come from that studio, and absolutely worthy of any studio.
There is one other performer needing special attention: Nancy June Robinson played the precocious little sister, and she was a stand-out! I have seen very few actors her age who were so natural, so expressive, so controlled, yet she made only two movies, according to IMDb. What a shame!
Christy Cabanne, that veteran, was both director and one of the writers, and he deserves mountains of praise for both roles. The other writer, Robert Lee Johnson, and Cabanne produced a charming and often downright funny script, well performed at every level by some of the best character actors in Hollywood.
Frankly, this is not what I would expect from PRC, and perhaps shame on me, for it is thoroughgoing entertainment, produced near the end of World War II, showing some of the costs of that war, and presenting a lot of very likable people we'd enjoy knowing even better.
There is a print at YouTube with a few glitches (and those obnoxious YouTube commercials!) but "The Man Who Walked Alone" is such a joy, a real treasure, you probably won't notice anything but the movie itself.
This movie is something of a find. With so many movies made at the time, many were bound to slip under the radar. This one did, sadly. The story is engaging from the start and never droops. It's a total joy. Considering it was made by one of the smaller studios, the sets looked good and the story was excellent. But really it's the acting by the two little known leads that makes this so watchable. Dave O'Brien, playing the kind of role that would normally have to gone to Cary Grant or Joel McCrea, proves he was as good as anyone at playing screw ball comedy. Kay Aldridge is stunningly beautiful as the female lead that would normally have gone to Claudette Colbert or Jean Arthur and is a revelation. Miss Aldridge bares more than a passing resemblance to Vivien Leigh, and at times sounds like her. Which is no bad thing considering how good Vivien Leigh was. She and Dave O'Brien have great chemistry together in this. The rest of the cast are just as good and I would recommend this movie to anyone to watch.
¿Sabías que…?
- TriviaKarl Hajos' score earned a very rare Oscar nomination for PRC Pictures.
- ErroresWhen Willie and Marion are riding in the taxi to the Hammond place, we see out the rear window a following car that appears to come up impossibly close: the windshield seems to be right at the taxi's rear window.
- Créditos curiososIn the credits, the lead actor is shown as PRIVATE Marian XXXX, but clearly in the film and in the dialogue, he is a CORPORAL.
- Bandas sonorasThe Farmer in the Dell
(uncredited)
Traditional
Heard during the first scene
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Detalles
- Tiempo de ejecución
- 1h 10min(70 min)
- Color
- Relación de aspecto
- 1.37 : 1
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