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Iván el Terrible

Título original: Ivan Groznyy
  • 1944
  • B
  • 1h 43min
CALIFICACIÓN DE IMDb
7.7/10
11 k
TU CALIFICACIÓN
Iván el Terrible (1944)
Trailer for Ivan the Terrible
Reproducir trailer1:31
1 video
75 fotos
DocudramaBiographyDramaHistory

Durante el inicio de su reinado, Iván el Terrible se enfrenta a la traición de la aristocracia e incluso de sus amigos más cercanos a la vez que busca unir al pueblo ruso.Durante el inicio de su reinado, Iván el Terrible se enfrenta a la traición de la aristocracia e incluso de sus amigos más cercanos a la vez que busca unir al pueblo ruso.Durante el inicio de su reinado, Iván el Terrible se enfrenta a la traición de la aristocracia e incluso de sus amigos más cercanos a la vez que busca unir al pueblo ruso.

  • Dirección
    • Sergei Eisenstein
  • Guionista
    • Sergei Eisenstein
  • Elenco
    • Nikolay Cherkasov
    • Lyudmila Tselikovskaya
    • Serafima Birman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • Sergei Eisenstein
    • Guionista
      • Sergei Eisenstein
    • Elenco
      • Nikolay Cherkasov
      • Lyudmila Tselikovskaya
      • Serafima Birman
    • 67Opiniones de los usuarios
    • 33Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 1 nominación en total

    Videos1

    Ivan the Terrible
    Trailer 1:31
    Ivan the Terrible

    Fotos75

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    Elenco principal20

    Editar
    Nikolay Cherkasov
    Nikolay Cherkasov
    • Czar Ivan IV
    Lyudmila Tselikovskaya
    Lyudmila Tselikovskaya
    • Czarina Anastasia Romanovna
    Serafima Birman
    Serafima Birman
    • Boyarina Efrosinia Staritskaya
    Mikhail Nazvanov
    Mikhail Nazvanov
    • Prince Andrei Kurbsky
    Mikhail Zharov
    Mikhail Zharov
    • Czar's Guard Malyuta Skuratov
    Amvrosi Buchma
    Amvrosi Buchma
    • Czar's Guard Aleksei Basmanov
    Mikhail Kuznetsov
    Mikhail Kuznetsov
    • Fyodor Basmanov
    Pavel Kadochnikov
    Pavel Kadochnikov
    • Vladimir Andreyevich Staritsky
    Andrei Abrikosov
    Andrei Abrikosov
    • Boyar Fyodor Kolychev
    Aleksandr Mgebrov
    • Novgorod's Archbishop Pimen
    Maksim Mikhaylov
    • Archdeacon
    Vladimir Balashov
    Vladimir Balashov
    • Piotr Volynetz
    Vsevolod Pudovkin
    Vsevolod Pudovkin
    • Nikola, Simpleton Beggar
    Semyon Timoshenko
    • Kaspar von Oldenbock, Livonian ambassador
    Aleksandr Rumnev
    • The Stranger
    • (as Aleksandr Rumnyov)
    Pavel Massalsky
    Pavel Massalsky
    • Sigismond - King of Poland
    Yuri Pomerantsev
    Ada Voytsik
    Ada Voytsik
    • Elena Glinskaya
    • Dirección
      • Sergei Eisenstein
    • Guionista
      • Sergei Eisenstein
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios67

    7.711.3K
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    Opiniones destacadas

    9OttoVonB

    Eisenstein's Baby

    On a backdrop of intrigue, murder and betrayal, Prince Ivan conquers enemies and becomes the first Czar of all Russia, at the cost of his own soul.

    Eisenstein's name and reputation loom over film history in such a forbidding way that you would be forgiven for deeming his work impenetrable by modern standards, yet while his silent epics are so seminal as to be hard to evaluate objectively, his late talking films can be hugely rewarding viewing, even to more casual film-goers. As a summation of his artistic evolution and scholarship, they are no less treasurable or significant than Battleship Potemkin, yet they have a more compelling story to tell.

    Ivan The Terrible was to be a trilogy, of which only parts 1 and 2 were completed before their creator fell into disfavor with Stalin. Yet parts 1 and 2 are rich enough that together they form a perfect story ending on a chilling note. On to part 1 then...

    Part 1 tells the story of Prince Ivan from young hopeful to warlord and recluse, before he truly accepts his calling. It is an incredibly romanticized tale, and formally, a relic of a time long gone, one that perhaps only ever existed in Eisenstein's mind. His was a unique visual sensibility and the Ivan films are full of layered, meticulously composed and designed shots: characters scurry like rodents through claustrophobic tunnels, the look is at times so expressionistic as to evoke where The Cabinet of Dr Caligari might have evolved. It is both familiar and horribly alien, like the nightmare it later confirms itself as in part 2.

    Given the conflicting emotions evoked - heroism with oppression, epic scale but suffocating formalism - you would do well to brace yourself through this one and remember that only once you've seen both parts will it all make terrible sense. Only then will you appreciate the unique genius at work here.

    One cannot distinguish between the two Ivans for one cannot exist without the other, and together, they form one of the best films ever made.
    9Spondonman

    Perfect propaganda parallels

    I've seen this a number of times now so it's difficult for me to remember having trouble getting into the stylised form of acting and by 1944 dated expressionistic cinematography that other viewers might have. First time of watching it was on UK TV over 20 years ago with Part 2 and a documentary called Part 3 containing the remaining extant scenes, and I loved it. I'm dead against arty farty pretentious movies and am always aware that being obscure does not automatically make a film a classic, but this really is a classic of its kind. It was Eisenstein's best work (imho) a rallying call to all of the disparate inhabitants of Mother Russia to work and fight together, which was ordered by Stalin and who was pleased with the similarities – I bet he was on tenterhooks waiting for Ivan to go insane though.

    Ivan is crowned Tsar of all the Russias and proceeds to drag the country into the 16th century, disposing of external enemies in the form of Tartars, starting a long war against Livonia and limiting the influence of the antagonistic aristocracy, the boyars. The acting is intensely melodramatic, with endless sinister sidelong glances taken from acute camera angles and Ivan's pointy beard shown to good advantage, which to people not paying much attention can probably be mirth-inducing. But this was pulse-quickening propaganda for the new Russian working class to comprehend, not Artheads decades later - Eisenstein did it so memorably that like Potemkin it's still spellbinding today. Otoh he borrowed extensively from Snow White too for some of most incredible shadowy images in here, and his whole technique hadn't moved on from silent film. The use of the b&w nitrate film, costumes, sets and angular ugly faces are wondrous to behold and Prokofiev's stirring music glues it all together triumphantly.

    All in all, a knockout film with faults but which still defies and will survive all criticism.
    7trippycheez

    Eisenstein lags behind

    Perhaps if I had not watched von Sternberg's SCARLET EMPRESS the day before I watched IVAN THE TERRIBLE, I would have appreciated Eisenstein's film more.

    SCARLET EMPRESS is von Sternberg's own historical Russian epic: Catherine the Great (played by Marlene Deitrich) rises to power despite conspiracies against her--conspiracies much like the ones that face Ivan in Eisenstein's film. The films are remarkably similar, and Eisenstein's influence on von Sternberg's lighting and montage sequences could not be more apparent.

    Unfortunately, IVAN THE TERRIBLE is light years behind SCARLET EMPRESS in terms of the integration of sound with image, humanistic characterizations, and nuanced (as opposed to exaggeratedly theatrical) acting styles. If I had to guess, I'd say IVAN THE TERRIBLE was made ten years before SCARLET EMPRESS. In fact, it was made ten years after.

    I'm a big fan of Eisenstein's BATTLESHIP POTEMPKIN, and as a student of Russian history and culture, I expected IVAN THE TERRIBLE to be a thoroughly engaging film. Instead it seemed a primitive effort: a move backward for a man who excelled at silent storytelling but couldn't evolve along with cinema. Of course, this IS Eisenstein, and IVAN is a very intelligent and well-crafted film, but viewed alongside its contemporaries, its shortcomings become all too apparent.
    10zetes

    My God, I wasn't expecting it to be THAT good

    Before I new much about him, when I used to see the box for Alexander Nevsky on the Foreign shelf at my local video store, I always misread Eisenstein's name, transforming it into Einstein. Well, Einstein suits him just as well, for what Albert Einstein was to science Sergei Eisenstein is to the cinema. Witness Battleship Potemkin, possibly the most rousing film ever made. Today, nearly 80 years after it was made, it still has the power to inspire revolution. Its amazing montage editing style may have died with silent cinema (although there are at least two directors today who are somewhat similar: Shinya Tsukamoto and Darren Aranofsky), but it will never be forgotten.

    When Eisenstein moved to sound, he realized that rapid montage would not work in the new medium. He adapted his style, perfecting a new one. Alexander Nevsky and the two Ivan the Terrible films come off to many people as stale historical epics. To me, they come off as the very peak of that genre. Usually I do find historical epics stuffy, but the direction, acting, writing, cinematography, and music of these three films are exquisite, so far beyond anything that I've ever seen that these films stir me nearly as much as Potemkin does.

    Ivan the Terrible I is a bit confusing in its plot to begin with, but you have to stick with it. First off, there are many, many characters. A great many are not mentioned by name, and most of the rest are only named on rare occasions. But Eisenstein familiarizes us with the characters' faces. These faces are perfectly chosen and lighted spectacularly. The light is so harsh that every crag in a person's face is clear, and noses cast foreboding shadows. The way time progresses in this film is without much warning, and one problem I encountered was identifying Ivan himself. I did not catch on at first when the first sequence ended and the second sequence began, and Ivan, in the second sequence, has a beard. Once you realize that, though, you're home free. That beard serves as a great identifier throughout the film (and is used in many ways by Eisenstein).

    I was expecting to like this film, but I found myself obsessed with this utter masterpiece. 10/10
    Snow Leopard

    A Memorable Filming Of An Interesting Era

    This first part of Eisenstein's filming of the life and times of "Ivan the Terrible" has lots of drama, very good characterizations, fascinating settings, and plenty of action. Nikolai Cherkasov is completely convincing in the lead role, and the rest of the cast complements him well (especially Serafima Birman as his crafty aunt). This period in history is quite interesting and significant in itself, and Eisenstein presents everything in a fashion that is thoughtful and also enjoyable to watch.

    Ivan combined a remorseless personal ambition with a genuine desire to strengthen and protect Russia, while the boyars, who opposed him, acted from motives that were almost exclusively personal. Combined with the plans of Russia's neighbors, all of this makes for a complex and interesting series of events, and the movie does a good job of presenting both the events and the possibilities, both on the surface and behind the scenes. Not the least of the reasons why it works so well are the settings. They are always interesting, believable, and atmospheric - and the indoor settings are especially so.

    Part One is praiseworthy both in its own right and as the foundation for the outstanding sequel. Eisenstein generally excelled at depicting important periods in his country's history, and his series on Ivan's critical reign demonstrates all of his many skills. His attention to detail (of which there are too many examples even to try to list) and his appreciation for the overall picture make this a memorable film of high quality.

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    Argumento

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    • Trivia
      Took over 3 years to make.
    • Errores
      After Anastasia's death, when discussing the Livonian war the "only" son of the Czar is mentioned. However at the time Ivan had two sons, Feodor, who became Czar Feodor I of Russia, and also Tsarevich Ivan Ivanovich.
    • Citas

      Czar Ivan IV: Those who tore down the bells without Czar's permission, those by Czar's command get torn down the heads for not too long.

    • Créditos curiosos
      All the credits are showed in front of a fire smoke.
    • Conexiones
      Edited into Histoire(s) du cinéma: Une histoire seule (1989)

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    Preguntas Frecuentes18

    • How long is Ivan the Terrible, Part I?Con tecnología de Alexa
    • Have critics praised this film unanimously?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de diciembre de 1944 (Unión Soviética)
    • País de origen
      • Unión Soviética
    • Idioma
      • Ruso
    • También se conoce como
      • Ivan the Terrible, Part I
    • Locaciones de filmación
      • Alma-Aty, Kazhachstan
    • Productoras
      • Mosfilm
      • Tsentralnuyu Obedinyonnuyu Kinostudiyu (TsOKS)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total a nivel mundial
      • USD 12,196
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 43 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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