El castillo siniestro

Above average Holmes. The real stars, however, are the evocative Gothic interiors of the seaside cliff house. The dimly-lit great halls and chambers provide genuine atmosphere, and are a tribute to Universal's art and set directors, respectively. The plot itself is reasonably compelling as we try to guess who's killing off members of a gentleman's club one-by-one. Still and all, the brief running time, 69 minutes, doesn't allow much character development, so the whodunit angle remains underdeveloped. Couple that with the pointless presence of an unfunny Inspector LaStrade (isn't Watson supposed to supply the comic relief?) and much valuable screen time is wasted. I wish the screenplay had taken better advantage of the spooky sets by playing up the menace, as for example, the shadowy appearance of the mystery man's shoes. Or Sally Shepherd as the zombie-like housekeeper, Mrs. Monteith, who's enough to make you want to clean your own castle. Nonetheless, there's enough mystery, atmosphere, and Basil Rathbone to make this a solid Holmes entry.

A club of retired rich men called "The Good Comrades" lives at an isolated Scottish castle. One by one the men are being killed off and an insurance agent believes one of them is responsible. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) investigate but fail to prevent more murders from occurring. Soon they are joined by Inspector Lestrade (Dennis Hoey), who will undoubtedly get to the bottom of things ("Suffering cats! What IS going on here?!?").

Fun Sherlock Holmes movie from Universal, the eighth in their series (tenth overall, counting the first two Fox films). It's loosely based on the Sir Arthur Conan Doyle "Five Orange Pips" story. Really the only similarity is the murder victims receiving envelopes with orange seeds before they're killed. That story is hardly one of Conan Doyle's best, by the way. The series regulars Rathbone, Bruce, and Hoey are all great. The supporting cast is made up of good character actors like Holmes Herbert, Paul Cavanagh, Harry Cording, and Aubrey Mather. Solid direction from Roy William Neill with interesting camera-work from Virgil Miller. Nicely paced with great "old dark house" atmosphere. Not the best of the series but a very entertaining one.

While it's not as great as earlier Holmes mysteries, such as The Hound of the Baskervilles, The Adventures of Sherlock Holmes and The Scarlet Claw; The House of Fear is still an admirable entry in Holmes' list of triumphs. My favourite detective mysteries are always the ones that include a dash of horror, and I'm pleased to remark that this one has that. The film is directed by Roy William Neill; the same man that directed fellow horror-orientated Holmes yarn, The Scarlet Claw. For this film, Neill has succeeded in capturing a foreboding and intriguing atmosphere once again, and the story, which includes a rickety old house, benefits immensely from that. The story follows a group of men that have moved to Scotland from London after forming a club and buying a large house. After two of them are murdered subsequent to receiving strange notes, the super-sleuth and his trusty sidekick; Dr Watson are called in to get to the bottom of the mystery. Could the fact that each member of the group is a beneficiary of each of the others' life insurance policies have anything to do with it?

This film is very short at just 69 minutes, and this is part of the reason why the film doesn't work quite as well as other Holmes yarns. Despite being short, the film doesn't have many moments of real tension and there are several instances where the story slows down to walking pace, and these can be a trifle dull. The story in this movie is rather thin, but, despite it's lack of tension, it does have intrigue; which redeems the plotting somewhat. One thing that the film definitely does benefit from is that, like all other Universal Holmes films made in the 30's and 40's, it stars the great Basil Rathbone as the great detective and Nigel Bruce as the sidekick; Dr Watson. These two have a great on-screen chemistry, and you can really believe that they are old friends. The climax of the film is nice and it's unlikely that you'll see it coming...but that's its main vice also; it's somewhat unlikely. I'm becoming a big fan of Sherlock Holmes movies, so I'm rating this one a little higher than many would; but in spite of my slight bias, this is still a very good film and one that Holmes fans will not want to miss

Sherlock Holmes and his mumbling sidekick Dr. Watson go to Scotland to investigate the deaths of members of "The Good Comrades," a group of seven lonely men that make a pact to split the money of each dying member. A maid has been given a letter to give the members of the group at dinner. The letter contains a number of orange pips(pits) that coincides with the remaining number of the group. After receiving the letter, the member shortly dies after. This is highly enjoyable fare from the Sherlock Holmes team of Rathbone, Bruce, Dennis Hoey as Lestrade, and director Roy William Neill. The film zips by at a nice pace, and it has a unique mystery which I could only partially unravel. Rathbone is at his best, but Bruce tends to steal almost every scene he is in with his mumbling antics and comedic abilities. The rest of the cast of stalwart British character actors do just as ably with Aubrey Mather really standing out as the genial owner of the home where the Good Comrades stay. Lots of dark atmosphere, rainy nights, and Scottish lore to surround this intriguing tale.

Sherlock Holmes agrees to an insurance company request to investigate the gruesome deaths of wealthy gentlemen living in a Scottish mansion. Each death is predicted by the strange delivery of Orange Pips to the next intended victim.

Lets get the main fact out of the way first, although an adaptation of Conan Doyle's Holmes story, {Adventures} The Five Orange Pips, The House Of Fear bears little resemblance to that particular source. So purist fans of the literary aspects are in for a let down. Or are they? Directed by Roy William Neill with the screenplay coming from Roy Chanslor, this tenth entry in the Rathbone/Bruce series of Sherlock Holmes films is a deliciously atmospheric mystery piece holding its own. Set very much in the creepy mansion formula, House Of Fear, with all its off kilter camera work {beautifully realised now with the marvellous restoration job}, utilises the scope for "nothing is ever what it seems" to great effect. Thus of course giving Holmes {Rathbone impeccable as usual} license to detect with great gusto and ingenuity. This is after all what one wants from a Sherlock Holmes film me thinks? The film is also aided by some rather fine work from the sound department, winds and footsteps are sharp to the ears, again impacting on the mood to fully involve the viewer.

While the relatively short running time stops it from being a fully born out mystery, and yes if you dig deep enough you will find a couple of creaky plot holes. The House Of Fear is still one of the better entries in this marvellous series of films. Sometimes it's all about the characters and the situation they find themselves in. With that, this becomes an essential Holmes movie, regardless of grumbles from purists and plot holers alike. 7/10