Hogueras de pasión

Happy-go-lucky Montana rancher John Wayne comes to San Francisco, wins and loses a fortune in a night, and begins a competition with a sleazy gambling-hall owner for the heart of singer Ann Dvorak. After some lessons from aging card-shark William Frawley, he comes back to town to win back the money and the girl.

Another of the Duke's lightweight, nineteen-forties Republic pictures, this okay romantic melodrama features a likable Wayne performance, some fairly lavish sets and costumes, and a neat low-budget recreation of the great San Francisco earthquake of 1906.

This isn't the greatest or most memorable of John Wayne vehicles, but it's not the worst either.

If you want to see the electric lines in SF in 1906 check out the links listed below from the SF Museum. These two slides in the power point show the lines that were present then.

I think that the level of electric service shown in the film was a little advance for 1906, most would not pick upon that. Remember this was a 1945 film, compare it to the 50's not present day films to be fair. Acting talent still beats special effects in my book. Just think what kind of movies John Wayne could do in 2005 with just a few of today's effects. Maybe some one could apply CGI to an older movie? Good movie, to bad we get so few good movies in the current productions.

http://www.sfmuseum.org/views/1906.ppt#262,8,Slide 8

http://www.sfmuseum.org/views/1906.ppt#264,13,Slide 12

Check out the rest of the site worth the time, just as this movie is.

Who ever came up with the title is to be commended. It suggests a storyline way, way, more interesting than this film turns out to actually be! "Tito" (Joseph Schildkraut) pretty much runs San Francisco and together with his gal "Flaxen" (Ann Dvorak) has quite a easy life - until, that is, cowboy "Duke" (John Wayne) arrives in town and takes a bit of a shine to the lady. He's just a touch too naive though for city life, and soon has to head home - broke - after being fleeced in the casino. Determined to win it all back - and more - he takes lessons in card-playing and soon returns, this time much better prepared to combat the dodgy goings-on at the card table, and to win the heart of the lady. Sadly, aside from a rare few scenes of fisticuff action, this is all rather dreary. The scenario is well trodden, and although Dvorak makes for quite a decent leading lady, the rivalry between the sophisticate crook and his handsome interloper just doesn't ever catch fire. The pace is just too forced, and there is far too much emphasis on the rather uninteresting love triangle element. This film is only really notable for the last fifteen minutes which offers us quite a well created and impressive look at just how the earthquake and subsequent fire devastated the city leaving carnage - and opportunity - in it's wake. Again there is plenty of charm from the star, but it is nowhere near enough to sustain this and though it might have been more impressive on a big screen, on a small one it proves merely to be quite a procedural and, frankly, dull, vehicle for Wayne that promises much but delivers little.

John Wayne, Duke Fergus, is tagged "King of Luck", after breaking the bank in several casino saloons with the help of Ann Dvorak, as Ann 'Flaxen' Tarry, who says, "You've just been promoted". From Duke to King. How ironic that the man known as The Duke in his lifetime had to be the object of this tongue-in-cheek line. Some would think that The Duke was above being a king. This movie does fit the small screen (of t.v), but maybe it was appropriate for the large screen in 1945 when folks weren't so jaded in their viewings. The real gem of this movie is Joseph Schildkraut, as Boss Tito Morell. How could a shady bad guy be so lovable? We love the under dog. Is there any question that The Duke will walk away with the lady? But Tito is the one who really loves Flaxen, and always holds back from resorting to "fixing" The Duke as his cronies want to do. He may be the evil foil, but you can't help but love this gentleman scoundrel. Loyalty does not pay in the end for our hapless romantic. And talk about obsession: the suitors of Flaxen still hang around even when it seems she will be paralyzed for life after the Great Earthquake (did San Francisco really have electric poles in 1906?!)--they hope the old trooper will return to the stage and awe their hearts, not to mention their libidos! As Flaxen is whisked off in Duke's carriage to Montana, Tito has the best line: "Compliments of the House"....

"Flame of the Barbary Coast" is a movie that I grew up watching in a movie theatre. It's easy to poke fun at a movie like this, or any movie made in that era, if you've only seen it on television. The power and quality of the performance of the film can only be seen on the big screen and not on the television screen. Actually, the cast is quite good and anyone interested in directing or photographing a movie should learn from the film. This movie makes every second and minutes count on the screen, and that's the reason the action never stops. Moving the camera in a certain way to make use of the drama and action with out two many cuts is genius, but then, these people knew what they were doing. Many repeats for good measure with eyes on an actor or actress moving side to side as if they are actually participating in the scene. The catty remarks between Virginia Gray and Ann Dvorak after Virginia Gray sings for an audition with Tito, oh boy - meow indeed! Who cares if Ann Dvoraks singing was a little off, and who cares if John Wayne tried his hand at singing on a horse? Who cares if Fred Mertz played a gambler before he was Ricky Ricardo's best friend? Who care's if Butterfly McQueen didn't get a chance to repeat "Ah knows how to birth babies Miss Scahlett!"? This movie is just good old fashioned campy entertainment with no foul words, no nudity, and in many ways the bad guy won when he said, "With Compliments of the House!" Anybody who doesn't like this movie is an old grumpy!