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IMDbPro

Fuga en la niebla

Título original: Escape in the Fog
  • 1945
  • Approved
  • 1h 3min
CALIFICACIÓN DE IMDb
5.9/10
1.2 k
TU CALIFICACIÓN
Nina Foch, Ernie Adams, Ivan Triesault, and William Wright in Fuga en la niebla (1945)
Film NoirAdventureDramaMysteryRomanceThriller

Agrega una trama en tu idiomaDuring WW2, an army nurse on R&R in San Francisco has a premonition about witnessing a murder attempt against a G-man by Nazi agents.During WW2, an army nurse on R&R in San Francisco has a premonition about witnessing a murder attempt against a G-man by Nazi agents.During WW2, an army nurse on R&R in San Francisco has a premonition about witnessing a murder attempt against a G-man by Nazi agents.

  • Dirección
    • Budd Boetticher
  • Guionista
    • Aubrey Wisberg
  • Elenco
    • Otto Kruger
    • Nina Foch
    • William Wright
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    1.2 k
    TU CALIFICACIÓN
    • Dirección
      • Budd Boetticher
    • Guionista
      • Aubrey Wisberg
    • Elenco
      • Otto Kruger
      • Nina Foch
      • William Wright
    • 28Opiniones de los usuarios
    • 26Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos39

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    Elenco principal34

    Editar
    Otto Kruger
    Otto Kruger
    • Paul Devon
    Nina Foch
    Nina Foch
    • Eileen Carr
    William Wright
    William Wright
    • Barry Malcolm
    Konstantin Shayne
    Konstantin Shayne
    • Schiller
    Ivan Triesault
    Ivan Triesault
    • Hausmer - Schiller's Henchman
    Ernie Adams
    Ernie Adams
    • George Smith
    Jessie Arnold
    Jessie Arnold
    • Woman at Accident
    • (sin créditos)
    Mary Chan
    • Pedestrian
    • (sin créditos)
    Chin Kuang Chow
    • Chinese Boy
    • (sin créditos)
    Edmund Cobb
    Edmund Cobb
    • Detective
    • (sin créditos)
    Heinie Conklin
    Heinie Conklin
    • Accident Witness
    • (sin créditos)
    Noel Cravat
    Noel Cravat
    • Kolb - Henchman
    • (sin créditos)
    Leslie Denison
    Leslie Denison
    • Hilary Gale
    • (sin créditos)
    Tom Dillon
    Tom Dillon
    • Lieutenant Commander
    • (sin créditos)
    Ralph Dunn
    Ralph Dunn
    • Police Desk Sergeant
    • (sin créditos)
    John Elliott
    John Elliott
    • Thomas - Butler
    • (sin créditos)
    Wing Foo
    • Chang Yong
    • (sin créditos)
    Harrison Greene
    • Mr. Boggs
    • (sin créditos)
    • Dirección
      • Budd Boetticher
    • Guionista
      • Aubrey Wisberg
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios28

    5.91.2K
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    Opiniones destacadas

    6funkyfry

    Slightly foggy, not ruined

    This wartime thriller follows conventional plot directions, but the framing of its story in a dream of murder makes it pretty interesting. Foch is excellent and very sexy. The suspense lags after the dream occurs in real time, and we have to see Foch tied up as Kruger (excellent as always) tries to find a missing envelope. Nicely photographed and directed; if only more thought had gone into its conception.
    searchanddestroy-1

    Where is George Mac Ready?

    Did I have a dream too, as the woman in this film? This is a short length Columbia Pictures thriller, where the villain is not George Mac Ready !! I can't believe it. Otto Kruger is however effective here, but in a role in the total opposite of what the villain character that George Mac Ready should have had. The villians here are of course Nazis; a couple of years later, it would have been the Commies.... Anyway, yes, Nina Foch is the predictable character for this cheap Columbia - but so effective though - film, but, I repeat, the usual villain Mac Ready is missing. So, even without him, this early Budd Boetticher programmer is worth the catch, as any other Budd boetticher's film anyway. Some Hitchcockian elements in this movie too.
    dougdoepke

    Pardon Me, But Weren't You in My Dream

    Another wartime programmer that Hollywood was turning out by the hundreds. The only unusual angle is the mixing of espionage with psychic dreams, apparently an everyday occurrence in this scripted world. Except for the bland male lead (Wright), it's an excellent cast of stereotypes, including professional Hollywood Nazi, Ivan Triesault who made a career of these cruel types. There's also the incredibly smooth Otto Kruger playing a good guy, for once, but then who could do oily villains better than his smiling cobra. And what guy wouldn't like to partner-up with newcomer Nina Foch in an extended game of mixed doubles. With his penchant for cool blondes, I wonder why Hitchcock didn't enlist her obvious talents at some point. Anyway, cult director Boetticher helms in efficient style, the fog machine gets overtime, and a number of practiced players do their thing. (In passing, note how slickly Boetticher stages the shootout near movie's end—a foreshadowing of the classics to come. Note too, that Malcolm represents a generic federal agency and not the FBI by name. That way possible legal problems are avoided.) Nothing exceptional here, just a demonstration of how the studio assembly line turned out an entertaining product even under straitened wartime conditions.
    7bmacv

    Clever, economical wartime espionage thriller set in foggy Frisco

    In 1945, Dutch-born actress Nina Foch had the good fortune to star in a pair of economical, satisfying thrillers. She was a damsel in distress in Joseph H. Lewis' My Name Is Julia Ross, an updated Gothic set in England. In Budd (then ‘Oscar') Boettischer's wartime espionage drama Escape In The Fog, she's a dame in distress in the city by the bay.

    It opens in a nightmare she's having. Walking one fog-bound night on the Golden Gate Bridge, she sees three men piling out of a taxi trying to kill a fourth. She screams – and the screams bring to her room in Ye Rustic Dell Inn other guests running to her aid. One of them is the intended victim in her dream (William Wright), whom she's never before laid eyes on. They hit it off, though, and he persuades her to join him for a few days in San Francisco.

    Their fling seems destined to be a short one, however, as Wright's a government agent who receives orders from his operator Otto Kruger to courier top-secret documents to Hong Kong. But he's waylaid by agents of the Axis powers, led by Konstantin Shayne. Luckily, Foch believes that her nightmare was in fact a premonition, and rushes off to the Golden Gate Bridge, this time for real....

    It's not an especially memorable movie, but it's clever and atmospheric. If its ingenuity at times seems a bit stretched, it's stretched in the (pop)corny way of Saturday matinee serials of the era. There's of course the obligatory dose of wartime rhetoric, with much derision of `Japs,' while the Germans all speak in the most guttural tones they can reach without doing irreparable damage to the larynxes. Still, Boettischer keeps those fog machines churning, and there's plenty of skullduggery in Chinatown at Midnight. Not a bad way to while away an hour-plus.
    6goblinhairedguy

    quintessential Columbia B

    A woman dreams of a man being murdered, and later she experiences the scene in real life. Before he made his name with the Ranown series of Westerns, Boetticher churned out a skein of low-budget programmers for Columbia and Monogram, many of them well above average. This mystery, while no masterpiece, nicely illustrates what Andrew Sarris called "the beatitude of the Bs". With typical B movie non-logic, the intriguing dream-coming-true angle is taken at face value and never explained. There are a couple of clever escape scenes, and the stylish 40s wardrobe (wide lapels, pin-striped suits, floppy hats) rivals the sartorial splendor of a Hawks movie. Second-string stalwart Nina Foch, more alluring than usual, gives another intelligent performance despite the plot holes. An even finer second-feature from the same director, Behind Locked Doors, has recently received mainstream video release.

    Más como esto

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    6.5
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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      When the two leads get into a taxi and are subsequently joined by the two bad guys due to the wartime restriction to fill cabs, the taxi driver is a very young Shelley Winters.
    • Errores
      The film opens with an establishing shot of the San Francisco Bay Bridge, then shows Eileen Carr (Nina Foch) standing on a bridge walkway and being accosted by a policeman who asks if she's there to kill herself. The Bay Bridge has no walkway and is not known as a suicide site; scenarist Aubrey Wisberg probably had it confused with the Golden Gate Bridge, which does have a walkway and is famous as a suicide bridge.
    • Citas

      Eileen Carr: Well, the fog couldn't be any thicker.

      Paul Devon: Fog? What fog? I don't see any fog.

      Eileen Carr: Well, what do you call this?

      Paul Devon: Moonlight... in a new disguise. It's everything, but more mysterious and beautiful.

      Eileen Carr: Do you really see all that?

      Paul Devon: Uh-huh... in your eyes.

      Eileen Carr: Well darling, keep looking. And I hope I'm not dreaming tonight.

    • Conexiones
      Featured in Budd Boetticher: A Man Can Do That (2005)

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    Preguntas Frecuentes14

    • How long is Escape in the Fog?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de noviembre de 1946 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
      • Chino
    • También se conoce como
      • Escape in the Fog
    • Locaciones de filmación
      • Hollywood, California, Estados Unidos
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 3 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Nina Foch, Ernie Adams, Ivan Triesault, and William Wright in Fuga en la niebla (1945)
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