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It finally hit me watching my VHS of Christmas in Connecticut what other film this one reminded me of. If it weren't for the fact that the other was done 20 years later, I'd say it was a remake.

Just as Rock Hudson was a phony fishing expert for Abercrombie&Fitch who had to get some on the job training at a fishing tournament, Barbara Stanwyck plays an forties version of Martha Stewart.

Stanwyck's a cooking columnist who's built up this whole image of living on a small Connecticut farm with husband and baby cooking all these marvelous delicacies. Trouble is she's unmarried, childless, writes her column from her apartment in New York and doesn't know how to boil water. But her writing is a hit with the public.

Trouble comes when she's hijacked into cooking a home Christmas dinner for a war hero sailor played by Dennis Morgan who gets to sing a couple of songs as well. Got to keep up the image at any cost. And her publisher Sidney Greenstreet likes the idea so well that he invites himself to the dinner.

So with borrowed farm, baby, and Reginald Gardiner who'd like to make it real with Stanwyck she tries to brazen it through.

Christmas in Connecticut's now a Yuletide classic and deservedly so. The leads are warm and human and they get great support from the assembled players. S.Z. Sakall as the Hungarian restaurant owner/friend of Stanwyck from whom she gets her cooking information and Una O'Connor as the housekeeper have a nice chemistry between them. Reginald Gardiner and Stanwyck have no chemistry at all, obvious to all but Reggie and he's funny in his stuffed shirt way.

Most people remember this film as one of Sidney Greenstreet's few ventures into comedy. If he's not an outright villain, a cynical observer of life or a tyrannical tycoon, Greenstreet is few other things on screen. Christmas in Connecticut gave him a rare opportunity to burlesque his own image and he made the most of it.

In a biography of Barbara Stanwyck, she mentions she enjoyed making Christmas in Connecticut as a welcome change from some villainous parts like Double Indemnity she'd been doing recently. One of the things that made doing the film so enjoyable was that between takes, director Peter Godfrey and Greenstreet would do some impromptu entertaining of cast and crew with English Music Hall numbers. Made for a relaxed and warm set and the cast responded accordingly.

Now if only someone had been filming those numbers.

This is a screwball comedy disguised as a Christmas movie. I almost prefer Barbara Stanwyck in this than in the Lady Eve. She is a bit less restrained, a bit warmer. She moves with ease in an almost all male cast. The holiday theme is almost incidental, it definitely takes a sideline to the charade in the house of her being a domestic goddess. Barbara Stanwyck carries the movie right through to the end. Her extra slim figure is pleasing in very simply tailored clothes. Your heart almost sinks for her when she is going to be married to the very droll architect. The actual farm setting is fun and makes it more believable. Not very well known, but not to be missed.

The destroyer of Jefferson Jones (Dennis Morgan) and his partner Sinkewicz (Frank Jenks) is sunk by the Germans and they float adrift in a raft for eighteen days. When they are rescued, they are sent to a hospital and Jefferson has to follow a stringent diet imposed by the doctors. He seduces his nurse expecting to get solid food and she decides to write to Alexander Yardley (Sydney Greenstreet), who is the owner of the Smart Housekeeping magazine where the famous journalist Elizabeth Lane (Barbara Stanwyck) writes a column about recipes and food, asking him to allow Jefferson to spend Christmas with Elizabeth and her family in her farm in Connecticut. The prepotent Yardley sees the chance of free promotion of his magazine and forces Elizabeth to invite the hero Jones.

However, Elizabeth is single, does not have a baby and lives alone in a small apartment in New York and she made-up a perfect married life for her fans. Further, she does not how to cook and the recipes belong to her Hungarian friend Felix Bassenak (S.Z. Sakall), who owns a restaurant in New York. The architect John Sloan (Reginald Gardiner), who has been wooing Elizabeth for a long, proposes to marry her in his farm in Connecticut and she brings Felix with her to help to proceed the farce. The things get complicated when Yardley also decides to spend Christmas with Elizabeth while she falls in love with Jones.

"Christmas in Connecticut" is a delightful and witty comedy of errors about a famous food writer that makes up a fictitious life and has guests to her world. I have just bought this DVD and it was the perfect entertainment for a rainy Sunday afternoon, with hilarious situations and wonderful performances. "Christmas in Connecticut" is indeed a must- see for the Christmas period. My vote is eight.

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At the time that this movie was made most housewives knew exactly who Barbara Stanwick was parodying.Today only some women over 50 probably remember Gladys Taber,whose column "Butternut Wisdom" ran in Family Circle Magazine from before World War II until the 1970's.She lived on Stillmeadow Farm in Conecticut,and her columns were collected into a number of books,Stillmeadow Seasons, Stillmeadow Daybook, etc. The lines that Barbara Stanwick recites as she types them for her column are quite typical of the ones that began a typical Gladys Taber column.Besides cooking and country living,she got rather nostalgic and philosophical at times.She talked a lot about her favorite dogs, mostly cocker spaniels.You might say that Martha Stewart is the Gladys Tabor of today.

Christmas is Connecticut may not be any cinematic masterpiece,but it is pleasant,lighthearted entertainment,soothing to the stressed out mind,and that is good enough

Anyone who has watched the recent remake of 'Christmas in Connecticut' will fully appreciate just how wonderful the slim story was in the hands of Barbara Stanwyck, Dennis Morgan and Sydney Greenstreet. No masterpiece, but so much better than the weak remake. The whole film revolves around the mistaken belief by editor Greenstreet that Stanwyck (his favorite Martha Stewart-type of writer) is a homemaker with a house, husband and baby in the country. This, of course, means that the inventive woman has to enlist the aid of others to play out her scheme when Greenstreet invites himself and a ship-wrecked sailor (Dennis Morgan) for the holiday week-end.

The slight comedy develops a few complications along the way--and it all looks very holidayish with the lovely country home in Connecticut--which, thanks to Warner Bros. art decoration, looks like something from a magazine cover. Stanwyck's forte is really heavy drama but here she displays a light enough touch to make her scenes with Morgan and Greenstreet delightful to watch. She gets great support from Una O'Connor, S.Z. Sakall and Reginald Gardiner under Peter Godfrey's light-hearted direction.

It's as unpretentious a confection as a child's homemade Christmas card and just as charming--light and fluffy entertainment that makes no great demands on your viewing pleasure. Worth viewing, especially around the holidays.