Sangre sobre el sol

Entertaining Anti-Japanese drama centering on James Cagney as an American editor in 1930's Japan involved in breaking the Japanese plot to invade China and bomb the United States. This film is interesting in that it fairly represents the anti-Japanese sentiment going on in the US since Pearl Harbor. Cagney, as always, is solid in this character as well as the other principals. As usual, the lead Japanese characters are played by Caucasian actors as was the custom of the times. Good Judo sequence for Cagney fans..

Nicely done war thriller with Cagney as a suave but pugnacious newspaper reporter in Japan who comes into possession of secret war plans. The plans are the work of a fascist Baron Tanaka who pushes the war agenda for the right-wing militarists over the objections of those opposed to war. The characters are interesting, and while many are static yet well-played, quite a few others are nicely fleshed out and grow during the plot. Cagney, some of the newspapermen and the female spy have some plot movement to develop their characters with. Even the villains, who could easily be cardboard, are well-played and exhibit human motivation. Obviously this is not a documentary, but it's also not pure melodrama either.

Perhaps the most visually interesting areas of the film are the contrasts between beautiful, high-class modernist settings, a representation of more traditional Japanese architecture, and gritty realistically-dressed street scenes. All the more interesting that the good production and pretty sets were created in Hollywood backlots in 1945 during the war. While this is not a huge film, the production design is as good as anything from the golden age. There is a lot of eye-candy in the set design, tastefully filmed and a treat to view.

The politics and cultural sensitivities of the film are also fascinating and far more balanced and subtle than other reviewers seem to indicate here. Cagney's character is well-immersed in Japanese culture and aware of the social issues of the time. He speaks Japanese, in addition to Chinese, and is a highly-skilled Judo aficionado. The film portrays Japanese opponents of the war as well-meaning but fairly easily countered by ruthless militarists and their secret police which is likely generally accurate. Surely similar struggles played out in Nazi Germany and Fascist Italy, along with Stalinist Russia, Mao's China and other 20th century totalitarian dictatorships both right and left.

This film is not anti-Japanese; it's anti-Fascist. Those who claim to be unaware of the difference would imply that Japanese are Fascists. That would be unfortunately ignorant.

The only reason this film gets as high as a five from me is because of James Cagney who made everything he was in a little bit better or appear to be so.

Blood on the Sun, coming out as it did in 1945 as World War II was ending focused on an incident from 1929. A document called the Tanaka Memorial which was purportedly a memorandum by the then Japanese Prime Minister Tanaka Giichi to Emperor Showa was leaked to U.S. media. It laid forth Japanese intentions to dominate the Pacific, Asia, and even the USA.

Problem was that when the Americans did occupy Japan, General MacArthur sent Army intelligence into sifting through Japanese files. Guess what? No Tanaka Memorial. A lot of people now consider the thing to have been a big old hoax perpetrated by the Chinese who were looking for friends back in 1929 because they rightly suspected Japanese intentions towards them.

So Blood in the Sun came out just in time as the belief in the Tanaka Memorial was still credible.

The brothers Cagney, William and James, produced this. But without the production values of the brothers Warner, this film looks like it was shot on the cheap. Jimmy Cagney played Nick Condon, a reporter who got a copy of the Tanaka Memorial and smuggled it out of Japan.

A lot of the cast played Eurasian roles and looked pretty silly too. Sylvia Sidney, John Emery and especially Robert Armstrong who may have conquered King Kong, but couldn't sound Oriental to save his life.

Not Cagney's best but still interesting enough to watch. The goof or error is that the Tanaka plan, which the story is about and has the Baron Tanaka in the movie is off historically. Cagney dates the time when he says to Slyvia Sidney, " left the US in 1921, spent 2 years somewhere and 10 years in China" That total would make the current time in the movie 1933! Baron Tanaka, died in 1929! The director should have caught this historical error! Although this is not the best movie and revues are not the best, it was Slyvia Sydney's last leading role and for movie buffs it is worth seeing. Overlook the terrible and obviously staged fight scenes and the political errors of the time based on what we know today and you can enjoy it. For movie buffs I think it is worth viewing.

Garrett Fort wrote this interesting story about an America journalist working in Pre-war Japan. Because he is well known reporter his contrive and fabricated article revealing secret invasion plans is seen as a plot against Americas. Jimmy Cagney plays Nick Condon a fast-talking plain spoken Newspaperman who is soon targeted as a threat to Japanese politicians and is marked to be kidnapped and killed. However, the plotters need to retrieve a secret document in his possession. Sylvia Sidney plays Iris Hilliard a double agent out to confuse both sides. Interestingly enough, viewers get to see Robert Armstrong who once headlined the movie 'King Kong' playing the heavy Col. Hideki Tojo. The movie is in Black and white and despite it's standard formula set in the 1940's, the movie plays out for interesting fare. Pay close attention to the Judo fight scene in which Cagney does his own stunts and his opponent is in real life his Judo instructor. A fine movie for fans of the late Jimmy Cagney. ***