Una voz en la tormenta

I tried to get some interest in this movie, very atmospheric but so boring, talkative, a film where you wonder what the story leads to without having any satisfaction. It's not Francis Lederer's fault, just the overall story and maybe directing too. Art Ripley made something far better fourteen years later with THUNDER ROAD, a real must see, cult movie, starring Bob Mitchum. You can try it anyway.

***SPOILERS*** At first you think your watching the sequel of the movie "I walked with a Zombie" as the what looks like brain dead concert pianist Jan Volny, Francis Lederer, walking around the island of Guadalupe, with foghorns blowing in all directions, as if he was dropped off there from a UFO after being experimented on by the spacecrafts' alien crew members. Known by the people in town as "The Crazy One" Volny just sits in his shack endlessly playing on the piano Smetana's touching melody "Moldau" for endless hours at at time. Yes the guy is crazy but it was the music he played back home in Prague that got him to be that way.

It was in Nazi occupied Czechoslovakia that Volny makes the mistake in playing music forbidden by the Reich. That had him arrested and about to be interned in a mental institution to be deprogrammed by Nazi doctors and psychiatrists. On his way there Volny ended up killing the two SS men who ware taking him there thus making him a fugitive from the law, Nazi law, who was to be shot on sight for murder. With him now somehow getting to the island of Gaudalupe his troubles were far from over. It was his old lady Marya, Sigrid Gurie, who tracked him down there and is now herself suffering from double pneumonia because of the trip there that wrecked her health.

The film tries to show its audience that the Nazi's among other things didn't appreciate good music like hard rock rock & roll and country & western as well as the classics that Volny was so found off. It wouldn't have been a big deal for Volny to play the Nazie's music requests but his conscience wouldn't let him. He ended up playing himself into madness and obscurity that cost him not only his sanity but his both wife's, Marya, life as well as his own. And it wasn't the Nazis that did him in it was his fellow escapees from Nazi occupied Europe that did.

Rare that an independent film could be made of such maturity in a time of studio run films. Arthur Ripley helped create the character of Harry Langdon in the 20s. A skilled writer, he had a keen eye and his direction of him own screenplay for Voice in the Wind is tight, powerful and direct. I believe Francis Lederer gives one of his finest performances, with Sigrid Gurie as the wife he cannot remember. Best of all, keep your eyes on two character actors: Alexander Granach and J. Carol Naish. Both give in-depth character studies that are the backbone of this unusual film. Done on a shoestring budget during the powerful days of the major studios, the film is a character study in depth. If you can pick up a copy of it, it's more than worth it.

I wish I had more room to comment on this film, as I do know a few personal stories about how it came about. I knew Arthur Ripley when he was near the end of his career. Get a copy of this film.

Jan Volny (Francis Lederer) is a concert pianist who has ended up on the island of Guadelupe. He had a lover Marya (Sigrid Gurie) and they both fled the Nazi occupation of their homeland and have ended up in Guadelupe unaware of each other's presence there. Jan has lost his memory and can't speak and lives as a vagrant. He still plays the piano, in particular, a tune that was banned by the Nazis and is a symbol of Czech patriotism. Marya is living a few doors away from him and is dying of pneumonia. She hears him playing this particular tune and is drawn towards the sound. However, she collapses and dies in the street - he finds her and slowly begins to remember who she is...... meanwhile, there are a couple of smuggler brothers Angelo (Alexander Granach) and Luigi (J Carrol Naish) who have fallen out over Jan as they blame him for setting fire to their boat......

The quality of this film is poor and the pace is slow. Its an atmospheric film that is told in flashback and its basically a depressing melodrama. The music score is very good and the moments when Jan plays the piano are the best moments in the film. Another good moment comes when Jan tells the Nazi interrogating officer what he thinks of him. Unfortunately, this leads to his head injury and subsequent amnesia. I'm not sure whether its a good film or not.

This film is quite atmospheric. It certainly captures the essence of the nazis bouncing a Czech from his native land (but he does have the pleasure of killing two of them). He migrates to Guadaloupe with two thugs from Portugal. The film is decidedly overdramatic and maudlin; however, the situation was overdramatic and maudlin at the time. Francis Lederer gives it his best wide-eyed try, and we are taken in by the beautiful music the film evokes. However, a real nazi would not have sent him to prison; he would have merely smashed his hands to bits, so he would never have been able to play again. That part of the film is a bit unbelievable. The rest is rather depressing, but an accurate account of thousands of lives ruined by WW2. Interesting.