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IMDbPro

Con sólo pensar en ti

Título original: The Very Thought of You
  • 1944
  • Approved
  • 1h 39min
CALIFICACIÓN DE IMDb
7.0/10
800
TU CALIFICACIÓN
Dane Clark, Dennis Morgan, and Eleanor Parker in Con sólo pensar en ti (1944)
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
Reproducir trailer2:38
1 video
5 fotos
DramaGuerraRomance

Los sargentos del ejército Dave y «Fixit» pasan tres días en Pasadena, donde conocen a Janet y Cora, dos jóvenes que trabajan en una fábrica de paracaídas.Los sargentos del ejército Dave y «Fixit» pasan tres días en Pasadena, donde conocen a Janet y Cora, dos jóvenes que trabajan en una fábrica de paracaídas.Los sargentos del ejército Dave y «Fixit» pasan tres días en Pasadena, donde conocen a Janet y Cora, dos jóvenes que trabajan en una fábrica de paracaídas.

  • Dirección
    • Delmer Daves
  • Guionistas
    • Alvah Bessie
    • Delmer Daves
    • Lionel Wiggam
  • Elenco
    • Dennis Morgan
    • Eleanor Parker
    • Dane Clark
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    800
    TU CALIFICACIÓN
    • Dirección
      • Delmer Daves
    • Guionistas
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Elenco
      • Dennis Morgan
      • Eleanor Parker
      • Dane Clark
    • 27Opiniones de los usuarios
    • 7Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:38
    Official Trailer

    Fotos4

    Ver el cartel
    Ver el cartel
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    Elenco principal55

    Editar
    Dennis Morgan
    Dennis Morgan
    • Sgt. Dave Stewart
    Eleanor Parker
    Eleanor Parker
    • Janet Wheeler
    Dane Clark
    Dane Clark
    • Sgt. 'Fixit' Gilman
    Faye Emerson
    Faye Emerson
    • Cora Colton
    Beulah Bondi
    Beulah Bondi
    • Harriet Wheeler
    Henry Travers
    Henry Travers
    • Pop Wheeler
    William Prince
    William Prince
    • Fred
    Andrea King
    Andrea King
    • Molly
    John Alvin
    John Alvin
    • Cal Wheeler
    Marianne O'Brien
    • Bernice Wheeler
    Georgia Lee
    Georgia Lee
    • Ellie Wheeler
    • (as Georgia Lee Settle)
    Richard Erdman
    Richard Erdman
    • Jimmy
    • (as Dick Erdman)
    Francis Pierlot
    Francis Pierlot
    • Minister Raymond Houck
    Richard Bartell
    • Trailer Camp Manager
    • (sin créditos)
    Joseph E. Bernard
    Joseph E. Bernard
    • Mailman
    • (sin créditos)
    Walden Boyle
    • Manager
    • (sin créditos)
    Loie Bridge
    Loie Bridge
    • Landlady
    • (sin créditos)
    John Burton
    • Wounded Soldier
    • (sin créditos)
    • Dirección
      • Delmer Daves
    • Guionistas
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios27

    7.0800
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    Opiniones destacadas

    8friscodick

    A delightful romance filled with nostalgia and a surprise happy ending.

    I was born in 1936 and must have seen this movie as a kid because during my entire lifetime as soon as I heard the song "The Very Thought of You" the image of Eleanor Parker comes to mind. This movie, probably more than any other from that era, takes me back to the "home front" mentality during the war. It tells a story so common during wartime of two people in love and the tension and worry so typical when the man went off to war, perhaps never to come back. It told of love making without the embarrassing display of sex that permeates so many of today's movies. Yes, it was naive, and it would probably bore today's generation because there are no car chase scenes, no violence and no vulgar language. But most of all it gives one a good feeling about being an American. Eleanor Parker and Dennis Morgan are ideally suited. A couple of things strain credibility; i.e.,living in a large two story house on a clerk's income, getting a telegram from the War Department that names both Dennis Morgan and Dane Clark of being wounded as if they were joined at the hip, but aside from that it is mainly honest in its portrayal of wartime life on the home front. I know, I had three older brothers that went off to war. Richard Lane
    8pgilvoz

    Moving romance with solid performances... the good old kind!

    I happened to see it today on TCM and am glad I did (I actually remembered I had already seen it). Eleanor Parker is lovely and nuanced in this one, and as the previous comments say, her chemistry with Dennis Morgan was terrific. Morgan was a much better actor than many of his roles. Dane Clark and Faye Emerson were also better-than-average performers who always made a mark in their films. The dysfunctional family situation is surprisingly straightforward for its time. And the philandering sister is handled with finesse by Andrea King, another reliable supporting star at Warners throughout the 40s and 50s.... All in all, a good time at the movies... and it still holds up after 62 years.
    10reelguy2

    Can take its place with the great screen romances

    This WW2 romance can take its place alongside Now Voyager and An Affair to Remember as one of the most romantic films ever made. It's easy to see why Dennis Morgan became one of the busiest (and highest paid) actors under contract to Warner Bros. in the 40s; he's an ideal leading man here, projecting masculine strength together with the soft-spokeness so essential to romances of this type. His scenes with lovely Eleanor Parker are a working definition of chemistry on the screen. Dane Clark registers delightfully as Morgan's hyperactive sidekick. And what a score by Franz Waxman - there's one short cue for the scene atop Mount Wilson that's an absolute masterpiece.

    Offsetting the tender romance of the story is the edgy handling of the scenes with Parker's fairly dysfunctional family, which includes her bickering parents, philandering married sister, and developmentally-challenged brother.

    This is a film deserving of a greater reputation -- and thanks to recent showings on TCM, that may already be happening.
    8casinoversusjapan

    an ideal, stirring romance

    One might think this movie is doomed to obscurity due to its overall lack of stylistic individuality. It's trite story-line is an easy target, too. However, for some reason, this motion picture totally won me over. This can be attributed to what i feel are the films three striking qualities: fluid character chemistry, naive but beautiful innocence, and a gentle, almost ideal humanistic touch.

    There is nothing wrong with relating to some of the predictable ideals this movie outlines. I found myself getting lost in the era- the music, history, and politics of the mid 40's were all way before my time. Perhaps this is what drew me in... The romance between David and Janet is very sweet. As a result, the integrity of these main characters is very enchanting. What might seem on the surface as a predictable B-movie is actually a gentle and reassuring stroke of simplicity... a calm breath of fresh (and inspiring) air amidst today's loud and obnoxious box office hum drum.
    jth90c

    Romance, the way it should be ...

    This movie, made during the war, shows the other side of the coin from soldiers shooting things up and being heros. Our heros are passing through Pasadena heading from one theater to another.

    I was hooked from the opening of this movie, and almost missed an appointment to see the ending. The plot is predictable, but that's the whole point. Our boys were still fighting the war when this film was made, and it had a message for both the soldiers, and the women they left behind. The dysfunctional family is well portrayed, and the actors are all belivable. Small slices of small town life are peppered into the action, and the theme is that love prevails.

    I was surprised that the younger sister Ellie never went on to any other acting, she was funny, smart, and cute as a button.

    Make sure you bring a hankie, and watch it with someone you love. You'll thank me later.

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    Argumento

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    • Trivia
      During filming, Eleanor Parker learned that co-star Andrea King had a husband away at war, just as she did, and that King lived far away from the studio. With wartime gasoline rationing factored in, Parker invited King to stay with her, as Parker's house was only a five-minute drive from Warner Bros.
    • Errores
      During an outdoor scene involving the rental car, there is a brief instance of the reflection of an crew member being seen, perfectly centered, in the car's right passenger "vent" window.
    • Citas

      Janet Stewart: Been out on a date?

      Molly: Yes. I want to talk to to you, Jan.

      Janet Stewart: I don't feel much like talking, Molly.

      Molly: Alright then listen. I think I know what the score is. You went ahead and got hooked, in spite of my advice. OK, so it's spilt milk. You made yourself a lonely bed and you're willing to lie on it.

      Janet Stewart: That's right.

      Molly: It isn't right. It's all wrong.

      Janet Stewart: Molly, please...

      Molly: Well what kind of a marriage have you got? A quick kiss, a swift kick and bingo - you're a war widow!

      Janet Stewart: Don't keep saying that.

      Molly: What kind of a man is it who'd talk a girl into an overnight marriage, knowing he's going off to war? Didn't it ever occur to him that you may never see each other again?

      Janet Stewart: It occurred to both of us. I know I'll see him again.

      Molly: You got some special kind of magic you sprinkled over him? Don't you think there are millions of girls who want to know their guys are coming back? Don't you think I wanted Freddy back once?

      Janet Stewart: Once? Don't you now?

      Molly: Sure I do. But don't you realise you can forget how a man really looks and talks and makes love? After two years, Freddy isn't real anymore.

      Janet Stewart: I'd remember everything about Dave, if we never saw each other again.

      Molly: That's because you can still feel his arms around you. Wait a couple of months, baby, and you'll be making double dates with me, just like we used to.

      Janet Stewart: No, I won't. Ever.

      Molly: No? Wait'll you get sick of the family and the cold cuts and Mom's nagging. Wait'll the smell of the orange blossoms in the valley gets you drunk at night and you're so alone, you're sick to your stomach.

      Janet Stewart: What do you think Freddy and all of the other husbands and sweethearts are fighting for?

      Molly: Well I didn't ask him to go.

      Janet Stewart: He didn't ask to go either. He went because there's a war to win and he is decent.

      Molly: Meaning I'm not?

      Janet Stewart: Yes, meaning just that. I've seen your lipstick smeared when you've sneaked in. Don't deny that you've...

      Molly: That's entirely my business...

      Janet Stewart: Oh, no it isn't, not when you butt into mine. I'd like to know how Freddy feels, away on a carrier for two years, wondering why you don't write. You and your being alone. How do you think he feels? I what if he knew you were spending his allotment on buying evening dresses for other fellows to enjoy? When he comes back, nobody'll blame him if he beats your head off.

    • Bandas sonoras
      The Very Thought of You
      (uncredited)

      Written by Ray Noble

      Played during the opening credits

      Vocal rendition played on the car radio

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    Preguntas Frecuentes

    • How long is The Very Thought of You?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de julio de 1945 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • También se conoce como
      • The Very Thought of You
    • Locaciones de filmación
      • Mount Wilson, California, Estados Unidos(David and Janet's drive in the rental car)
    • Productora
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 408,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 39 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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