CALIFICACIÓN DE IMDb
6.7/10
916
TU CALIFICACIÓN
Agrega una trama en tu idiomaA prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.A prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.A prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados en total
Rafael Alcayde
- Artist
- (sin créditos)
Jessie Arnold
- Townswoman
- (sin créditos)
Charles Arnt
- Clerk
- (sin créditos)
Walter Baldwin
- Witherspoon
- (sin créditos)
Brooks Benedict
- Nightclub Patron
- (sin créditos)
Virginia Brissac
- Townswoman
- (sin créditos)
Paul E. Burns
- Workman
- (sin créditos)
Jimmy Carpenter
- Newsboy
- (sin créditos)
Janis Carter
- Miss Thorn
- (sin créditos)
Hobart Cavanaugh
- Perc Mather
- (sin créditos)
Opiniones destacadas
I saw this film a long time ago, and I wish it were on television more often. According to another reviewer, it is not yet available on DVD, and I wish it were.
The film stars Irene Dunne as the widow of a small town mayor, and she hires a famous sculptor, portrayed by Charles Boyer, to sculpt a statue of her late "sainted" husband. After some hesitation on the part of Dunne, a romance follows, along with family predicaments that complicate the plot and create the comedy in the film. Throughout the film the tango number, "I Get Ideas," adds to the romantic atmosphere as widow Dunne finds she can love again.
The ending contains an unexpected comedic happening, and the viewer is left to imagine the outcome of plot. This film is one I would recommend to anyone who likes romantic films and "chick" flicks.
The film stars Irene Dunne as the widow of a small town mayor, and she hires a famous sculptor, portrayed by Charles Boyer, to sculpt a statue of her late "sainted" husband. After some hesitation on the part of Dunne, a romance follows, along with family predicaments that complicate the plot and create the comedy in the film. Throughout the film the tango number, "I Get Ideas," adds to the romantic atmosphere as widow Dunne finds she can love again.
The ending contains an unexpected comedic happening, and the viewer is left to imagine the outcome of plot. This film is one I would recommend to anyone who likes romantic films and "chick" flicks.
Irene Dunne and Charles Boyer are "Together Again" in this 1944 comedy, which also stars Charles Coburn, Mona Freeman, and Jerome Courtland.
Dunne plays Anne Crandall, widow of a small-town mayor. She has inherited his post and lives with her stepdaughter (Freeman) and her father-in-law (Coburn). Crandall Sr. (Coburn) wants Anne to get out and enjoy life, but Anne, in very un-'40s style, enjoys her career and life and doesn't need a man. One night, during a thunderstorm, lightning strikes the statue of her husband in the town square and knocks off his head. Anne is rushed to New York City to interview George Corday (Boyer), a sculptor to do a new statue. There's an instant attraction, which Anne pretends doesn't exist. After a series of misadventures, Anne decides she doesn't want Corday in her hometown, and leaves New York. He follows.
Dunne looks great and shows her wonderful comic style, and Boyer just drips with charm in this. Coburn does a good job as her irascible father-in-law. Jerome Courtland is Diana's (Freeman) boyfriend, and he does a nice comic turn. A very young Freeman turns in a good performance as Diana.
I read some negative reviews here. I found this to be a delightful comedy, thanks in large part to both Dunne and Boyer, with good support from Coburn. Is it The Philadelphia Story? No, but it's very enjoyable. And those hats! Killers.
Dunne plays Anne Crandall, widow of a small-town mayor. She has inherited his post and lives with her stepdaughter (Freeman) and her father-in-law (Coburn). Crandall Sr. (Coburn) wants Anne to get out and enjoy life, but Anne, in very un-'40s style, enjoys her career and life and doesn't need a man. One night, during a thunderstorm, lightning strikes the statue of her husband in the town square and knocks off his head. Anne is rushed to New York City to interview George Corday (Boyer), a sculptor to do a new statue. There's an instant attraction, which Anne pretends doesn't exist. After a series of misadventures, Anne decides she doesn't want Corday in her hometown, and leaves New York. He follows.
Dunne looks great and shows her wonderful comic style, and Boyer just drips with charm in this. Coburn does a good job as her irascible father-in-law. Jerome Courtland is Diana's (Freeman) boyfriend, and he does a nice comic turn. A very young Freeman turns in a good performance as Diana.
I read some negative reviews here. I found this to be a delightful comedy, thanks in large part to both Dunne and Boyer, with good support from Coburn. Is it The Philadelphia Story? No, but it's very enjoyable. And those hats! Killers.
'Together Again' had a good deal going for it. An interesting premise. Direction by Charles Vidor, who was a reliable director. And two talented leads in Irene Dunne and Charles Boyer, am more familiar and have a preference for Dunne in general but it will always be hard to forget Boyer's performance in 'Gaslight'. Also like romantic comedy when it is done well, and there are numerous times where it has been (as well as badly).
For me, there are far better romantic comedies out there (old and new) than 'Together Again' and it doesn't completely succeed. As well as far worse, this is one of the bang in-between ones. Also think it could have done more with its potential. There is quite a lot to enjoy though, 'Together Again' is quite a fun inoffensive film as long as one doesn't expect a massive amount from it but it is easy to see where people less enamoured by and more critical of it are coming from.
Its weak point is the story, which even when trying to not take it too seriously is easy to criticise. It is very over-familiar and far-fetched with motivations and situations being appearing without much warning and not really explored properly and with some of the film not ringing true all that much. Also think that it would have benefitted from not trying to include as much as it did, on top of being very worthy it did feel like 'Together Again' tried to do more than it needed to.
So it did in parts feel pretty choppy which affected the amount of depth there was, which was not enough. The characters are well played on the most part and one doesn't detest them, but for my tastes they read too much like underdeveloped stereotypes. Do agree that Mona Freeman is very annoying in her role and that the first fifteen minutes are too talky and rambles on too much.
But stick with it and don't give up because 'Together Again" does generally become much more entertaining. It is very nicely shot and designed and Vidor directs more than competently, he is at ease with the material and seems engaged with it. The script has a fair share of witty moments, the best which is primarily in the chemistry between Dunne and Boyer gleaming in sparkle. Its more romantic parts have genuine charm without being over-sentimental.
While the story is heavily flawed, it is also cute and entertaining, carried by the gleaming chemistry between the two leads. Who are both very strong and engaging with material that serves them quite well. Ever reliable Charles Coburn is the standout of the rest of the cast.
On the whole, could have been a lot better but not a bad time passer. 6/10
For me, there are far better romantic comedies out there (old and new) than 'Together Again' and it doesn't completely succeed. As well as far worse, this is one of the bang in-between ones. Also think it could have done more with its potential. There is quite a lot to enjoy though, 'Together Again' is quite a fun inoffensive film as long as one doesn't expect a massive amount from it but it is easy to see where people less enamoured by and more critical of it are coming from.
Its weak point is the story, which even when trying to not take it too seriously is easy to criticise. It is very over-familiar and far-fetched with motivations and situations being appearing without much warning and not really explored properly and with some of the film not ringing true all that much. Also think that it would have benefitted from not trying to include as much as it did, on top of being very worthy it did feel like 'Together Again' tried to do more than it needed to.
So it did in parts feel pretty choppy which affected the amount of depth there was, which was not enough. The characters are well played on the most part and one doesn't detest them, but for my tastes they read too much like underdeveloped stereotypes. Do agree that Mona Freeman is very annoying in her role and that the first fifteen minutes are too talky and rambles on too much.
But stick with it and don't give up because 'Together Again" does generally become much more entertaining. It is very nicely shot and designed and Vidor directs more than competently, he is at ease with the material and seems engaged with it. The script has a fair share of witty moments, the best which is primarily in the chemistry between Dunne and Boyer gleaming in sparkle. Its more romantic parts have genuine charm without being over-sentimental.
While the story is heavily flawed, it is also cute and entertaining, carried by the gleaming chemistry between the two leads. Who are both very strong and engaging with material that serves them quite well. Ever reliable Charles Coburn is the standout of the rest of the cast.
On the whole, could have been a lot better but not a bad time passer. 6/10
Some fun big names in this one... Charles Coburn (Jonathan) was awesome in "Gentlemen Prefer Blondes".... Anne is played by Irene Dunn, who had made a whole bunch of films with Cary Grant. Lots of talking right at the beginning, and we hear how Mayor Anne Crandall has always been the straight arrow, putting others' needs before her own. This story has quite a bit in common with "Key to the City" from 1950. Small town mayor goes traveling to the big city, makes unwanted headlines, the troubles begin... although "Key" was MGM, "Together Again" was Columbia Pictures.. AND it came first. Although, honestly, "Key" was much more zany and fun. "Together" is much more sedate, calm, and collected. Boyer and Dunn are both stealing every scene, and we don't feel the chemistry we see in "Key to the City". Directed by Charles Vidor, who would also direct "Gilda" a couple years later . "Together Again" is pretty good. If you haven't seen "Key to the City", try to see that one too!
Together Again casts Irene Dunne as a small town Vermont mayor who took over
when her husband died. There's a statue to him in the town square that lightning
removed the head of. It has to be replaced and she goes to New York to commission sculptor Charles Boyer to make a new statue,
Dunne's household consists of father-in-law Charles Coburn in one of his patented foxy grandpa parts and her teen daughter Mona Freeman. Both think she ought to move on and start dating. Even the job as mayor is more of an obligation as Dunne sees it. Boyer's arrival gives Coburn some hope.
This was one very nice comedy and the performances of Charles Dingle as Dunne's rival for mayor and newspaper editor and Adele Jergens as a stripper that Dunne gets caught in a nightclub raid with in a very funny sequence.
Together Again was the third and final time Charles Boyer and Irene Dunne were teamed on screen. This one is not Love Affair, but this is a funny film.
Dunne's household consists of father-in-law Charles Coburn in one of his patented foxy grandpa parts and her teen daughter Mona Freeman. Both think she ought to move on and start dating. Even the job as mayor is more of an obligation as Dunne sees it. Boyer's arrival gives Coburn some hope.
This was one very nice comedy and the performances of Charles Dingle as Dunne's rival for mayor and newspaper editor and Adele Jergens as a stripper that Dunne gets caught in a nightclub raid with in a very funny sequence.
Together Again was the third and final time Charles Boyer and Irene Dunne were teamed on screen. This one is not Love Affair, but this is a funny film.
¿Sabías que…?
- TriviaWhen Charles Coburn is trying to play Cupid between Irene Dunne and Charles Boyer (at 43 minutes), the musical motif is the tune from "Damn the Torpedoes, Full Speed Ahead" - the song Coburn hums and sings throughout "The More the Merrier" (1943), for which he won an Oscar for playing Cupid between Jean Arthur and Joel McCrea.
- Citas
Jonathan Crandall Sr: [to Anne] It also seems that you're a big shot in your office and an nonentity at home.
- ConexionesReferenced in Elígeme (1984)
- Bandas sonorasAdiós, Muchachos
(uncredited)
Music by Julio C. Sanders (as Julio Cesar Sanders) (1927)
Lyrics by César Felipe Vedani
Used as leitmotif throughout film
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- How long is Together Again?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 33 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Privilegio de mujer (1944) officially released in Canada in English?
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