Desde que te fuiste

Yes, this film can be accused of being cliched and peppered with propaganda. It had it's share of critics even when it was released. It had the tall task of being compared to " Mrs. Miniver" but in the end it stands on it's own as a classic gem. To really enjoy and understand this movie (and truly, all vintage movies)you must place yourself in their time and place.. the context of the times.

I grew up hearing the stories of the hardships of the depression and WWII. My family was not as well off as the family in this film but the emotions were the same. If "since you went away" seems at times to be a little preachy, consider it a peak into a long gone America that we sorely could use a lot of today.

In the meantime, enjoy the wonderful acting, direction, lighting and beautiful score- and of course, the greatest goodby scene of all time! The train station farewell is a masterpiece by itself...get your kleenex!

Subtle and nuanced in most places, a bit obvious in others, Since you went away may be the best war movie ever made that doesn't have a war scene. It follows the life of a family in the early days of America's entry into World War II. The coming of age thrust upon young men and women is splendidly captured, but central is the silent pain and worry of those who with loved ones in harm's way. Watch for the scene when Mr. Mahoney leaves the movie theater. There is no dialog, and there need not be.

This movie is often shown near the Holidays because of a great Christmas scene,it's general warmth, and its theme of Country, God, and Family.

One of Jennifer Jones' best performances, with strong work by Claudette Colbert, Shirly Temple, Joseph Cotten, Robert Walker, Hattie McDaniel and Monty Woolley. Agnes Moorehead foreshadows her role years later in the series 'Bewtiched', playing the town 'witch'.

I thought this film was nicely naturalistic rather than melodramatic- in that the naivete, sincerity and hopeful nature of people in the context of 1940s smalltown America was honestly portrayed by all of the principle actors. A pleasant counterpoint to "The Best Years of Our Lives"- yes, admittedly much more of a striving to be cheerful/optimistic bit of propaganda than "Best Years", but similar in tone nonetheless. I also recommend this film for the intriguing casting of Robert Walker (best known as psychopath Bruno Antony in Hitchcock's "Strangers on a Train") as Jennifer Jones' somewhat wishy washy yet ultimately tragic boyfriend- the infamous scene where Jones tearfully bids him farewell as his battlefield destined train departs is classic. Genuinely emotional. Not one of the all time best movies I have ever seen, but certainly worth a watch. Probably of interest to Shirley Temple fans, too, as it is one of her 'young adult' roles.

I saw this yesterday on TCM. Yes, it is sentimental, patriotic, and a bit syrupy in the dialog. But it was released in 1944 (filmed right in the middle of the war), so the sentiment and especially the times are aptly reflected. More than anything else, the film's virtues are the performances. Claudette Colbert reminds me very much of Norma Shearer's matriarch in 'The Women:' warm, intelligent, and very likable, but surrounded by the constrictions and circumstances of the time. (It's interesting to hear her tell Joseph Cotten two hours into the film that she feels useless and is not contributing to the war effort when in fact she's been contributing all along.) Cotten is wonderful as her surrogate mate (still carrying a torch after all these years) and daughters Jennifer Jones and Shirley Temple are quite good. The standout scene, of course is Jones and real-life husband Robert Walker parting at the train station. The Steiner score (echoing the chugging of the train) and especially Jones' tearful run as the train departs are especially heartbreaking. (Does she sense her soldier's fate? There's something almost psychic in her face as she reads the engraving on the watch.) Good performances also from Agnes Moorehead and Selznick veteran Hattie McDaniel. Nominated for a ton of Oscars, and deservedly so.

Since You Went Away (1944) : Brief Review -

War heroes left homes with flags of patriotism, but they didn't know they were leaving their families uncovered. Know their story here. The 1940s decade gave us the best World War films; let's not argue about that. There have been films about the battlefield, horrors of war, spy dramas, inspiring musicals, comedies, family dramas, and even the post-war situation. Buck Privates (1941), Mrs. Miniver (1942), The Best of Our Lives (1946), Germany Year Zero (1948), and The Search (1948) can be named as a few. While almost every angle of the world war has been attempted, Cromwell had an idea to take up the story of a family-the women who are left behind by men to complete their patriotic duties towards the country. Well, it was hard, as we all know, but having a sneak peek into their daily lives was no ordinary job. John Cromwell does that here. Yes, it's a long film of almost 3 hours, with 10 minutes wasted in the overture and all, but it will never make you feel bored. It has various interesting scenes and events lined up one after another to keep you hooked on the film. The film is about a housewife who has to take care of her two daughters and the home as her husband is away fighting the war for the country. Let me tell you, the film doesn't show the face of her husband once. Not even once. Maybe that's the most unique part about it. The writer and the director wanted that character to be the one from every family; hence, they didn't give him a face. If they had, it would have become a personal family drama, not a film about society. Yes, Claudette Colbert has done "Cleopatra," "Imitation of Life," and "It Happened One Night," but this was her best on-screen performance. Period. The rest of the cast is good too. The screenplay, cinematography, editing, emotions, social appeal, and direction all go well. All said and done, this WW II flick will never go away from our memories.

RATING - 7.5/10*

By - #samthebestest.