La cruz de su dolor

After "Now Voyager" this is my favorite film of Davis. If you see the short subject on this film, the director said Davis loved a challenge and she took on the role of the "too pretty" Fanny Trellis because she felt she could "pull it off"... and in my humble opinion, she did that very well indeed. Some say she had a "pretentious" and "irritating" character, it is indeed the character of Fanny Trellis who is both pretentious and irritating. That is built into the character herself. I had a relative who behaved just as she did in this film. Davis especially reminded me of this aunt of mine when she visits Mr. Skeffington in his office when war is declared. She was artificially fragile, overly made-up, and oh too charming. Davis was brilliant in her portrayal of Fanny as the spoiled, fussy, prissy young woman who the "men" really go after.... but unlike today where most men are after physical attributes, it is Fanny's charm and her apparent wealth they are also attracted to. In reality, her character has none of these things.... it is an illusion, just as her life is an illusion. I think she did a marvelous job in a demanding and difficult role. The film also has one of the most remarkable music scores on film. Every scene is perfectly synchronized by Franz Waxman's magnificent score.

"Mr. Skeffington" is one of the great Hollywood melodramas. Bette Davis has the showy role in this epic story of a troubled relationship, but it's Claude Rains as her Jewish husband who jerks the tears. Bette is all mannerisms and makeup - and there's nothing wrong with that! - but Rains gives a subtle, weighty performance that anchors the movie.

This is Warner Brothers at its most elegant. The Franz Waxman score is superb and the way he punctuates Bette's eye-blinking is hilarious.

The magnificent singer/actress Dolores Gray made her first film appearance in this film as a 1920s speakeasy chanteuse. Bette acknowledges what a beautiful voice she has in a moment that hasn't really anything to do with the scene, but the divine Dolores deserves the comment. In case you don't know who she is, check out her own film career 10 years later in her MGM films such as "It's Always Fair Weather."

Bette's aging makeup presages her work in "Whatever Happened to Baby Jane?"

You won't want to miss "Mr. Skeffington." Bette's flamboyance and Rains' gravitas make this film totally enjoyable.

I think this is one of Bette Davis' best roles ever. I have always been the "beautiful one' in my family also, getting all the attention, neglecting (but still loving my child). This movie is timeless, especially today in our youth worshiping society. It should be required watching for all young teenage girls. The moral is: beauty fades but true love lasts forever. A cliché? Sure, but so what! I cry each time I see this film. It hits me close to home, I always secretly wondered if my daughter would be as beautiful if not more beautiful than me. Mr. Skeffington (played by Claude Rains) is too good to be true, no man would tolerate such rejection from his wife. How did she get pregnant? Also, all the men she constantly entertained in their home! Thats something that didn't make sense to me but the good outweighs the bad in this movie. I know Franny Skeffington was shallow, but what about all those around her? Once her youth & beauty had faded, not only did her so-called admirers & friends disappear but they were so cold & callous about it. This movie woke me up like a slap in the face. I make it a point to try not to look in the mirror more than 3 times a day. :) But I used to sleep with a mirror next to my bed just like Franny did. All women thrive on compliments, etc. But I pity Franny not for losing her beauty, but for losing her innocence. How ironic it was for her to get a children's disease in order to grow up. Having to be told by a therapist that she was old & her only hope was to go back to her husband. The ending was truly inspired! Another movie that has a similar message about beauty & love is "The Enchanted Cottage" (1945) All in all this is a realistic portrayal of a selfish, shallow person and it takes one to know one.............

Bette Davis and Richard Waring are the Trellis siblings, an old name and dwindling money. They also have the snobbery that comes from having a name that goes back to the 17th century in terms of residence on the North American continent. Both their lives get forever intertwined with that of Claude Rains, Mr. Skeffington.

Fanny Trellis Skeffington is one of Bette Davis's best screen performances. She's a shallow woman who is a great beauty and enjoys all the flattery that a stream of men give her. Waring to keep up with his lifestyle goes to work for investment banker Skeffington and winds up embezzling a considerable sum of money.

Rains is ready to prosecute, but Davis intercedes and marries Rains who is as entranced as everyone else is with her beauty. They have one rocky marriage that produces a daughter, Majorie Riordan, but little else in the way of happiness for either.

If Mr. Skeffington has a fault it's that Rains is sometimes just to good to be true. For what he put up with, if he were a Christian, he'd be a candidate for sainthood.

Another thing I like about Mr. Skeffington is that it does tackle the issue of anti-Semitism head-on. Waring is a Jew hater as are many of Davis's upper crust admirers. Rains keeps a cheerful look on his face, but because he's that brilliant an actor, you can see the pain registering.

Mr. Skeffington was nominated for two Academy Awards. Bette Davis got one of her nominations for Best Actress, but lost to Ingrid Bergman for Gaslight. And Rains was nominated for Best Supporting Actor, but he lost to Barry Fitzgerald in Going My Way.

Warner Brothers gave Davis a great group of supporting players and among the ones I like are Dorothy Peterson as her loyal maid, George Coulouris as a psychiatrist who gave her some words of wisdom like a Dutch Uncle, and Walter Abel as her wise cousin who is the catalyst for some positive change in her in the end.

Mr. Skeffington is Bette Davis at her best and always finds a place in the top 10 of her screen roles.

It's the 1920's, in New York, when Fanny Trellis (Bette Davis) marries into a loveless marriage--to one of many gentlemen friends of hers, Job Skeffington (Claude Rains), an older, well-off, Jewish banker. Why would the most beautiful, seductive & most sought after lady in town do such a thing? To rescue her little brother, Trippy (Richard Waring), from an embezzlement trial. Yes, for Mr. Skeffington's money; but, not for herself.

While she's married, the flamboyant & beautiful seducer of many men suitors is proposed to over & over again. There's no secrecy about it as, one by one, man after man leaves Fanny's upstairs bedroom frustrated & dejected after proposing to the married woman & being repeatedly denied. As Mr. Skeffington shows each of them in & out of his (& her) home's front door, sometimes even drinking with them while they wait in line to propose to his gorgeous wife, he shows remarkable restraint, the utmost patience & total self-confidence. This is Claude Rains, the consummate gentleman.

Because of Fanny's seductive beauty power & the scenes with male suitors who keep calling upon her after she's married, the movie is a melo-comedy. Subtly so. However, towards the end, as age & illness become central elements in the Skeffington's marriage, you'll learn why it's also a fabulous romance perfectly portrayed by Davis & Rains: a tear-jerker. Rains is one of the few actors from whom Davis couldn't steal the show! He held his own in "Now, Voyager" (1942) as Dr. Jaquith, the instrumental clever psychiatrist who brought the immortalized Charlotte Vale (Bette Davis) out of her (s)mothered shell. As Mr. Skeffington, Claude Rains holds his own lead quite admirably well & for it was nominated to receive the 1945 Oscar as Best Supporting Actor. Davis & Rains make quite a marvelous on screen pair. Both of their voices, accents & speech patterns are classy & mesmerizing in this movie.