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"The Monster Maker" was one of the better products produced by poverty row studio PRC in the 1940s. Directed by the "busiest director on poverty row", Sam Newfield, it benefits from the casting of veteran character actors J. Carroll Naish and Ralph Morgan in the leading roles.

Anthony Lawrence (Morgan) is a successful concert pianist whose daughter Patricia (Wanda McKay) just happens to resemble the deceased wife of Dr. Igor Markoff (Naish). Markoff sees Patricia, whom he vows to marry, while attending a Lawrence concert with his assistant Maxine (Tala Birtell), who of course is in love with him. The evil doctor has been working on a cure for the rare disease of acromeglia (I may have the spelling wrong), a dehabilitating disorder which causes extreme swelling of the feet, hands and face.

When Lawrence comes to see Markoff about his advances toward his daughter, Markoff knocks out the pianist and injects him with the aforementioned disease. Lawrence slowly develops the disease and takes on a grotesque appearance. This forces Patricia to come to the mad doctor for help.

Ralph Morgan's make up is very good for a "B" movie, in fact it was done by the same person (whose name escapes me) who "aged" Orson Welles in "Citizen Kane" (1941). Naish plays his mad scientist role with conviction and the under rated Morgan is excellent as the tragic Lawrence. Birell is better than her material as the scorned Maxine. McKay looks lovely as the heroine and Terry Frost has little to do as the token hero Bob Baker. Also in the cast is veteran heavy Glenn Strange as Naish's brutish assistant. There's also a gorilla and a faithful dog in the cast but they have little to do with the story.

One of the better "B" mad doctor films.

Very cheap but hugely enjoyable 40's horror with above-average acting performances and a surprisingly well-written script. In case you too are a fan of those typically 40's low budget flicks revolving on mad scientists, you have to see "The Monster Maker" as J. Carrol Naish portrays one of the most dangerously insane men of science ever!! Well, maybe along with George Zucco in "The Mad Monster"… Naish, obviously imitating Bela Lugosi, is a doctor who enjoys infecting people with the acromegaly-disease (which makes them look kind of like "The Elephant Man"), simply because he's the only one who found a cure for it. He really goes out of his mind when he contaminates the eminent pianist Anthony Lawrence in order to get close to his beautiful doctor, Patricia. Is it just my impression, or are all mad scientists actually sad romanticists? The structure and plot are fairly standard but this film especially gets itself noticed because of the brutality! There are a couple of shocking images (the revelation of Lawrence's horribly deformed face) and Naish character is a really evil and relentless man! Considering the time it was made, "The Monster Maker" is quite a nasty horror film that shamelessly tries to outdo the famous Universal monster-classics. Oh, the guy inside the hilariously fake gorilla suit is a blast!

The evil Dr. Markoff (J. Carrol Naish), is a scientist experimenting with a cure for the rare disfiguring disease acromegaly (which cult actor Rondo Hatton, "The Brute Man" suffered from in real life). At a concert by pianist Anthony Lawrence (Ralph Morgan) he sees a beautiful girl who reminds him of his late wife. Backstage he discovers that she is Lawrence's daughter Patricia (Wanda McKay). He sets out to woo her, but after she spurns his advances he deliberately infects her father with acromegaly with the plan of forcing him to "give" his daughter to him in return for a cure. I really enjoyed this nasty b-grade thriller. It was obviously made on a tiny budget, the script is pretty dumb and the acting is variable, but I got a kick out of how twisted the central premise was, and Naish was extremely entertaining as Markoff. McKay's cute, future Frankenstein's monster Glenn Strange is one of the supporting cast, AND there's a guy in a gorilla suit, always a sign of a silly but fun movie in my book. 'The Monster Maker' is recommended to fans of old school "bad" b-grade horror movies.

This is a fairly good entertaining film concerning a conceited mad scientist named Dr. Igor Markoff.

Dr. Igor falls for a woman named Patricia who resembles his dead wife. Patricia rejects the doctor's advances and enlists her father (Anthony) to help stop the doctor from coming on so strong to her. Dr. Igor insists that Patricia marries him and will stop at nothing for her to become his new bride. Surprisingly, the doctor is actually well respected in the medical community and hides his wicked ways well from others. Dr. Igor hides the fact he will inject his enemies with Acromegaly to get what he wants.

The movie is fun, a bit corny and has some fairly good horror moments in it. This is a good afternoon film - it's not the really good creepy horror film that is good for a late night viewing but it's fun to watch.

5/10

(Some Spoilers) PRC quickie that has J. Carrol Naish playing Dr. Igor Markoff who's not really Dr. Karkoff but an impostor who took over his identity back in Europe.

The real Dr. Karkoff had a affair with Dr.Markoff's wife that lead to him to murder the real Dr.Markoff and then having his wife Lenore infected with acromegaly that made her look like the "Elephant Man's" sister. This was done so that no one would ever want to look at her and he could keep Lenore all to himself; but the disturbed Lenore later got even with her insane husband by killing herself.

This nut, the fake Dr. Markoff, then spots Patricia Lawrence, Wanda McKay, one evening at the theater where her father Tony Lawernce, Ralph Morgan, a world famous pianist is giving a concert. Enchanted by the lovely Patricia who's a dead ringer for his dead wife Lenore Dr. Markoff becomes obsessed with her and goes to extreme lengths to marry her even though she's want's nothing to do with him.

After getting ridicules in his efforts to get Patricia to fall in love with him, by sending her flowers with syrupy love notes attached to then as much as five times a day,Tony goes to see the crazed Dr. Mankoff to tell him to stop annoying his daughter. It's then that Tony ends up getting knocked out by the good doctor who has him injected with a dose of acromegaly that turns him into a somewhat unsightly fellow. With his hands and body swelling up and not being able to play his beloved piano Tony is told by his Doctor Dr. Adams,Sam Flint, that the only one who can cure him of that dreadful disease is non other then Dr. Markoff! the person who gave it to him.

The movie has the usual sub-plots with Dr. Markoff's assistant Maxine,Tala Birell, who's also in love with him jealous of the phony doctor making a play for Patricia. There's also Dr. Markoff's hulking butler Glenn Strange who, like his pet gorilla, is just a big clumsy oaf who can't even subdue Maxine who's less the half the size. Strange ends up getting bopped on the head and knocked out cold by Patricia's boyfriend Bobby Blake, Terry Frost. As for the Gorilla he turns out to be but a big hairy wimp when he also tries to do in Maxine and is chased away, and locks himself back up in his cage, by the pet dog Ace. Dr. Markoff in his desperation to get Patricia to marry him promises her to cure her dad only to have her father break out of his chains and in the ensuing struggle with him ends up shooting Markoff dead with his own gun.

There is a happy ending to this whole mess with Maxine, who knew as much about Markoff's cure for acromegaly as he did, injecting Tony with a secret serum that made him as good as new. The movie ends, like it started, with Tony playing the piano to a packed and cheering house at the local theater.

I have amassed a number of vintage if low-grade horror efforts and, while I originally had not intended including them during the current "Halloween Challenge", I felt that, since this is the era within the genre that I am most fond of, I would be depriving myself of some inherently entertaining stuff. Following my good impression of both MYSTERY OF MARIE ROGET (1942) and THE DRUMS OF JEOPARDY (1931), I opted to check this one out which, clocking at a mere 62 minutes, I could afford to leave for a late hour.

The result, again, proved very enjoyable but, thematically, it was highly derivative of Universal's THE RAVEN (1935), so close, in fact, that I am surprised that studio did not sue the Powerty Row company, PRC, who made THE MONSTER MAKER! Here, we also get an eminent doctor (J. Carroll Naish) who falls for a woman – because she is a dead ringer for his dead spouse – who does not correspond his love but, in spite of his respectable position, is not one to take no for an answer. Having made a study of the deforming disease acromegaly (which has often found its way into the genre), he goes so far as to 'infect' the heroine's musician father with it – when he turns up with an ultimatum to stop bothering his daughter – so that, in exchange for a cure (which, as it happens, he has just arrived at), the latter will have no choice but to ask the girl to set aside her romantic illusions (with the young promoter for his successful concert engagements) and accept Naish's advances (and, by extension, marriage proposal)!

In this respect, and like THE RAVEN itself, this is quite a nasty little item: actually, the make-up effects (showing Ralph Morgan's degenerating condition and which obviously jeopardize his career) are rather convincing, transcending the limited resources at the film-makers' disposal; this and Naish's committed performance are easily THE MONSTER MAKER's main assets. However, adding to the fun, are the presence of Naish's loving but long-suffering female aide (since he harbors no affections for her and has no qualms about telling her), a sinister male nurse (played by genre stalwart Glenn Strange) and even that old guinea-pig standard, a caged gorilla (which, for some reason, hates the assistant's guts and, consequently, Naish conveniently dispatches it in order to eliminate her when she threatens to expose the mad doctor's nefarious activities…but the woman is saved in the nick-of-time by her courageous and devoted German Shepherd dog).

The finale obviously has Naish getting his just desserts at the hands of Morgan himself, followed by the desperation expressed by the latter's offspring at the fact that the old man will have to carry the effects of the 'illness' with him…but now it is Naish's assistant who comes to the rescue as she is obviously adept enough to be able to reverse the acromegaly process(!?) all by herself – complete with a coda wherein Morgan has reprised his tour, with the assistant joining his daughter and fiancé in their balcony (she had earlier shared the adjacent one with Naish himself but, of course, he had eyes only for the heroine).

No one in this movie has very much to do. This is probably the longest 65 minutes I've ever spent watching a movie. The makeup effects on the pianist with macromeglia are pretty good, but that's the only thing that keeps this from being rate a 1. The doctor's assistant goes through extreme mood swings from passivity to hysteria in seconds and then seems to forget where she was in the next scene. The director assembled a lot of the right ingredients for a mad-doctor movie, but somehow forgot the skeleton of a story to hang them on. Unless you know someone in the cast or crew, I wouldn't recommend even sampling this one.

I've seen The Monster Maker a couple of times and found it quite enjoyable, despite reading bad reviews about it.

A mad scientist falls in love with a pianist's daughter when he sees her at one of her dad's concerts. After he goes round to the scientist's home one night to tell him to stop sending her flowers, he knocks him out and injects him with a fluid that will give him a disease of the glands and turn him into a monster. He gradually turns over a period of time and goes back to this mad scientist after his doctor recommend him as he has a cure for this disease. Back at the scientist's home, the scientist straps him to a bed and will only give him a cure if his daughter agrees to marry him. The pianist's daughter's lover turns up and kills the mad scientist and the pianist is given the fluid that will cure him by the scientist's assistant and makes a full recovery.

In the mad scientist's laboratory, we get to see a pig that he has been experimenting on, a dog and, best of all, a gorilla (a man in a gorilla suit), which tries to kill the scientist's assistant.

There several familiar faces in the cast in this movie: J Carrol Naish (House of Frankenstein), Ralph Morgan (Night Monster) and Glenn Strange (House of Dracula). Also in the cast are Wanda McKay, Tala Birell and Terry Frost.

The Monster Maker is a must for all sci-fi/horror fans. Great fun.

Rating: 3 stars out of 5.

PRC poverty row horror The Monster Maker stars J. Carrol Naish as boo-hiss mad scientist Dr. Igor Markoff, an expert in glandular disorders. When Markoff sees Patricia (Wanda McKay), beautiful daughter of concert pianist Lawrence (Ralph Morgan), at a recital, he is struck by her resemblance to his dead wife and becomes obsessed, vowing to marry her. Lawrence goes to see Markoff to warn him not to continue pestering his daughter, but winds up in a scuffle and being injected with a serum that causes acromegaly, a disease that results in enlargement of the extremities. Markoff tells Lawrence that he can cure his condition, but only if he persuades Patricia to be - how shall we put it? - more co-operative.

I've only seen two of director Sam Newfield's 200+ films before this one-The Flying Serpent and White Pongo-and they were both terrible. The Monster Maker is surprisingly watchable by comparison, a fun potboiler with solid performances from a decent cast, some nifty 'monster' make-up, and a snappy runtime of just 62 minutes, meaning that it's too short for boredom to set in. There's not a lot in the way of genuine horror, since Lawrence-the monster-is sympathetic and kind-natured, but there is plenty to enjoy here, including a killer gorilla of the man-in-a-monkey-suit variety, an appearance by Glenn 'Frankenstein's monster' Strange as Markoff's henchman Steve, and a brave hound played by none other than Ace the Wonder Dog!

Start with the premise that you will do anything to replace your lost love with a look-alike. Throw in your scientific knowledge of a deforming disease (isn't this the stuff that Leo G. Carroll contracted from the spider venom in "Tarantula"). Throw in the fact that the main character, instead of finding some way to attract the young woman, engages in heavy-handed stalking, until he totally draws attention to himself and has to hatch this insane plot: If he can make the girl's father sick, then help him recover, she will marry him. The problem is that most of the events are random and unpredictable. Anyone with half a brain would have seen through things. There's a third party, a woman that the doctor, played by J. Carroll Naish, has treated with great insensitivity. You know she is going to be a factor. There's also a gorilla kept in a cage who is used occasionally for heaven know's what. Oh well. There is so little sense to this who thing that it plays itself out and people get their just desserts.

This is one of those films that's entertaining for its sheer audacity. It also has an unusually interesting cast for a small-studio B-picture. J. Carroll Naish (as the evil Dr. Markoff) and Ralph Morgan (as victim Anthony Lawrence) were veteran character actors who were always worth watching, and Glenn Strange (as Steve, Markoff's giant-size henchman) would be promoted that same year to playing the Frankenstein Monster in the first of three films for Universal.

This professional cast tries to lend believability to several ludicrous situations. At one point Markoff attempts to put his nervous female assistant under a Svengali-like hypnotic influence; when this fails, Markoff turns loose his pet gorilla (!) in the hope that the beast will kill the beauty, though all it does is overturn a table.

Some critics have found this film particularly distasteful since it deals with acromegaly, an actual disfiguring disease (see the bio for actor Rondo Hatton elsewhere on this data base). And the sight of the malformed Mr. Lawrence (when his daughter suddenly enters a darkened room) is certainly an unforgettable jolt.

Worth one viewing for fans of horror movies from this era. I can't help but compare low budget movies like this with the Val Lewton flicks from the exact same moment in Hollywood history. Lewton had notoriously low budgets and still managed to make well written, well acted, beautifully photographed and expertly edited movies. By comparison there just isn't a lot of talent our expertise on exhibit in The Monster Maker. Even the veteran actors are only passingly acceptable. The supporting actors, such as the two that play the daughter and would-be son-in-law of the main protagonist, are mannequins reciting lines. I will say the makeup of the monster is pretty decent.

As far as low-budget black-and-white shockers go, THE MONSTER MAKER is pretty good. J. Carrol Naish is terrific as the doctor impostor obsessed with pretty blonde Wanda McKay. So obsessed, in fact, that he takes it upon himself to infect her father with a disfiguring disease, then uses the anecdote as a bargaining chip for her hand in marriage.

Everything about THE MONSTER MAKER is surprisingly up to par, at least by genre standards, from the plotting and writing to the makeup effects and acting. Poverty row director Sam Newfield (probably best known for his work on several LONE RANGER pictures) knows how to keep things moving, particularly since the film has a running time that only inches past an hour.

What I liked best about THE MONSTER MAKER is that it lives up to its promise by offering the sort of late-night fun that only old horror creakers can.

Oh God, Why? I am aghast at the sheer ineptitude of this delicious blathering nonsense..as if all that makes sense. Well, like this film from bottom rung poverty row of 1940s Hollywood, nothing in this door slamming horror - made on three sets - makes much sense...except the horniness of Dr Markoff (jerkoff?) who lusts uncontrollably after some plonky piano-player's daughter who has big melons and a flouncy hairdoo. It is just terrible ...and even has a gorilla and a big dog for pointless added distractions. More Elephantine than Elephant man and that is just at 62 minutes!. ....THE MONSTER MAKER is the sort of film kids in 2005 just howl at with disbelief and wonder what the hell their grandparents saw in their youth that made them the lovable movie kooks they are today. I guess you just had to be there. In 1944 or whenever the hell this mad drivel was shown to impressionable 13 year olds in glorious 3000 seat velvet movie palaces on a wet day. Somehow. It was made for no reason, by botchville crapshooter movie scammers PRC Pictures in the war years by escaped German refugees who knew who to make a film since they got out of Europe as the Nazis advanced on UFA studios...the monster in this film, like the mad scientist is actually a Nazi nightmare.

J Carol Nash and Ralph Morgan star in a movie about a mad scientist in love with a pianist's daughter. When his advances are spurned he injects the father with a disfiguring disease so that she will be forced to come to him to get a cure.

God this is awful.Its dull and boring and you'll nod off before the pianist gets uglified, I was on the verge. Yea it picks up once things are set in motion but this is one of those old movies better remembered then seen again.

If you must see it come in late

4 out of 10

"A scientist has developed a serum which grotesquely distorts the victim's hands and heads. The scientist decides to use his serum on a concert pianist to extort money from him for the cure as well as take the man's daughter for a wife," according to the DVD sleeve's synopsis. J. Carrol Naish (as Dr. Igor Markoff) plays "The Monster Maker" in the low budget Bela Lugosi mode...

Mr. Naish's serum causes a real disorder, "acromegaly", which American Heritage defines as, "A chronic disease of adults marked by enlargement of the bones of the extremities, face, and jaw that is caused by overactivity of the pituitary gland." Ralph Morgan (as Anthony Lawrence) plays the afflicted man with some dignity. Pretty blonde Wanda McKay (as Patricia "Pat" Lawrence) is the daughter desired by mad scientist Naish; in early scenes, Ms. McKay and Naish emote hilariously...

Watch for Tala Birell (as Maxine) in a surprisingly good supporting performance; she plays the somewhat Garbo-like, and long suffering, assistant to Naish. Ms. Birell definitely steals the film; and, you've got to question Dr. Markoff's sanity in casting her aside. Glenn Strange (as Steve) and a crazed gorilla (Ray Corrigan) add to the fun. The monster makeup (Maurice Seiderman) is very good.

****** The Monster Maker (4/15/44) Sam Newfield ~ J. Carrol Naish, Ralph Morgan, Tala Birell, Wanda McKay

It's obvious that there was a fixation in this era with the whole concept of the mad scientist who conducts evil experiments. At its best, this was a genre that produced classics like "Frankenstein" or "Dr. Jekyll and Mr. Hyde." "The Monster Maker" is not the genre at its best - although admittedly it's also not the genre at its worst.

My impression has always been that this was an era of transition in movie-making. Some movies from the era have a very "old" feel, as if they come from a bygone era. Others feel very fresh and modern and stand up well today. This is an example of the former. It would have fit into the early 30's well enough. The performances were passable, as was the story, which revolved around Dr. Markoff (J. Carrol Naish) who injects his hapless victim Anthony Lawrence (Ralph Morgan) with a dreadful disfiguring disease for which only he has the cure, the price for which is that Lawrence has to convince his beautiful daughter (Wanda McKay) to marry Markoff. It's not a very frightening movie; it's not even all that suspenseful. The title overstates Markoff's work. Lawrence is certainly disfigured, with swollen hands and a mis-shaped head, but he's hardly a "monster," so those looking for a monster movie will find this disappointing.

It's nothing noteworthy, but it's also not awful. (4/10)

What is it with monkeys and pre-1960 monster movies? This monkey really doesn't even have a major role, but we will cast one just to make this movie more authentic?? Besides that fact, this was a decent little intrigue flick. Taking an obscure at the time disease, and showing close-up of random medical literature (that has nothing to do with anything in the movie by the way) add the element of truth every movie needs to cause fear. Control this rare disease with an elixir of pititary (yummy!) and you have a monster. Add to it some real clever at the time plot twists and this movie is better than most.

And for people like me that love the corny gems hidden inside old movies this one also delivers on the 2 well known axioms of dating. First the way to a woman's heart is by poisoning her dad. Second - if you want to keep a woman faithful - make her ugly. Besides every woman needs a good workout on a badmitton course. You even get multiple scenes of Markoff wandering around in his suit like a fat Ricky Ricardo, giving the other cast members the Bela Lugosi patented "look into my eyes" treatment.

One of the forefathers of the current day medical thriller - this movie delivers not only on the sci-fi camp I love but by also being a completely watchable movie. Just trust the fact that there needs to be a man in a monkey suit for some reason.