El caballero de la muerte

This excellent slice of film noir sees classic actor Peter Lorre in a role that is less sinister than what we're used to seeing from him, but nevertheless; the refined performer manages a portrayal that really is a major asset for this film. The plot takes in elements of mystery and suspense and features themes of intrigue and greed at its centre. The film follows a writer who learns of a devilishly intelligent criminal by the name of Dimitrios Makropoulos, whose corpse is washed up on the shore of Istanbul. Knowing that this will give him a good base for a story, the writer follows his story across Europe and learns more and more about the illusive criminal. Much of the film's plot takes place in flashbacks, and in this respect, Jean Negulesco's film is very clever as we get to see the central figure's actions at the same time as learning about the kind of man he is; and like the writer at the heart of the tale, it's easy to become intrigued with the character of Dimitrios by watching the flashbacks.

The cast really is a strong element of this film, and starring alongside Peter Lorre is his co-star in The Maltese Falcon, Casablanca and The Verdict (to name a few), Sydney Greenstreet. These two actors work well together, and this is shown by the way that their dialogue flows. They're a bit of an odd couple, with Lorre being a very short European and Greenstreet being an enormous Englishman, but really that just adds to the appeal. An excellent supporting performance from a very dapper Zachary Scott rounds off the film in the acting department. The Mask of Dimitrios benefits from its dark picture, which in turn lends the film a grim and foreboding atmosphere. The locations are good, as the film takes place across Europe, with scenes taking place in Paris, Istanbul and Athens to name a few places. The plot moves very well as it straddles between what is happening in the present and what went on in the past, and Frank Gruber's screenplay does a great job of ensuring that the characters are well thought-out in a film that is as intriguing as it is thrilling. Recommended.

Eric Ambler was in a way the John Le Carré of his generation. A few of his works were turned into fantastic films. The two best ones were "Journey Into Fear" and "The Mask of Dimitrios." From the opening sequence when a body is washed ashore and a group of beachcombers walk up to it, realize what it is, and run away screaming, to the final fade out, this movie grabs the viewer's attention and holds it.

The acting is brilliant, from the stand out performances of the two leads, Peter Lorre and Sydney Greenstreet to the smallest bit players. Zachary Scott in his first screen appearance is a knockout as the coldblooded, calculating, ruthless international schemer, Dimitrios Makropoulos. Faye Emerson as one of the women, Irana Preveza, Dimitrios used for his own selfish purposes then discarded is uncanny as she changes from a beautiful nightclub singer (in the flashback) to the worn out haggard shadow of a person she has become when relating her story to Cornelius Leyden (Lorre). She tells Leyden that Dimitrios was the only man she was ever actually afraid of. Adding to the effectiveness of this scene is the haunting "Perfidia (Tonight)," played in the background. Victor Francen gives a powerful portrayal of Wladislaw Grodek, someone else Dimitrios has double crossed.

The story unfolds as Leyden, a writer intrigued by Dimitrios' treachery, sets about to uncover as much information as possible about the archfiend in order to write a book. He views Dimitrios' corpse at the morgue then begins backtracking to separate fact from fiction. Enter a stranger who has been following him, a Mr. Peters or is it Peterson. The stranger too wants the facts on Dimitrios for what purpose is not clear.

Not only is the viewer enthralled by the picture of Dimitrios that slowly emerges, but the international scope of the hunt is riveting, Istanbul, the Hellespont, Sofia, Belgrade, Athens, Paris. This was also the time that Hitler's war was raging across Europe which only adds to the atmosphere involving spying and treason.

Wonderful suspense film, with Lorre and Greenstreet, the Mutt and Jeff, of international intrigue, at the very top of their game, a great screen debut by Zachery Scott in the title role, and Victor Francen's very best performance in a minor but vital part. Atmosphere galore. -This- is the kind of film Warner Brothers did better than anyone else.

On the front in 1944 in the Siegfried line I heard there was a movie in the area. It was quiet so in the black of night for about an hour we hunted the tent in blackout to see this show. Twice more I heard there was a movie and it was the same one. I now think it was the only one in Germany at that time being shown by the Army. It was one of the best suspense movies I remember and Zachary Scott was the best. It was chilling and worth it. The Germans didn't start their Battle of the Bulge for 2 more weeks. Sorry I can't tell more but I might ruin it for you. You must see it for yourself.

I saw this movie 3 times in blackout conditions in 1944 on the German front just before the Battle of the Bulge. That was 3 separate times and apparently it was the only movie on the whole front. I just viewed it again today, 2002, and showed not a bit of age. It is exciting though it is 75% talk and 25% action. But what talk: Greenstreet and Lorre!! All the parts are finely chosen and hand polished until they fit the space perfectly. They don't make them like this anymore. Put it with Casablanca, Maltese Falcon (Bogart one), Key Largo, etc. If you like these, you'll love the Mask. And Col. Haki is great and in a previous movie was played by Orson Wells, i.e., another Eric Ambler movie. It is the Balkans in 1938 and background shots are exciting. If you don't know Faye Emerson, you will wish you did. Rush out and rent it.