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Agrega una trama en tu idiomaExhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).Exhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).Exhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).
- Dirección
- Guionistas
- Elenco
Lynn Arlen
- Girl at Party
- (sin créditos)
William Bailey
- Nightclub Patron
- (sin créditos)
Larry J. Blake
- Policeman
- (sin créditos)
Billy Bletcher
- Public Address Announcer
- (voz)
- (sin créditos)
Karin Booth
- Girl at Party
- (sin créditos)
Anthony Caruso
- George - Blackjack Dealer
- (sin créditos)
Wally Cassell
- Reporter
- (sin créditos)
Opiniones destacadas
In "Maisie Goes to Reno," our usually effervescent Maisie is burnt out working in a wartime factory and is sent on a vacation by her doctor. She accepts an offer to sing with her old band in Reno and relax by day but finds that in order to get there, she has to buy the ticket of a woman who's decided not to go. A soldier sees the transaction and begs Maisie to help him. Initially, he wants her ticket but when an MP informs him that his unit has been called in, he asks Maisie to take a note to his soon to be ex-wife in order to stop the divorce.
In Reno, Maisie discovers that the man's wife (Ava Gardner) is being duped by two con artists into believing her husband just wants her money. Maisie herself becomes involved with an employee in the hotel casino (John Hodiak).
Sothern does a fun rendition of "Panhandle Pete," Gardner is ravishing, and John Hodiak was never handsomer. Most of the "Maisie" series was pleasant without being overwhelming, though perhaps some of the earlier films were better. This one is okay, worth it to see Gardner and Hodiak in early roles - and of course, the always wonderful Sothern.
In Reno, Maisie discovers that the man's wife (Ava Gardner) is being duped by two con artists into believing her husband just wants her money. Maisie herself becomes involved with an employee in the hotel casino (John Hodiak).
Sothern does a fun rendition of "Panhandle Pete," Gardner is ravishing, and John Hodiak was never handsomer. Most of the "Maisie" series was pleasant without being overwhelming, though perhaps some of the earlier films were better. This one is okay, worth it to see Gardner and Hodiak in early roles - and of course, the always wonderful Sothern.
This eighth installment of the Maisie franchise is pretty strange and the plot very contrived. Yet, it still manages to entertain. It begins with Maisie being ordered to take a vacation from the defense plant, as she's exhausted and hasn't had a vacation in almost a year and a half. When she meets an old friend who is a band leader, he invites her to sing with his band in Reno. This way, her vacation will be paid for and all she'll need to do is get there. At the bus station, however, she meets a soldier (Tom Drake) who tells her a sob story in order to get her to give him her bus ticket. It seems his wife is now in Reno trying to get a divorce and he wants to stop her, as it's all just a bit misunderstanding. She gives him the ticket but then all leaves are canceled--and he's ordered back to camp. Maisie agrees to see the wife and deliver a letter to her.
When Maisie arrives at where the wife is staying, he gives her the letter and learns that the husband is a creep. Maisie is satisfied and decides to stay out of the situation. BUT, she then learns accidentally that the lady she spoke with is NOT the soldier's wife! What gives? Who is impersonating the wife and why? Perhaps it's because the real wife (Ava Gardner) is very rich and someone is trying to steal her fortune. The problem is no one believes Maisie and she has a devil of a time convincing any one! As I said, the plot is strange and contrived. But, it manages to be pretty entertaining as well--especially at the end. Not among the better Maisie films but all are awfully good, so it's worth your time.
When Maisie arrives at where the wife is staying, he gives her the letter and learns that the husband is a creep. Maisie is satisfied and decides to stay out of the situation. BUT, she then learns accidentally that the lady she spoke with is NOT the soldier's wife! What gives? Who is impersonating the wife and why? Perhaps it's because the real wife (Ava Gardner) is very rich and someone is trying to steal her fortune. The problem is no one believes Maisie and she has a devil of a time convincing any one! As I said, the plot is strange and contrived. But, it manages to be pretty entertaining as well--especially at the end. Not among the better Maisie films but all are awfully good, so it's worth your time.
Plot-- Maisie takes a vacation to Reno from her demanding wartime job. At the train station she gets caught up with a likable soldier being sent abroad. There she agrees to take a letter to his wife in Reno pleading with her to stop divorce proceedings. Trouble is things are not what they seem at the wife's Reno household.
Lesser entry in the Maisie series. The series draw, of course, is Sothern's spunky turn as the sassy blonde. Problem here is that the supporting roles are all sober-sides (except for Byron Foulger's last-minute goofy doctor), who too often squelch Maisie's comedic spark. Thus the amusement doesn't spread. Then too, the slender plot gets dragged out over 90-minutes minus needed comedic mood. Then too, the storyline meanders rather than builds.
On the other hand, the opening scenes are a good taste of wartime America, with crowded trains, ration cards, and Maisie the Riveter. I wish that had carried over to the body of the movie. Also, I thought we'd get more swing-time band numbers given Maisie's employment with a band.
Anyway, the tall, striking Hodiak is made for film noir not comedy, while the equally striking Gardner is largely wasted in a lesser role, still early in her career. At the same time, 1944 was a big year for all-American boy Tom Drake, what with his key role in the classic Meet Me In St. Louis (1944). Too bad his career never flowered. And what about that Mickey Rooney look- alike as the bellhop. I kept having to tell myself it's really not Rooney.
All in all, the series and actress Sothern are better than this particular installment.
Lesser entry in the Maisie series. The series draw, of course, is Sothern's spunky turn as the sassy blonde. Problem here is that the supporting roles are all sober-sides (except for Byron Foulger's last-minute goofy doctor), who too often squelch Maisie's comedic spark. Thus the amusement doesn't spread. Then too, the slender plot gets dragged out over 90-minutes minus needed comedic mood. Then too, the storyline meanders rather than builds.
On the other hand, the opening scenes are a good taste of wartime America, with crowded trains, ration cards, and Maisie the Riveter. I wish that had carried over to the body of the movie. Also, I thought we'd get more swing-time band numbers given Maisie's employment with a band.
Anyway, the tall, striking Hodiak is made for film noir not comedy, while the equally striking Gardner is largely wasted in a lesser role, still early in her career. At the same time, 1944 was a big year for all-American boy Tom Drake, what with his key role in the classic Meet Me In St. Louis (1944). Too bad his career never flowered. And what about that Mickey Rooney look- alike as the bellhop. I kept having to tell myself it's really not Rooney.
All in all, the series and actress Sothern are better than this particular installment.
Maisie Ravier (Ann Sothern) is cracking after working 16 straight months at the airplane factory. She is ordered to take a 2 week vacation with pay. Tommy Cutter offers her a singing job with him in Reno. At the bus station, she encounters Sergeant Bill Fullerton who wants her to deliver a letter to his wife Gloria. In Reno, she falls for blackjack dealer "Flip" Hennahan (John Hodiak) who drives her to Gloria. Unbeknownst to her, Gloria is being manipulated to divorce Bill.
I'm a little back and forth with Flip. He's not really necessary for a good movie. It could be a more fun caper without him. I'm not sure about the reason for the scheme either. I have my guesses. I like screwball caper part of the movie. I like bellboy Jerry. I still like Maisie and that's the main thing.
I'm a little back and forth with Flip. He's not really necessary for a good movie. It could be a more fun caper without him. I'm not sure about the reason for the scheme either. I have my guesses. I like screwball caper part of the movie. I like bellboy Jerry. I still like Maisie and that's the main thing.
For once, Maisie Ravier isn't losing a job on vaudeville, in a carnival or night club. "Maisie Goes to Reno" is the 8th of 10 films of the Maisie series by MGM. But now, our heroine has been working too hard at the war-time factory. So, the company doctor orders her to take a two-week vacation. Well, she runs into an old pal, Tommy Cutter, who happens to have a band and is heading for a gig at a hotel in Reno. He talks her into making her two-week vacation a return to singing with his band.
But, after being scammed by an old lady in the train depot and losing her money for a ticket, she gets her ticket from a G. I. He was on his way to try to stop his recent bride from divorcing him, but his leave has just been cancelled and he has to report back to base right away. In exchange for the ticket, Maisie agrees to take his letter and deliver it personally to the girl.
Well, Maisie winds up in another situation of skullduggery, but she is able to crack the case in the end so that the two lovebirds aren't divorced. In the meantime, of course, she has problems of her own over work and singing. How interesting this always is so that the audience never sees Ann Sothern sing or dance. Maisie falls for another guy, but has to put Flip off for moving too fast. Things get a little wacky in this one before it's over.
Here are some good lines from this film.
Flip Hennahan, "Take it easy! Take it Easy! What for? Do I have to buy you flowers and take you to the movies a whole year before I convince you?" Maisie Ravier, "Well, a girl does like to have flowers and a little romance before she's married. Heaven knows, few of them get it after."
Parsons, "You are an employee of this hotel. I'll see you in my office." Maisie, "Yes, sir. Shall I being the whip along or do you keep one handy?"
George, the blackjack dealer, "Aw, come now. Too much is plenty."
Maisie Ravier, "Flip, are you intimating again, that I'm a little nutsy?" Flip Hennahan, "Oh, no, honey, of course not. You've just been working too hard."
But, after being scammed by an old lady in the train depot and losing her money for a ticket, she gets her ticket from a G. I. He was on his way to try to stop his recent bride from divorcing him, but his leave has just been cancelled and he has to report back to base right away. In exchange for the ticket, Maisie agrees to take his letter and deliver it personally to the girl.
Well, Maisie winds up in another situation of skullduggery, but she is able to crack the case in the end so that the two lovebirds aren't divorced. In the meantime, of course, she has problems of her own over work and singing. How interesting this always is so that the audience never sees Ann Sothern sing or dance. Maisie falls for another guy, but has to put Flip off for moving too fast. Things get a little wacky in this one before it's over.
Here are some good lines from this film.
Flip Hennahan, "Take it easy! Take it Easy! What for? Do I have to buy you flowers and take you to the movies a whole year before I convince you?" Maisie Ravier, "Well, a girl does like to have flowers and a little romance before she's married. Heaven knows, few of them get it after."
Parsons, "You are an employee of this hotel. I'll see you in my office." Maisie, "Yes, sir. Shall I being the whip along or do you keep one handy?"
George, the blackjack dealer, "Aw, come now. Too much is plenty."
Maisie Ravier, "Flip, are you intimating again, that I'm a little nutsy?" Flip Hennahan, "Oh, no, honey, of course not. You've just been working too hard."
¿Sabías que…?
- TriviaThis was Ava Gardner's 23rd film over three years in Hollywood, but only her third credited role. It would be another two years before she would land her first lead role in El truhán (1946) and her breakout starring role in Los asesinos (1946).
- ErroresWhile Maisie and the soldier are talking in the diner, the glass of coke she's drinking changes positions and goes from full to empty at the end of the scene. Likewise, the amount of lemonade in her glass goes up and down from shot to shot when she's on a date with Flip at the casino.
- Citas
Tommy Cutter: Say, what's with that bellboy?
Maisie Ravier: He's stuck on me.
Tommy Cutter: That little kid?
Maisie Ravier: Listen, honey, these days you don't even throw the little ones back.
- ConexionesFollowed by Up Goes Maisie (1946)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Maisie Goes to Reno
- Locaciones de filmación
- Virginia Street, Reno, Nevada, Estados Unidos(establishing shot of the Reno arch)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Cuando ellas quieren (1944) officially released in India in English?
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