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IMDbPro

Cuesta arriba

Título original: Higher and Higher
  • 1943
  • Approved
  • 1h 30min
CALIFICACIÓN DE IMDb
6.0/10
858
TU CALIFICACIÓN
Frank Sinatra, Michèle Morgan, Leon Errol, Barbara Hale, Jack Haley, Grace Hartman, Paul Hartman, Marcy McGuire, and Dooley Wilson in Cuesta arriba (1943)
ComedyMusicalRomance

Agrega una trama en tu idiomaWith their employer bankrupt, servants scheme to marry maid Millie to a rich husband. But Frank Sinatra lives across the street...With their employer bankrupt, servants scheme to marry maid Millie to a rich husband. But Frank Sinatra lives across the street...With their employer bankrupt, servants scheme to marry maid Millie to a rich husband. But Frank Sinatra lives across the street...

  • Dirección
    • Tim Whelan
  • Guionistas
    • Jay Dratler
    • Ralph Spence
    • William Bowers
  • Elenco
    • Michèle Morgan
    • Jack Haley
    • Frank Sinatra
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    858
    TU CALIFICACIÓN
    • Dirección
      • Tim Whelan
    • Guionistas
      • Jay Dratler
      • Ralph Spence
      • William Bowers
    • Elenco
      • Michèle Morgan
      • Jack Haley
      • Frank Sinatra
    • 32Opiniones de los usuarios
    • 11Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 2 nominaciones en total

    Fotos7

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    Elenco principal48

    Editar
    Michèle Morgan
    Michèle Morgan
    • Millie Pico
    • (as Michele Morgan)
    Jack Haley
    Jack Haley
    • Mike O'Brien
    Frank Sinatra
    Frank Sinatra
    • Frank Sinatra
    Leon Errol
    Leon Errol
    • Cyrus Drake
    Marcy McGuire
    Marcy McGuire
    • Mickey
    Victor Borge
    Victor Borge
    • Sir Victor Fitzroy Victor
    Mary Wickes
    Mary Wickes
    • Sandy Brooks
    Elisabeth Risdon
    Elisabeth Risdon
    • Mrs. Georgia Keating
    Barbara Hale
    Barbara Hale
    • Katherine Keating
    Mel Tormé
    Mel Tormé
    • Marty
    • (as Mel Torme)
    Paul Hartman
    Paul Hartman
    • Byngham
    Grace Hartman
    • Hilda
    Dooley Wilson
    Dooley Wilson
    • Oscar
    Ivy Scott
    • Mrs. Whiffin
    Robert Andersen
    Robert Andersen
    • Announcer at Butler's Ball
    • (sin créditos)
    Paul Bradley
    Paul Bradley
    • Wedding Guest
    • (sin créditos)
    Ralph Brooks
    • Restaurant Customer
    • (sin créditos)
    Tanis Chandler
    Tanis Chandler
    • Debutante
    • (sin créditos)
    • Dirección
      • Tim Whelan
    • Guionistas
      • Jay Dratler
      • Ralph Spence
      • William Bowers
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios32

    6.0858
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    Opiniones destacadas

    349th Heavy Weapons Crew

    Frankie's performance couldn't be reviewed!

    Back in 1944 movie critics weren't given special screenings in order to review soon to be released films, but had to wait for a movie's regular opening to write their reviews. According to the host of American Movie Classics, when "Higher and Higher" first opened, film critics were unable to review Frank Sinatra's performance because the screams of adulation from the overwhelmingly young female audience drowned out all sound.

    The first time I ever saw/heard Frank Sinatra was in the late 1960s and I couldn't understand why the women of my mother's generation made such a fuss about Mr. Sinatra. But after seeing this sensual and romantic crooner in "Higher and Higher" I can easily grasp why thousands of young women slept in the streets in order to be the first on line to see the young and appealing Mr. Sinatra.
    5ryancm

    Higher than expected

    While a far cry from a "great musical classic" HIGHER AND HIGHER does have its moments. Most of them are provided by the young Frank Sinatra. As part of the Frnak Sinatra DVD collections, this flimsy musical showcases him well. I kind of liked Sinatra as the youngish, cute and innocent characters he played in this first films and up to FROM HERE TO ETERNITY. That's when he lost the "boyishness" and became a mature actor, which he handled with ease. HIGHER AND HIGHER has a cute plot that's really kind of a fairy tale, but fun. The supporting cast is really good and makes up for the plot line and contrivences. Michelle Morgan is well cast as the scullery maid turned debutante for plot purposes. Never cared for Jack Haley, but everyone else was fun. Look for a young Barbara Hale and Mel Torme. Most of the songs are well done and Sinatra could do no wrong in any of his numbers. My favorite I COULDN'T SLEEP A WINK LAST NIGHT. For some light fun and breezy entertainment, I recommend HIGHER AND HIGHER.
    8ShazInCA

    One of my favorites

    This is one of my all-time favorites. Great music and some funny bits. I laugh every time at Millie, the maid pretending to be a débutante, holding her dainty hankie while chatting, and mindlessly polishing furniture with it as she chats. I just never can get past her French accent never being a problem as they try to pass her off as the boss's daughter.

    Seeing a teenage Mel Torme and the very young Frank Sinatra singing is such a treat. My mom saw Frank Sinatra at a theater about the same time this movie came out. She said they couldn't clear the "bobby-soxers" out between movies (in those days you didn't have to leave between showings). This movie shows you how attractive and appealing the young Frank was and allows you to appreciate his early talent as well. And Victor Borge gets in a bit of his routine in, which is a bonus.

    This is a fun movie with a sweet, simple storyline. Very enjoyable.
    bob the moo

    Average little film with a small role for Sinatra, who's name made it a bigger film than it deserved to be

    Cyrus Drake is a rich businessman who has had his staff of servants for many years – a situation that is put a risk when bad investments bankrupt him and threaten to put his loyal staff on the street. To bring money back into the family again, the servants plan to marry off the youngest maid, Millie to a rich man. The staff all pick their roles to establish the ruse, while Millie starts being taught how to be a well educated debutante. However their plans are endangered when singer Frank Sinatra moves in next door and Millie tries to hide her affection for fellow servant Michael.

    Billed as a Frank Sinatra film now, really this is a standard romance of the time, which features Frank in a small role as himself in order to get the teenage crowd in the doors (and they say cynical marketing at teens is a recent thing!). Ignoring this role the film is very much an ordinary piece of entertainment that was very much of the period – a piece of fluff with a convoluted plot, musical numbers, misunderstandings and true love finding a way by the end. In this regard it is OK but quite average, with no real laughs, no significantly moving moments and nothing that really stands out. The script allows for enough to go on to keep the interest but it is all pretty thin and gradually slips into nothingness with only frequent and lively musical numbers serving to keep boredom at bay. The silly twist towards the end is a good example of how lazy the scriptwriters were – basing their happy ending on the thinnest of plot devices.

    The cast are mostly OK – a mix of romantic parts and fast-talking characters. Sinatra didn't do that well playing himself and he looked uncomfortable – like he had been forcibly inserted into the film and felt unwelcome. He got better with time but here he is pretty wooden. Morgan is likable as Millie and Haley enjoys himself with the sort of character that usually plays the sidekick as opposed to his lead role here. Support from Errol, Wickes and an early role from a beautiful Hale (best known as Della Street to my generation) are all good value and help the material appear more interesting and lively than it actually is.

    Overall this is very much of its period and it is an average at that. Sinatra may not actually add much on screen but his name made it a bigger film than it could have been and ensures that it gets repeated on television quite often when others have been forgotten. As afternoon television filler it does the job but it is a wholly unremarkable film even with the presence of Sinatra and I imagine that, without his involvement that it would have long since been forgotten.
    6AlsExGal

    Light musical comedy from RKO and director Tim Whelan

    When the household staff of a wealthy family find out that their employers have gone broke, they concoct a dubious scheme: have new maid Millie (Michele Morgan) pretend to be the daughter of the rich family long enough to wed a wealthy suitor and get her hands on his money, after which she'll pay the other servants handsomely. Butler Michael (Jack Haley) manages the scheme despite having feelings for Millie himself, while next door neighbor Frank Sinatra (Frank Sinatra) keeps popping over to hit on Millie, as well as sing a few tunes.

    The story is minor, and the humor thin, but it was fun seeing so many later major stars in early roles. Mel Torme looks like he's about 13 years old, Barbara Hale is youthful yet still mature, and Victor Borge is a long way from the goofball that I used to see on PBS so often in the 70's and 80's. The real draw is Sinatra, of course, playing a version of himself. He sings several songs, but doesn't have much acting to do. He's very thin and looks like he's wearing a suit 3 sizes too big. One of his songs earned an Oscar nomination for Best Song ("I Couldn't Sleep a Wink Last Night"), as did the film's score by C. Bakaleinikoff.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      RKO purchased the rights to the play for $15,000 ($254,000 in 2022), specifically to star Frank Sinatra, and the four songs he sings by Jimmy McHugh and Harold Adamson were written to accommodate his singing style. He was billed third because the contracts with Michèle Morgan and Jack Haley prevented higher billing.
    • Errores
      During the song "when it comes to love you're on your own" (c.62 minutes) the doorways have no panes of glass in them on the lower rows, as the house staff join in the song.
    • Citas

      Mr. Green: Lovely thing you're playing, Victor. What is it?

      Sir Victor Fitzroy Victor: It's a piano.

    • Conexiones
      Featured in We Haven't Really Met Properly...: Jack Haley as the Tin Man/Hickory (2005)
    • Bandas sonoras
      It's a Most Important Affair
      (1943) (uncredited)

      Written by Jimmy McHugh

      Lyrics Harold Adamson

      Sung by Mel Tormé, Marcy McGuire, Paul Hartman, Grace Hartman,

      Martha Mears, Dooley Wilson, and Ivy Scott

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    Preguntas Frecuentes16

    • How long is Higher and Higher?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de abril de 1944 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Higher and Higher
    • Locaciones de filmación
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 600,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 30 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Frank Sinatra, Michèle Morgan, Leon Errol, Barbara Hale, Jack Haley, Grace Hartman, Paul Hartman, Marcy McGuire, and Dooley Wilson in Cuesta arriba (1943)
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