Laureles ajenos

The last of the really great comedies that Preston Sturges directed had a more serious undertone than his previous films. This is not to say that Hail the Conquering Hero isn't hilarious though. It is just as intelligent, fast-paced, subversive and witty as could be expected from the writer/director of The Lady Eve and The Palm Beach Story.

Eddie Bracken plays Woodrow Truesmith, a would-be marine who was discharged from service for chronic hay fever. Woodrow, whose father died a hero during WWI, hasn't had the heart to tell his mother about his discharge and has been pretending to still be on the front line. When he befriends a group of marines on leave, they dress him up as a hero and bring him home to make his mother happy, not anticipating that his whole town will give him a hero's welcome.

Considering that the film was made during the war, it is surprising the way it satirises the notion of the war hero as well as the attitudes of those who did not go away to fight. The awestruck townspeople are depicted as being rather gullible while the marines are shown as a tough, cohesive unit, if maybe a bit dishonest and mercenary (and in one case slightly unhinged). The film has fine production values and great performances across the board but it is Sturges' script, with its marvellous characterisations and sparkling dialogue, that really shines. If you like Preston Sturges' other, earlier comedies, this film is essential viewing.

This film was delightful and fun! It will lift your spirits - as I imagine it was meant to do in 1944. I enjoy watching films made during WWII - it helps me understand the attitudes and thoughts of the people living and fighting then. The sentiment is occasionally rather precious (for a Sturges film), but that is my quibble. I have always enjoyed watching Sturges' Sullivan's Travels. Watching "Hail the Conquering Hero" has convinced me to find and view more of Sturges' films. I hope you enjoy it as much as I did.

A tip of the hat to the other commentors of this film. Their comments are enlightened and do justice to a real work of art. Here is my small contribution.

Eddie Bracken does a wonderful job as the meek, pitiful "hero", who just wants to go home. (The word that comes to mind is sanctuary. More than a place, it's a goal and ultimate need.) Home, back to his town, his mother, and his girl.

William Demarest, as the sergeant, shines. He gives a laudable performance. Or is it just him? His "bark" in this film is very reminiscent of another famous role of his, that of the "salty" Uncle Charley on the long running TV sitcom, "My 3 Sons".

The town is a delight. It is a typical small town of 50 years ago (or what we expect one to be). It's a warm friendly place with people you can count on. In typical small town American tradition, the truth is triumphant, everyone pulls together, and a tearful, happy ending is assured. I'm sure that if you close your eyes you'll be able to picture this place in your mind's eye.

A sentimental, funny, patriotic movie that would be very much appreciated during the dark days of war, it's charm still comes through 50 plus years later. It's one of my favorites.....

With literally dozens of identifiable characters, named and unnamed, this is a film in which nearly every shot is jammed full of faces -- in fact, it's nearly twenty minutes into the movie before a shot occurs in which the frame contains only a single human being (Mom taking hot buns out of the oven). Filmed and released during the darkest year of WWII, HERO is a smart, unjingoistic yet oddly patriotic comedy of the home front, and of our often short-sighted view of what makes a hero. One of Sturges' best and most innovative comedies -- and that's saying a lot!

Preston Sturges's companion piece to The Miracle of Morgan's Creek was this brilliant satire on patriotism and hero worship, with Eddie Bracken giving a touching performance as a 4-F reject whose elaborate system of lies snowballs when he runs into a troop of returning Marines who decide to help him maintain his imposture. Taking a lot of strands from Sturges's previous comedies, this film remains fresh and perceptive, with hilarious insights into politics, family values, and ethics. With the disenchantment with politics in today's society, where is Preston Sturges when we need him?