Al compartir una suite de hotel durante la escasez de viviendas de la Segunda Guerra Mundial en Washington, D.C., tres amigos descubren que sus respectivos matrimonios no son legalmente váli... Leer todoAl compartir una suite de hotel durante la escasez de viviendas de la Segunda Guerra Mundial en Washington, D.C., tres amigos descubren que sus respectivos matrimonios no son legalmente válidos.Al compartir una suite de hotel durante la escasez de viviendas de la Segunda Guerra Mundial en Washington, D.C., tres amigos descubren que sus respectivos matrimonios no son legalmente válidos.
- Dirección
- Guionistas
- Elenco
- Waiter
- (sin créditos)
- School Girl
- (sin créditos)
- School Girl
- (sin créditos)
Opiniones destacadas
It's no surprise that Ann Sheridan is wonderful she was always an outstanding comedienne, skillful with a quip or a withering look.
Alexis Smith gets shortchanged somewhat with the best lines but has a very cute scene on a pretend witness stand and is up to whatever good lines come her way plus she and Ann are ultra glamorous, as befits stars of the period no matter what time it is in the movie day or night or their economic situation they are dressed to the nines and dripping in eye popping jewelry.
Jane Wyman manages to make her character, who can only be described as a borderline idiot, sweet and endearing rather than annoying or irritating which would have been easy from a less talented actress. The role is not something that was alien to her at the time, a feather headed dame, but considering her later work and persona which was much more sober if you only are familiar with that phase of her career this comes as a pleasant surprise.
Even as funny and strong as this trio is they don't stand a chance whenever Eve Arden swoops in as a Russian commando and steals her scenes without breaking a sweat. With undisguised glee she tears into her character with abandon and wipes everybody out of the picture.
On top of all that there's still Charlie Ruggles and Alan Mowbray adding fun touches in support.
A delightful way to spend a couple of hours that this is so obscure is a head scratcher. Sadly it's never been released on any format, hopefully one day it will at least see the light of day on the Warners on demand website.
Carson, who is supposed to be on his honeymoon with Wyman, refuses to stay in the suite because of all the extra people. Wyman's character, is a complete dim-wit and doormat. Sheridan and Smith walk all over her. It seems that the three ladies are also acquainted with one another, which is most likely the main reason why Wyman won't kick them out. Wyman's character, in my opinion, is the only sour note in the film, because her character is so irritating. She brags about her haircut to multiple people in the film and it's terrible. She has that matronly poodle cut hair style that so many women during the 1940s-1950s adopted which instantly aged them 10-15 years. Sheridan and Smith, while definitely wearing 1940s hairstyles, look much more sleek and sophisticated. Sheridan, Smith and Arden were my favorite characters in the film.
This movie was so frantic and had so many different characters and situations that at times, it was hard to follow what was going on. However, overall, it was funny and a great way to spend an hour and a half. This type of film fulfills the exact role I want from my movies: escapism. When I watch a movie, I want to be able to forget about all the awful things I heard/read about on the news that day. Even if it's not an absurd movie like The Doughgirls, and is something more serious like a noir, I am still able to escape. Noir films are so stylized that you're swept up into their world.
It all starts when Jack Carson and Jane Wyman get married and try to begin their honeymoon in a Washington, D.C. hotel whose lobby is overrun with people needing a room. Despite their reservation, they discover that their room's bathtub is already occupied by Ann Sheridan's character, who happens to be ditzy Wyman's old chorus line pal. Naturally she's allowed to stay as is their other gal-pal Alexis Smith, who's married to a lieutenant (actress Smith's soon to be husband Craig Stevens).
Things really heat up when Sheridan's husband's (John Ridgely) ex- wife (Irene Manning) shows up, and a gun-toting female Russian army sergeant (Eve Arden) and Carson's lecherous boss (Charles Ruggles) join the mix, further delaying-frustrating Wyman-Carson's consummation.
Alan Mowbray appears as a radio correspondent. Donald MacBride, a judge and Regis Toomey, an FBI man also appear.
¿Sabías que…?
- TriviaAlexis Smith, who plays Nan Dillon, and Craig Stevens, who plays her husband Lieutenant Tom Dillon, were married for nearly 49 years until she passed away from brain cancer in 1993.
- ErroresWhen Arthur throws Vivian down on the floor at the end, the part of the floor she lands on can be seen to give way and spring back. It was constructed so Jane Wyman wouldn't get hurt.
- Citas
Vivian Marsden Halstead: [At door to hotel] Darling, are you gonna carry me over the threshold?
Arthur Halstead: [Arms full of luggage] I can't, baby. I've got all these other bags. C'mon.
- ConexionesReferenced in American Masters: Tyrus (2017)
- Bandas sonorasJeepers Creepers
(uncredited)
Music by Harry Warren
Performed by Ann Sheridan, Alexis Smith and Jane Wyman
Selecciones populares
- How long is The Doughgirls?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 1.37 : 1