El mujeriego

What a waste of time. There is absolutely nothing funny in this so-called comedy. The plot, or lack of it, is is pretty stupid and corny. Gary Cooper was much better in Ball of fire and Meet john doe and Teresa Wright didn't do many comedies. Don't waste your time.

For a lighthearted comedy as described, the subjects are quite serious, a man sees his short intense relationship with his fiancée end very suddenly because the introduction to his future mother-in-law does not exactly go smoothly, to put it mildly.

That is a kind of flashback by the way because in the meantime he already has a new relationship, one in which he is going to get married tomorrow.

But when he finds out that his ex has just given birth to a daughter and that she wants to give the child up for adoption, he more or less kidnaps the child.

His current girlfriend is very easily pushed aside as filler and that results in a strangely unbalanced film, it is also strange to see how fathers then were already seen at that time as people who actually had little right to their child while mothers were already considered to be the rightful owners for the upbringing .

Everyone knows I don't like Gary Cooper, but Casanova Brown is one of the few movies in which I can stomach his performance. Much like Three Godfathers softens John Wayne's gruff persona, this romantic comedy softens Gary's wooden delivery. He's still Gary Cooper, and by that I mean he seems like he's both scared stiff and about to start laughing, and he still seems to be unclear as to the syntax of the English language. However, since he spends the majority of the movie awkwardly taking care of a baby, it works.

Gary's about to get a divorce from Teresa Wright so that he can marry Anita Louise, but then he finds out Teresa's just had his baby and plans to give it up for adoption. Gary's masculine pride won't allow that, so he kidnaps the kid and tries to take care of it secretly in his apartment. Yes, it's a very silly, unrealistic story, but I don't hold a high bar for Gary Cooper movies. The fact that I like this one doesn't necessarily speak highly of it, but rather how much I normally dislike him. If you enjoy this one and want to watch something similar, check out Robert Young in And Baby Makes Three.

Casanova Brown (1944)

A not-so-screwball comedy, but a comedy, based on the solid writing of Nunnally Johnson. The idea is a really 1940s one: can a man raise a baby? Throw in a leading man who is so thrown by his dilemma he marries or almost marries three women (all in the same room at one point), and so on and so on.

Cary Cooper is the superstar, and he's his usual likable but slightly dull (restrained) self, and he might not be the best for the role, but in a way that's the point, that the man is clumsy and awkward about anything maternal. The cast around him is terrific, including Frank Morgan (who was the wizard in The Wizard of Oz). And the third star, Teresa Wright, is her predictably sweet and perky self, once she arrives on the scene.

It's a zany plot, for sure, and if it drags a little sometimes, or is just a bit corny, that's part of it. The convergence of the various people who are at odds with each other without knowing it is almost inevitable, but when it happens it clicks. And Frank Morgan is key, more than anyone. The photography might not seem to matter in a film that is so plot heavy, and so insane, but in fact the cinematography by John Seitz is really superb, and helps make the thing hold together.

If you watch the first twenty minutes you'll know whether to watch the rest. I really think some people will find this too old fashioned in its humor, and a little to contrived and silly, too. But others will be glad for the non-stop absurdity, for the nice filming, and for the almost surreal strangeness of events.

A man named Casanova becomes involved with a number of women and a cute baby. This attempt at screwball comedy has a few amusing moments but much of the humor is forced. Despite the efforts of veteran screenwriter Johnson and director Woods, the film takes a while to get going and soon runs out of steam. Cooper tries hard but can't overcome the weak script. Morgan comes off best, playing Cooper's would-be father-in-law. Wright is perky as Cooper's wife, but seems too young for him; there was an age difference of over 17 years between them. Interestingly, the baby girl is played by a fellow named Billy Chapin, who went on to have a brief acting career before retiring at age 16.