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Gary Cooper aprende a usar pañales y fórmula después de robarle el hijo a su exesposa, que planeaba darla en adopción.Gary Cooper aprende a usar pañales y fórmula después de robarle el hijo a su exesposa, que planeaba darla en adopción.Gary Cooper aprende a usar pañales y fórmula después de robarle el hijo a su exesposa, que planeaba darla en adopción.
- Dirección
- Guionistas
- Elenco
- Nominado a 3 premios Óscar
- 3 nominaciones en total
Edmund Breon
- Mr. Drury
- (as Edmond Breon)
Larry Olsen
- Junior
- (as Larry Joe Olson)
Ernie Adams
- Expectant Father
- (sin créditos)
John Alban
- Father at Baby Window
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
For a lighthearted comedy as described, the subjects are quite serious, a man sees his short intense relationship with his fiancée end very suddenly because the introduction to his future mother-in-law does not exactly go smoothly, to put it mildly.
That is a kind of flashback by the way because in the meantime he already has a new relationship, one in which he is going to get married tomorrow.
But when he finds out that his ex has just given birth to a daughter and that she wants to give the child up for adoption, he more or less kidnaps the child.
His current girlfriend is very easily pushed aside as filler and that results in a strangely unbalanced film, it is also strange to see how fathers then were already seen at that time as people who actually had little right to their child while mothers were already considered to be the rightful owners for the upbringing .
That is a kind of flashback by the way because in the meantime he already has a new relationship, one in which he is going to get married tomorrow.
But when he finds out that his ex has just given birth to a daughter and that she wants to give the child up for adoption, he more or less kidnaps the child.
His current girlfriend is very easily pushed aside as filler and that results in a strangely unbalanced film, it is also strange to see how fathers then were already seen at that time as people who actually had little right to their child while mothers were already considered to be the rightful owners for the upbringing .
This one gets a lot of flak for being simply ridiculous--and I can see why--but if you come with a healthy dose of suspension of disbelief you will enjoy it.
A case in point--a cigarette butt ends up burning an entire house--which some viewers might see as over-the-top but I thought was simply laugh-out-loud hilarious. There are other laugh-out-loud moments for me too, but the movie nosedives when the Gary Cooper character kidnaps his own baby: he's a college professor and is unable to understand the rate of growth of a newborn baby? Seriously stretches credulity, but watch it for Gary Cooper and the earnest Teresa Wright.
A case in point--a cigarette butt ends up burning an entire house--which some viewers might see as over-the-top but I thought was simply laugh-out-loud hilarious. There are other laugh-out-loud moments for me too, but the movie nosedives when the Gary Cooper character kidnaps his own baby: he's a college professor and is unable to understand the rate of growth of a newborn baby? Seriously stretches credulity, but watch it for Gary Cooper and the earnest Teresa Wright.
As a professor on the verge of matrimony for a second time, Cooper (the unlikely Casanova here) learns he's become a new father, by his ex-wife Isabel (Teresa Wright). He wants to find out the truth for himself so visits the hospital directly. One thing leads to another and he decides to kidnap the baby, with mostly awkward and hilarious results.
I like Frank Morgan in this movie as he tries to be the practical observer and adviser. He shines with his usual wit and bumbling charm.
Cooper, being the 'outside parent' makes an interesting remark at one point about fatherhood, that men can be fine leaders and do great things but can't be considered capable enough to raise a child, all of which goes to show the roles society dictated then and even now.
This is amusing entertainment without going overboard on comedy.
I like Frank Morgan in this movie as he tries to be the practical observer and adviser. He shines with his usual wit and bumbling charm.
Cooper, being the 'outside parent' makes an interesting remark at one point about fatherhood, that men can be fine leaders and do great things but can't be considered capable enough to raise a child, all of which goes to show the roles society dictated then and even now.
This is amusing entertainment without going overboard on comedy.
There are a lot of negative reviews for this movie. But I have to disagree with most of them. While it is not the best movie you will ever see it is not as bad as everyone says it is. Gary Cooper is one of his lovable characters that he always is. While sure nowadays this movie would seem almost criminal but the movie not meant to be taken seriously it is a comedy. There is no amazing performances or outstanding direction. But their is something lovable about Cooper's character. I saw a review once that said this was a pathetic attempt at screwball comedy. Well I have to say that is a little harsh I can think of at least 5-10 movies that are worse at screwball comedies than this. So in my opinion don't skip this one you might just enjoy it.
Everyone knows I don't like Gary Cooper, but Casanova Brown is one of the few movies in which I can stomach his performance. Much like Three Godfathers softens John Wayne's gruff persona, this romantic comedy softens Gary's wooden delivery. He's still Gary Cooper, and by that I mean he seems like he's both scared stiff and about to start laughing, and he still seems to be unclear as to the syntax of the English language. However, since he spends the majority of the movie awkwardly taking care of a baby, it works.
Gary's about to get a divorce from Teresa Wright so that he can marry Anita Louise, but then he finds out Teresa's just had his baby and plans to give it up for adoption. Gary's masculine pride won't allow that, so he kidnaps the kid and tries to take care of it secretly in his apartment. Yes, it's a very silly, unrealistic story, but I don't hold a high bar for Gary Cooper movies. The fact that I like this one doesn't necessarily speak highly of it, but rather how much I normally dislike him. If you enjoy this one and want to watch something similar, check out Robert Young in And Baby Makes Three.
Gary's about to get a divorce from Teresa Wright so that he can marry Anita Louise, but then he finds out Teresa's just had his baby and plans to give it up for adoption. Gary's masculine pride won't allow that, so he kidnaps the kid and tries to take care of it secretly in his apartment. Yes, it's a very silly, unrealistic story, but I don't hold a high bar for Gary Cooper movies. The fact that I like this one doesn't necessarily speak highly of it, but rather how much I normally dislike him. If you enjoy this one and want to watch something similar, check out Robert Young in And Baby Makes Three.
¿Sabías que…?
- TriviaPatricia Collinge and Teresa Wright also played mother and daughter in Sir Alfred Hitchcock's La sombra de una duda (1943), as well as aunt and niece (by marriage) in La loba (1941).
- ErroresThe year on a postmark seen in a closeup is 1944, but the tag on the baby's basket indicates the year is 1941.
- Citas
Casanova Brown: A man's not capable of taking care of a baby according to the courts. He can build bridges, he can fly around the world, he can be president and run the whole United States, but taking care of a child is too much for him! For that you've got to be a woman. Any woman!
- ConexionesReferenced in Class of '44 (1973)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Casanova Brown
- Locaciones de filmación
- Cedars of Lebanon Hospital - 4833 Fountain Avenue, East Hollywood, Los Ángeles, California, Estados Unidos(hospital interiors and exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 34 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was El mujeriego (1944) officially released in Canada in English?
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