Escuela de sirenas

I was fourteen-years-old when this film was released and naturally eager to see the fabulous Esther Williams. However, I was totally mesmerized by Harry James, premier trumpeter of his day. His playing was absolutely dynamite. I had never heard anything like it. I made up my mind then and there that I wanted to do that. I went on to a successful trumpet-playing career largely due to the initial influence of the great James. In those days (Mid 1940's) everyone wanted to be a trumpet player (unlike the deluge of guitars today)mainly due to the influence of Harry James. I am impressed to this day whenever the film is shown on TV. For those of you unfamiliar with the film or of Harry James, I strongly recommend it, especially for young budding trumpet players.

Although 'Bathing Beauty' was intended as a Red Skelton vehicle it's known more for the introduction of Esther Williams, who became a star overnight.

No wonder too. Williams is a sheer delight, in and out of the water. Her aquatic dancing is dazzling, and she has an immensely charming presence that handles comedy and romance very well. This is not knocking Skelton though, because while he could easily have mugged he is suitably subdued here and is very funny, his ballet dancing scenes are some of the best things he ever did on film and still come over as riotous.

Basil Rathbone is underused and has been better, but is still amusing and suave. Other standout supporting turns are from a dynamite Harry James, Ethel Smith and Helen Forrest.

Visually, 'Bathing Beauty' is a beautiful-looking film, with opulent use of colour, handsome cinematography and elegant costumes and sets. The songs and music, while not exactly memorable or timeless, are still very pleasant to listen to and performed with zest, sensitivity and assurance.

Scripting-wise, it is amusing and fun enough while resisting mawkishness in the more romantic elements. George Sidney directs assuredly, and the film maintains interest and rarely loses it. A definite highlight element is the water ballet sequences, the final one being the very meaning of "aqua-spectacular".

However, the story is paper-thin flimsy, contrived and pure nonsense. While a few supporting cast members acquit themselves well, most of them are wasted (Bill Goodwin, Donald Meek) or forgettable, though Carlos Ramirez does stick out as somebody on vocally glorious but entirely charisma-free form.

Overall, Technicolor and aquatic beauty and worth seeing for Skelton and Williams. 7/10 Bethany Cox

Of course,the story was not very interesting - or,in other words,forgettable. Also,many of the gags weren't really funny. But all that doesn't count for it is Esther Williams' first starring feature - and she is so lovely and wonderful in the aquatic scenes,where she shows all her talents! The aquatic scenes are also well choreographed,the music for them is well chosen,the side-scene as colorful and kitschy as fabulous and the show furious and excellent! I also liked the appearances of the music stars... all in all,a typical Hollywood musical classic!

Plot, who cares about the plot. It is a WWII movie in COLOR, with LOTS of GIRLS. Actually, one of the few Red Skelton movies in which he really isn't a clown. The most important parts are the opening pool party, lots of real era swimsuits, and the singers and musicans, and Esther Williams. This is a fun movie, with lots of girls.

The swimming routines of Esther Williams and the comedy of Red Skelton are timeless which is why Esther's debut as a star can be seen hundreds of years from now and not lose any entertainment value. Of course an appreciation of swing music and Latin music does help.

Bathing Beauty which is certainly an appropriate title for Esther's first starring role has Red and Esther as newly minted newlyweds when some woman objects to the wedding saying she's already Red's wife.

Red's a writer of swing music and his publisher Basil Rathbone deliberately arranged that incident to break up the marriage so Red can deliver some special material. However the minister beat out the objection with his 'I now pronounce you man and wife' so they are married, but Esther will get that annulled. But not if Red can help it.

She goes back to her old job teaching at an all girl's college which Red enrolls at as a student to be near her to plead his case. At this point the rather thin plot is just a frame for the various routines and numbers done by the stars and with guest performers like Harry James and his Orchestra, Xavier Cugat and his Orchestra and the famous Tico Tico girl Ethel Smith doing, what else Tico Tico on the organ. Also orchestra vocalists Helen Forrest with James and Lina Romay with Cugat have some good numbers.

Basil Rathbone taking time off from playing Sherlock Holmes hams it up to beat both those featured bands in his role as the comic villain of the piece. Red does his usual clowning and is an adept musical performer in a swing version of Loch Lomond.

But this film is strictly Esther and her final water ballet sequence was the first of many making use of that special tank MGM built for this very special star.

You could remake this film today, but where would you ever come up with another Esther Williams or Red Skelton?