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5.7/10
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Otra de las producciones de Paramount que se vendió a United Artists a principios de los años 40, cuando los Estados Unidos tenían problemas para cumplir con sus contratos de exhibición debi... Leer todoOtra de las producciones de Paramount que se vendió a United Artists a principios de los años 40, cuando los Estados Unidos tenían problemas para cumplir con sus contratos de exhibición debido a la falta de producto.Otra de las producciones de Paramount que se vendió a United Artists a principios de los años 40, cuando los Estados Unidos tenían problemas para cumplir con sus contratos de exhibición debido a la falta de producto.
- Dirección
- Guionistas
- Elenco
Olin Howland
- Second Cop
- (as Olin Howlin)
William Cabanne
- Soda Jerk
- (sin créditos)
Laurie Douglas
- Actress
- (sin créditos)
Jimmie Dundee
- Wise Guy on Street
- (sin créditos)
Betty Farrington
- Minor Role
- (sin créditos)
Blanche Grady
- Actress
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Paramount made this film in 1941, but the movie-going public didn't see Young And Willing until 1943 when the film was sold to United Artists to help them fulfill booking commitments. That it was held up for two years is always a bad sign.
It's not a horribly bad film, but not all that good. It concerns six people who are aspiring thespians who share an apartment. Bills such as they are are paid by Martha O'Driscoll who has a rich dad. The others living there are William Holden, Eddie Bracken, Susan Hayward, James Brown and Barbara Britton. It was agreed no romance, but Brown and Britton have already broken that rule, they are secretly married.
The young folks do struggle and when O'Driscoll's father learns she's been living coed he threatens to take her back to their small Illinois home town where family values prevail. The six of them pull all kinds of schemes to both keep O'Driscoll around and get a big break from playwright Robert Benchley.
One thing that truly drove me up the wall as much as it did to the characters on screen was Florence MacMichael's baby talking voice. She's a high minded young woman who finks on the arrangement to O'Driscoll's dad. That woman was hard to take from the moment she opened her mouth until the rest of the film was over. She made me glad when it was over.
This had to be the ultimate of what Bill Holden called his 'Smiling Jim' roles before Sunset Boulevard which he ached to get out of. But at least Young And Willing being the last film the public saw Holden in before he joined the Army Air Corps kept him in the public eye. The public wouldn't see him again until 1946 in Blaze At Noon.
Beware of Florence MacMichael.
It's not a horribly bad film, but not all that good. It concerns six people who are aspiring thespians who share an apartment. Bills such as they are are paid by Martha O'Driscoll who has a rich dad. The others living there are William Holden, Eddie Bracken, Susan Hayward, James Brown and Barbara Britton. It was agreed no romance, but Brown and Britton have already broken that rule, they are secretly married.
The young folks do struggle and when O'Driscoll's father learns she's been living coed he threatens to take her back to their small Illinois home town where family values prevail. The six of them pull all kinds of schemes to both keep O'Driscoll around and get a big break from playwright Robert Benchley.
One thing that truly drove me up the wall as much as it did to the characters on screen was Florence MacMichael's baby talking voice. She's a high minded young woman who finks on the arrangement to O'Driscoll's dad. That woman was hard to take from the moment she opened her mouth until the rest of the film was over. She made me glad when it was over.
This had to be the ultimate of what Bill Holden called his 'Smiling Jim' roles before Sunset Boulevard which he ached to get out of. But at least Young And Willing being the last film the public saw Holden in before he joined the Army Air Corps kept him in the public eye. The public wouldn't see him again until 1946 in Blaze At Noon.
Beware of Florence MacMichael.
william holden stars in his last film before going to war. the film did not get the credit it should have so i'm giving it now. it is a near perfect comedy that keeps going and never slows down. william holden susan hayward martha o'driscoll and eddie bracken all turn in fine performances but the always great robert benchley steals the show. this film is well worth a four star treatment.
This comedy from Paramount Pictures/United Artists and director Edward H. Griffith has six aspiring stage performers, Norman (William Holden), George (Eddie Bracken), Tony (James Brown), Kate (Susan Hayward), Dottie (Martha O'Driscoll), and Marge (Barbara Britton), all sharing an apartment to save on expenses. They have to keep their co-habitation a secret though, so as to not upset the morals of the day and risk immediate eviction. Their situation is upended by the arrival of cousin Muriel (Florence MacMichael) who wants to spill the beans on their arrangement, and playwright Arthur Kenny (Robert Benchley), a major Broadway figure who resided in the same apartment building in his younger years, and who has returned to recharge his creative batteries.
I found this more irritating than amusing. MacMichael uses an incredibly annoying cutesy baby voice that grates on the nerves. Neither the screenwriters nor the director succeeded in opening up the action much from its stage origins, and as such the majority of the film transpires in a single room. Future big-time movie stars Holden and Hayward are fine in their roles, but neither really displays much in the way of screen magnetism. Bracken gets to do most of the silliest shtick, naturally. This reminded me of a prototype version of Friends.
I found this more irritating than amusing. MacMichael uses an incredibly annoying cutesy baby voice that grates on the nerves. Neither the screenwriters nor the director succeeded in opening up the action much from its stage origins, and as such the majority of the film transpires in a single room. Future big-time movie stars Holden and Hayward are fine in their roles, but neither really displays much in the way of screen magnetism. Bracken gets to do most of the silliest shtick, naturally. This reminded me of a prototype version of Friends.
The movie is a fast paced comedy, action oriented and a clear plot. Star power in the actors, and everyone delivered a fine performance. But for whatever reason, it wasn't funny.... and I love comedies. Perhaps it was the writing and plot. It didn't seem to have many funny scenes.
I found this on Youtube in multiple clips and downloaded it and put it together in one file. I'm very glad I did. It's one of the brightest, funniest, and original comedies I've seen in a long time. The cast is filled with young up and coming future stars and they shine wonderfully. The first half is well setup and the laughs in the second half come fast and often. The old hands give the movie a solid foundation for the newcomers to play on. I would love to find a good print because this film deserves to be seen as good as new. Track it down and forgive the print quality and enjoy the show.
¿Sabías que…?
- TriviaOne of several Paramount Pictures productions purchased by United Artists for theatrical release in 1942-1943 when U.A. was having trouble meeting their exhibitor contracts because of lack of product, mainly due to their loss of production in England.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Out of the Frying Pan
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 23 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Del fuego a las brasas (1943) officially released in Canada in English?
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